Italian Harpsichordists on Guitar Antonio De Innocentis

Cover Italian Harpsichordists on Guitar

Album Info

Album Veröffentlichung:
2026

HRA-Veröffentlichung:
25.02.2026

Label: Brilliant Classics

Genre: Guitar

Subgenre: Classical Guitar

Interpret: Antonio De Innocentis

Komponist: Girolamo Frescobaldi (1583-1643), Gaetano Greco (1657-1728), Domenico Alberti (1717-1740), Domenico Zipoli (1688-1726), Bernardo Pasquini (1637-1710), Benedetto Marcello (1686-1739), Domenico Cimarosa (1749-1801), Domenico Scarlatti (1685-1757), Pietro Domenico Paradies (1707-1791)

Das Album enthält Albumcover Booklet (PDF)

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Formate & Preise

Format Preis Im Warenkorb Kaufen
FLAC 48 $ 12,20
  • Girolamo Frescobaldi (1583 - 1643): Passacaglia, F2.28:
  • 1 Frescobaldi: Passacaglia, F2.28 02:40
  • Aria Con Variazioni Detta "La Frescobalda", F 3.32:
  • 2 Frescobaldi: Aria Con Variazioni Detta "La Frescobalda", F 3.32 06:10
  • Gaetano Grieco (ca. 1657 - 1728): Aria Di Ballo:
  • 3 Grieco: Aria Di Ballo 01:32
  • Domenico Alberti (1710 - 1740): Giga (Presto) from Sonata, Op. 1 No. 4 [8] in G Minor:
  • 4 Alberti: Giga (Presto) from Sonata, Op. 1 No. 4 [8] in G Minor 03:18
  • Allegro from Sonata da Camera in F Major:
  • 5 Alberti: Allegro from Sonata da Camera in F Major 03:04
  • Domenico Zipoli (1688 - 1726): Suite No. 2 in G Minor, Op. 1 No. 18:
  • 6 Zipoli: Suite No. 2 in G Minor, Op. 1 No. 18: I. Preludio 04:00
  • 7 Zipoli: Suite No. 2 in G Minor, Op. 1 No. 18: II. Corrente 03:00
  • 8 Zipoli: Suite No. 2 in G Minor, Op. 1 No. 18: III. Sarabanda 02:24
  • 9 Zipoli: Suite No. 2 in G Minor, Op. 1 No. 18: IV. Giga 02:13
  • Bernardo Pasquini (1637 - 1710): Partita Sopra L'aria Della Follia da Espagna:
  • 10 Pasquini: Partita Sopra L'aria Della Follia da Espagna 02:12
  • Benedetto Marcello (1686 - 1739): Allegro in G Major (Allegretto Con Grazia):
  • 11 Marcello: Allegro in G Major (Allegretto Con Grazia) 02:58
  • Allegro Con Brio from Sonata in C Major, S.704:
  • 12 Marcello: Allegro Con Brio from Sonata in C Major, S.704 03:38
  • Allegro from Sonata No. 4 Sf.736°:
  • 13 Marcello: Allegro from Sonata No. 4 Sf.736° 03:16
  • Domenico Cimarosa (1749 - 1801): Sonata No. 58:
  • 14 Cimarosa: Sonata No. 58 01:24
  • Sonata No. 53:
  • 15 Cimarosa: Sonata No. 53 03:28
  • Sonata No. 61:
  • 16 Cimarosa: Sonata No. 61 02:59
  • Sonata No. 47:
  • 17 Cimarosa: Sonata No. 47 03:11
  • Domenico Scarlatti (1685 - 1757): Sonata, K.1:
  • 18 Scarlatti: Sonata, K.1 03:27
  • Sonata, K.78 (Giga/Minuetto):
  • 19 Scarlatti: Sonata, K.78 (Giga/Minuetto) 02:37
  • Sonata, K.27:
  • 20 Scarlatti: Sonata, K.27 04:31
  • Sonata, K.159:
  • 21 Scarlatti: Sonata, K.159 03:09
  • Pietro Domenico Paradies (1707 - 1791): Allegro (Toccata) from Sonata No. 6 in A Major:
  • 22 Paradies: Allegro (Toccata) from Sonata No. 6 in A Major 04:05
  • Total Runtime 01:09:16

Info zu Italian Harpsichordists on Guitar

„Die Gitarre ist ein ausdrucksstarkes Cembalo“, erklärte der Komponist Claude Debussy nach einem Konzert des katalanischen Gitarristen Miguel Llobet. Die klassische Gitarre hat mehr als die meisten anderen Instrumente von Arrangements vieler Musikgenres profitiert. Vor allem Renaissance- und Barockmusik passen gut zum Klang und Tonumfang der Gitarre, und Klaviermusik lässt sich ideal auf der Gitarre spielen, oft direkt aus der Originalpartitur. Debussys Kommentar mag gegenüber Cembalisten unfair sein, aber man kann sagen, dass die Ausdrucksmöglichkeiten der Gitarre die des Cembalos überwiegen. Girolamo Frescobaldi (1583-1643) wurde in Ferrara geboren, einer der musikalisch inspirierendsten Städte Italiens am Ende des 16. Jahrhunderts. Er war Organist in St. Peter in Rom und soll auch ein hervorragender Cembalist gewesen sein. Sein Einfluss erstreckte sich nicht nur über Italien, sondern auch über die Alpen hinaus.

Antonio de Innocentis, klassische Gitarre

Zur Info: wir bieten dieses Album in der nativen Abtastrate von 48kHz, 24-Bit an. Die uns zur Verfügung gestellte 96kHz-Version wurde hochgerechnet und bietet keinen hörbaren Mehrwert!




Antonio De Innocentis
was born in Naples in 1961. In 1985 he graduated Summa cum Laude from Cimarosa Conservatory in Avellino, Italy. He subsequently attended summer courses at the Vienna Conservatory and the Salzburg Mozarteum.

De Innocentis gave his first concert in 1980, followed by engagements all over Europe and the USA. He was the first guitarist in the world to have performed the entire ‘24 Caprices’ by Paganini in a single concert (Avellino, Italy, 1992) with a repeat performance at The Old Malthouse Music Society in Sawbridgeworth, England, in 1996. The outstanding success of this concert prompted the society organiser Chris Dell to write in the Classical Guitar Magazine: “This guitarist is world class, of that there can be no doubt”.

Many composers have written and dedicated works to him including John W. Duarte, Ursula Ditchburn, Neil Smith and Colin Tommis from the UK; John Bent, Pasquale Bifulco, and John Oster from the USA; Jonatas Batista‐ Neto from Brazil; Luigi Arbolino, Marcello Parisi, Giovanni Zaccari and Giuseppe Torrisi from Italy.

In addition to performing, Antonio has given masterclasses in Italy, Norway, France, Spain, the UK and USA. In October 1999 Antonio took part in John Duarte’s 80th birthday tribute concerts first at the Old Malthouse Music Society in Sawbridgeworth then at the Bolivar Hall in London. Duarte wrote of him "Antonio De Innocentis is in all respects a remarkable artist, one who must be included in the upper echelon of today's guitarists..." In June 2009 in Norwich, invited by the late composer’s son Chris Duarte, De Innocentis performed two guitar concertos – “A Tudor Fancy” by J. Duarte and “Fantasia para un Gentilhombre” by Rodrigo in a concert with the Academy of St. Thomas Orchestra conducted by Roger Coull. In October 2019 he took part, together with her daughter Fiammetta (singer), in the "John W. Duarte Centenary Concert", held at Kings Place, London.

De Innocentis has recorded seven CDs for Fiammant Records: “Guitar Recital” (1997); “Premiere!” (2004); “Live at Kellie Castle” (2005), “Return to Glenmore” (2005), “The 24 Caprices op. 1 by Paganini” (2010), “Vive la France!” in collaboration with GiZa Records (2011) and “Dialogues” (2013). His Paganini recording was reissued by Italian web label Dot Guitar in 2014 and marketed on the major international digital platforms such as iTunes, Amazon, E-music, and Napster.

Intimate, refined, with sweet affecting melodies and subtle harmonies, De Innocentis’s Suite per Giuseppina, published by Bergmann Edition, is a delight for player and listener.



Booklet für Italian Harpsichordists on Guitar

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