Chen Zhangyi: Twin Cinema Chen Zhangyi

• Chen Zhangyi (b. 1984): Give and Take:
• 1 Zhangyi: Give and Take: I Towers and Fountains 03:50
• 2 Zhangyi: Give and Take: II Double Duet- Romanze 03:11
• 3 Zhangyi: Give and Take: III Poets 02:45
• 4 Zhangyi: Give and Take: IV Gears and Cycles, Interlocked 01:25
• 5 Zhangyi: Give and Take: V Village Vibes 03:19
• 6 Zhangyi: Give and Take: VI Night Grooves 03:23
• Twin Cinema:
• 7 Zhangyi: Twin Cinema 12:39
• Echoes:
• 8 Zhangyi: Echoes: I Resonant 06:50
• 9 Zhangyi: Echoes: II Spacious 02:50
• 10 Zhangyi: Echoes: III Sprited 03:48
• Total Runtime 44:00

Info zu Chen Zhangyi: Twin Cinema

The concept of Twin Cinema is based on the Singaporean poetic form of the same name, where two separate columns of poetry may be read separately, or across as a single poem. For this work, Zhangyi took inspiration from Dr. Sara Florian’s poem “The Lost Seasons.” The poem weaves together the twin cinema form with the pantun, a Malayic oral poetic form, while depicting two concurrent coming-of-age stories: that of a Venetian countryside boy contrasted with a Singaporean kampung boy. Florian’s poem conjures the passage of time, effects of the changing climate and the counterpoint between the rustic and the urban, navigating between the East and the West. ​

Musically, Zhangyi takes an eclectic and slightly cinematic approach, exploring and maintaining two strands of narratives between the two string quartets. The pair of quartets are placed in a ’stereo’ antiphony, and their musical strands coexist in sometimes complementary, and at times surreal juxtapositions of moods and characters in this imaginary duet of ‘cinematic’ scores. Throughout, the contrabass acts as the central pillar that supports both narratives.

Mouzkya Guennadi, double bass
T'ang Quartet
Espoir Quartet

T'ang Quartet
Constant innovation and steady reinvention is the name of the game for the T'ang Quartet. For 30 years, the group's musical dexterity has surprised and delighted audiences locally and globally. Based in Singapore, T'ang Quartet is one of the best known and most accomplished string quartets in Asia.

​The name "T'ang" symbolises the golden age of cultural expression of the Tang Dynasty, an acknowledgement of their Asian root – also a playful reference to the last names of the present and former founding members.

What started out in 1992 to break new ground in the sharing of classical music to a larger audience has grown exponentially. The T'ang Quartet's creative output is a tight, stylist blend of East and West, seamlessly reinterpreting classical work for contemporary fans while appealing to traditional audiences. T'ang Quartet – also the Quartet-In-Residence at Yong Siew Toh Conservatory of Music – has collaborated and performed with the international community of musicians such as John Chen, Fringin Collins, Noriko Ogawa, Tedd Joselson and more.

​The ensemble has performed in major venues around the world – Wigmore Hall (London), Seiji Ozawa Hall (Boston) and Berliner Philharmonie (Berlin). They have also performed in major festivals worldwide such as Tanglewood Festival, Melbourne festival, Edinburgh Festival and City of London Festival.

In 2022 and 2023, the ensemble celebrated three decades in music, with four shows, including the world premiere of Give and Take (Back and Forth) by highly-acclaimed composer Chen Zhangyi. T'ang Quartet is a registered charity under the Charities Act in Singapore. Support the quartet in their dedicated journey in public education as well as social and community causes.

Espoir Quartet
is a string quartet based in Singapore, formed by musicians from Venezuela, Malaysia, Taiwan and Korea. Currently mentored by the T’ang Quartet in the Yong Siew Toh Conservatory of Music (YST), Espoir Quartet has also worked in masterclasses with Miró Quartet, Kam Ning, Assoc Prof Curt Thompson and others. 'Espoir' means hope in French, and the quartet hopes to bring you along in their musical journey and to share their music as much as possible. The Espoir Quartet has performed and recorded works such as the Beethoven String Quartet No. 4 in C Minor and Singaporean composer Chen Zhang Yi's String Nonet Twin Cinema, together with T'ang Quartet in March 2023. The group has also represented YST in a tribute farewell dinner to Professor Ho Teck Hua of the National University of Singapore. In November 2023, Espoir Quartet also presented their first ever recital featuring Beethoven and Shostakovich string quartets.

Chen Zhangyi
The music of Chen Zhangyi has been described by Straits Times as “a breath of fresh air on our musical landscape” and by BBC Radio 3 as “music from a voice of the future.” He has collaborated with ensembles such as London Symphony, Tokyo Philharmonic, Norwegian Radio Orchestra, Cabrillo Festival Orchestra (Santa Cruz, CA), Chicago Symphony Civic Orchestra, Singapore Symphony Orchestra (SSO), Singapore National Youth Orchestra, Singapore Symphony Children's Choir (SSCC), Singapore Lyric Opera (SLO), L'arietta, The Opera People (TOP), Ensemble Ripieno (PH), re: mix, Stradivari Quartett (Switzerland) and T'ang Quartet. ​

Nature is often a source of inspiration in Zhangyi's music. Orchestral works like the Rain Tree, Vanda (violin concerto), and of an ethereal symphony, offer soundscapes of the tropical environment, flora and fauna, and cosmic motion. Water, a choral setting of KTM Iqbal’s poem, reflects the beauty and horror of the nature of water. The theme of nature also permeates keyboard works such as Walks on Water, and Clima a solo piano work written to raise awareness of climate change. In collaboration with librettist Dr. Sara Florian, the operas Arianna on Another Island (a Children's opera, TOP/Esplanade), and Kampung Spirit (SLO/Arts In Your Neighbourhood) also touch on the themes of nature and climate change. ​

The musical representation of Singaporean (and Asian) society and culture is another recurring theme within Zhangyi's music. For instance, the chamber operas Laksa Cantata, Window Shopping, and Kopi For One, forms A Singapore Trilogy (libretto by Jack Lin) that is inspired by the Singaporean pastimes of food, shopping and coffee. His opera output also include the social distancing-inspired Panic Love (libretto by Felix Cheong), as well as Lily, a documentary-opera about dementia (libretto by Jack Lin and Jean Tay). With Twin Cinema, a string nonet written for the Stradivari Quartet and musicians of the SSO, the iconic Singaporean poetic form was reimagined - sonically projecting the twin cinema's 'split-screen' symmetry and multifold narratives.

Creatively researching musical syncretism within East-Asian and South-East-Asian contexts, the 'Triple' Concerto for Erhu, Ruan, Percussion and Ensemble《三人行》was written for the YST Conservatory Orchestra for its tour to Seoul in 2019, led by British conductor Jason Lai, featuring soloists Likie Low, Sulwyn Lok, and Yuru Lee. Through the research of eclecticism present in Leong Yoon Pin and Edwin Thumboo's Bunga Mawar, Zhangyi also pays homage to Leong's 'Nanyang Style' through the recent opera Kampung Spirit. Returning to food and music, Eight Hundred Bowls《八百》, for guzheng, oboe, cello and percussion, explores the artistic intersections between the dramatic process of making hand-pulled noodles (拉面) and music-making.

Zhangyi was conferred the Young Artist Award by the National Arts Council (Singapore) in 2014, culminating in the studio recordings of A Singapore Trilogy with L'arietta, released through United Records. His work Ariadne's Love was one of the winning works of the Abbey Road Studios Anthem Competition, recorded by London Symphony Orchestra and Eric Whitacre Singers. Zhangyi's music may also be heard on Centaur Records (The Seven Angels, Phoon Yu) and Naxos Records (of an ethereal symphony, Norwegian Radio Orchestra and Miguel Harth-Bedoya). An album of his string chamber music is forthcoming, in collaboration with T'ang Quartet and the up-and-coming Espoir Quartet. ​

As an educator, Zhangyi serves as Associate Professor at Yong Siew Toh Conservatory of Music, where he currently teaches Analysis and Composition. Through his module 'Text and Music', Zhangyi has co-curated (with Sara Florian) several projects in collaboration with the Asian Civilisations Museum: Waves and Waves (2020), Suite Ensemble (2021), and Zoomorphic Muses (2022). ​

Zhangyi received degrees in Composition (and Music Theory Pedagogy) from The Peabody Institute of The Johns Hopkins University (MM and DMA), and Yong Siew Toh Conservatory of Music of the National University of Singapore (BMus). His mentors include Kevin Puts, Michael Hersch, Thomas Benjamin, and Peter Edwards. ​​

Zhangyi conducts his own pieces, as well as other new works. He had led YST's new music ensemble OpusNovus from 2016-18. He also plays the viola with Red Dot Baroque.

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