Jacquet of Mantua: Motets & Secular Songs The Choir of Sidney Sussex College, Cambridge, Kirsty Whatley & David Skinner

• Jacquet of Mantua (1438 - 1559): Ave maris stella a4/5:
• 1 Mantua: Ave maris stella a4/5 08:29
• Plorabant sacerdotes:
• 2 Mantua: Plorabant sacerdotes: I. Plorabant sacerdotes (prima pars) 04:27
• 3 Mantua: Plorabant sacerdotes: II. Parce domine (secunda pars) 04:28
• In lectulo meo a3
• 4 Mantua: In lectulo meo a3 03:03
• Nigra sum sed formosa a5:
• 5 Mantua: Nigra sum sed formosa a5 06:36
• Cantate Domino a 3:
• 6 Mantua: Cantate Domino a 3 02:20
• Ave regina caelorum a6:
• 7 Mantua: Ave regina caelorum a6 06:16
• Vostre dolce parole:
• 8 Mantua: Vostre dolce parole 01:49
• Canamus et bibamus:
• 9 Mantua: Canamus et bibamus 03:06
• Douce ésperance:
• 10 Mantua: Douce ésperance 02:15
• Pater noster:
• 11 Mantua: Pater noster: I. Pater noster (prima pars) 07:21
• 12 Mantua: Pater noster: II. Ave Maria (secunda pars) 06:14
• Quam pulchra es:
• 13 Mantua: Quam pulchra es 03:00
• Virgo prudentissima a4:
• 14 Mantua: Virgo prudentissima a4 03:59
• Da pacem Domine a7:
• 15 Mantua: Da pacem Domine a7 04:20
• Aspice Domine a5:
• 16 Mantua: Aspice Domine a5 06:56
• Sancta Trinitas a8:
• 17 Mantua: Sancta Trinitas a8 05:32
• Total Runtime 01:20:11

Info zu Jacquet of Mantua: Motets & Secular Songs

Der Chor des Sidney Sussex College, Cambridge, stellt unter der Leitung von David Skinner eine leuchtende Sammlung von Werken Jacquets von Mantua (1483- 1559) vor, einem Meister der Renaissance-Polyphonie. Dieses Album enthält eine sorgfältig zusammengestellte Auswahl von Motetten und seinen seltenen weltlichen Liedern, die Jacquets exquisite Mischung aus französisch-flämischer Handwerkskunst und italienischer Lyrik zur Geltung bringen. Vom strahlenden Ave maris stella bis zum temperamentvollen Trinklied Canamus et bibamus offenbaren diese Aufführungen den Reichtum und die Vitalität von Jacquets Musik. Dieses selten aufgenommene und von gegenreformatorischem Eifer geprägte Album bietet eine intime Reise in das Herz des musikalischen Ausdrucks der Renaissance.

Der Chor des Sidney Sussex College, Cambridge
Kirsty Whatley, Harfe
David Skinner, Dirigent

David Skinner
(DPhil, Oxon) is Fellow and Osborn Director of Music at Sidney Sussex College, Cambridge, and artistic director of Alamire. His research has centred around music institutions, manuscripts and composers of 16th-century Europe, and is particular specialism is music and the Reformation in England. A large portion of his doctoral thesis was published in the Roxburghe Club volume The Arundel Choirbook (Arundel: Duke of Norfolk, 2003), and he has since published a number of music editions, facsimile volumes, and articles. as well as more than 30 commercial recordings (awards including Gramophone, BBC Music, Limelight, Times CD of the Year, and others). Dr Skinner’s recent publications include The Anne Boleyn Music Book: Facsimile with Introduction, DIAMM Facsimiles 6 (London: Royal College of Music, 2017), and ‘‘Deliuer me from my deceytful ennemies’: A Tallis Contrafactum in Time of War’, Early Music (Oxford University Press, 2017). The latter project, in which Queen Catherine Parr was identified as the author of a contrafact of Tallis’s grandest antiphon Gaude gloriosa dei mater, received wide media coverage including all major broadsheets, BBC 4 Today Programme and BBC Breakfast News. As a presenter he has worked extensively for BBC radio, appearing in and writing a variety of shows on Radio 3 and 4. He acted as music advisor for the Music and Monarchy series on BBC 2 with David Starkey, and was Music Consultant for the recent BBC4 documentary on the history of Evensong with Lucy Worsley. He is currently General Editor of the prestigious Early English Church Music series (The British Academy: Stainer & Bell) for whom is is completing a new edition of Tallis’s Latin church music.

Kirsty Whatley
studied in Manchester and Switzerland, and has worked as a performer, recording artist and teacher for many years. She has performed live on BBC radio and television, and on national radio stations abroad. After completing an MMus at the University of Manchester focussing on contemporary harp, she went on to postgraduate study in Basel, Switzerland, specialising in harps of the Renaissance and Baroque. With these, she appears on recordings such as the Taverner Consort’s L’Orfeo and their Gramophone-Award-winning Western Wynd; Alamire’s The Anne Boleyn Songbook; Fretwork’s In Chains of Gold; and I Fagiolini’s Leonardo: Shaping the Invisible, amongst many others. She has performed with groups such as The BBC Singers, Moscow City Ballet, London Handel Orchestra, English Touring Opera, I Fagiolini, Alamire, Taverner Consort, Ensemble Leones, Tetraktys, Stavangar Baroque, and Courtiers of Grace. With modern harp, over the years she has covered much of the standard orchestral and choral society repertoire, regularly supporting music-making in her local communities.

The Choir of Sidney Sussex College, Cambridge
The Choir comprises approximately 25 singers and two Organ Scholars, from both Sidney and other colleges in the University. They sing two Evensongs a week, plus a number of special services and concerts. The Choir also performs internationally: recent venues include the Carnegie Hall, St. Peter's Basilica and the Dubai Opera.

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