Weber: Symphonies Nos. 1 & 2, Bassoon Concerto & Invitation to the Dance Karen Geoghegan, BBC Philharmonic Orchestra & Juanjo Mena

• Carl Maria von Weber (1786 - 1826): Aufforderung Tanze (Invitation to the Dance), Op. 65, J. 260:
• 1 Weber: Aufforderung Tanze (Invitation to the Dance), Op. 65, J. 260 10:13
• Symphony No. 1 in C Major, Op. 19, J. 50:
• 2 Weber: Symphony No. 1 in C Major, Op. 19, J. 50: I. Allegro con fuoco 06:37
• 3 Weber: Symphony No. 1 in C Major, Op. 19, J. 50: II. Andante 07:17
• 4 Weber: Symphony No. 1 in C Major, Op. 19, J. 50: III. Scherzo -Trio 03:31
• 5 Weber: Symphony No. 1 in C Major, Op. 19, J. 50: IV. Finale. Presto 06:24
• Bassoon Concerto in F Major, Op. 75, J. 127:
• 6 Weber: Bassoon Concerto in F Major, Op. 75, J. 127: I. Allegro non troppo 08:17
• 7 Weber: Bassoon Concerto in F Major, Op. 75, J. 127: II. Adagio 04:45
• 8 Weber: Bassoon Concerto in F Major, Op. 75, J. 127: III. Rondò. Allegro 04:16
• Symphony No. 2 in C Major, J. 51:
• 9 Weber: Symphony No. 2 in C Major, J. 51: I. Allegro 09:25
• 10 Weber: Symphony No. 2 in C Major, J. 51: II. Adagio, ma non troppo 04:43
• 11 Weber: Symphony No. 2 in C Major, J. 51: III. Menuetto. Allegro 01:30
• 12 Weber: Symphony No. 2 in C Major, J. 51: IV. Finale. Scherzo Presto 02:12
• Total Runtime 01:09:10

Info zu Weber: Symphonies Nos. 1 & 2, Bassoon Concerto & Invitation to the Dance

This is the fourth release by the BBC Philharmonic under its Chief Conductor, Juanjo Mena, and the discography is going from strength to strength – their recording of orchestral works by Falla was ‘Recording on the Month’ in BBC Music. They are joined on this recording by the bassoonist Karen Geoghegan.

Weber wrote the waltz Aufforderung zum Tanze (Invitation to the Dance) in 1819, around the time when he was also working on the opera Der Freischütz. The two works crossed paths once more, in 1841, when the latter was performed at the Opéra de Paris. Berlioz had been commissioned to orchestrate Aufforderung zum Tanze so that it could be incorporated into the opera, and he did so by melding Weber’s polished and elegant original with his own sound world, with customary panache. It is the version included on this disc.

Also featured are Weber’s Symphonies Nos 1 and 2. That these works should be so neglected is partly down to historical accident; they were composed just four years after Beethoven’s monumental ‘Eroica’ Symphony, the work which ditched the rulebook once and for all, and which turned the genre from classical perfection into a personal musical manifesto. So when Weber’s symphonies saw the light of day, overshadowed by the great master, no one took much notice.

Weber wrote the first symphony between 14 December 1806 and 2 January 1807, while the second took just over a week, from 22 and 28 January. Yet, there is no evidence of undue haste in the finished works, quite the opposite in fact. They strongly display what Debussy aptly described as Weber’s ability to ‘scrutinise the soul of each instrument’.

Also on this disc is the composer’s Bassoon Concerto. Much of the work’s appeal derives from Weber’s ear for sonority, and in particular the dark-hued palette natural to the bassoon. The finale has the bassoon playing a jester of great agility, yet with enough elegant touches to dispel any clichéd ideas of the instrument as a figure of fun. The movement builds to an assured and almost reckless virtuoso ending. Karen Geoghegan is the soloist in this work. Gramophone said of this young artist that ‘lyrical, mellifluous playing seems to come as naturally as wit and charm’.

"The performances are pretty astringent, Juanjo Mena persuading the BBC Philharmonic to play as if they were a period orchestra, with wiry lean string tone and rasping woodwind." (BBC Magazine)

"Mena immediately sounds like a natural Weberian who, together with his smart horns and timpanist, has absorbed enough of historic-instrument practice to spare the music the false-sounding weighty Viennese classicism that used to be inflicted on many early-19th-century scores." (Gramophone Magazine)

"These are lively, virtuoso performances of works of considerable originality in composition. Not every detail is clear in the generally lucid recording, but pretty well everything in Weber's score is respected...Geoghegan gives a delightful performance of a work that respects the innately lyrical tone of the instrument, and fills the finale with wit while avoiding any clowning" (International Record Review)

Karen Geoghegan, bassoon
BBC Philharmonic
Juanjo Mena, conductor

Karen Geoghegan
is an Scottish bassoonist. She appeared on the 2007 BBC Two reality show, Classical Star. She was spotted on the show by the managing director of Chandos Records, Ralph Couzens and she has gone on to record three albums with the independent label.

Geoghegan began studying the bassoon at the age of twelve with Russell Cowieson, having previously played the violin since the age of five. She later studied at the Junior Academy of the Royal Scottish Academy of Music and Drama with Janet Bloxwich. She won the Gilbert Innes Prize for woodwind and the 2004 Concerto competition, and in 2004 and 2005 was awarded the Wolfson Scholarship. In 2006 she gave a recital on BBC Radio Scotland, and also performed the Hindemith Trumpet and Bassoon Concerto with John Wallace. She was a member of the National Youth Orchestra of Scotland for four years and in 2007 performed with Camerata Scotland NYOS Futures. As of 2009, Geoghegan is in her final year at the Royal Academy of Music with John Orford. During her first year she performed the Mozart Bassoon Concerto with the Academy String Orchestra, and received the Violet M. Wallace Award. She was runner-up in the BBC Two programme Classical Star for her performance of the Hummel Bassoon Concerto with the City of London Sinfonia at LSO St Luke's. On 5 August 2009 she performed the Mozart Bassoon Concerto with the BBC Philharmonic at the BBC Proms.

Booklet für Weber: Symphonies Nos. 1 & 2, Bassoon Concerto & Invitation to the Dance