Somebody Save Me Sugaray Rayford
- 1The Revelator03:04
- 2Time to Get Movin'03:37
- 3You and I04:54
- 4My Cards Are on the Table04:22
- 5I'd Kill for You, Honey03:53
- 6Angels and Devils03:21
- 7Sometimes You Get the Bear (And Sometimes the Bear Gets You)04:35
- 8Somebody Save Me04:34
- 9Is It Just Me03:28
- 10Dark Night of the Soul05:10
Info zu Somebody Save Me
Somebody Save Me is an ambitious album that slides gracefully between the new blues of Gary Clarke Jr. and Fantastic Negrito, the rock & soul stylings of The War & Treaty and the vintage Daptones soul of the late Charles Bradley and Sharon Jones, bringing a fresh take to classic sounds.
The album was written and produced by Forty Below Records founder Eric Corne. Best known for his work with blues legends John Mayall and Walter Trout, Corne and Forty Below have also launched the careers of several talented new artists, such as Sam Morrow, Jaime Wyatt and KaiL Baxley. A number of mainstays from Corne productions feature strongly here including guitarist Rick Holmstrom (Mavis Staples), bassist Taras Prodaniuk (Dwight Yoakam), drummer Matt Tecu (Jakob Dylan), keyboardist Sasha Smith (Sam Beam, Jesca Hoop), guitarist Eamon Ryland (The Happy Mondays) and the horn section from Late Night with Conan O Brien. Corne recorded the bulk of the record live and the chemistry of the performances infuses the songs with a spontaneity and raw emotion.
The ten songs on the album explore contrasting themes of darkness and light. There is social commentary like on Time to Get Movin The mansions on the hillside / Look down on homeless camps / While we re caught in the crossfire / Lookin for the exit ramps . There are several love songs, including two gorgeous soul ballads, My Cards are on the Table and Somebody Save Me , the Stax inspired You and I and the more Motown leaning Is It Just Me , She could bring peace to the Middle East / They d be ready to sign / Free the worst villain / From the tightest prison / And have the warden waving goodbye.
The album is full of inspired arrangements with several unexpected twists and turns; like the John Barry (James Bond) inspired bridge of Angels and Devils ; the wobbly 1950s inspired keyboard solo and lush strings of the title track, recorded with The Section Quartet (Ryan Adams, Father John Misty); and the gospel choir, shape-shifting keyboards and dramatic horns of The Revelator which seamlessly blends blues, soul and jazz with a hint of reggae. But at the center if it all is Sugaray Rayford s commanding voice, tying it all together.
When Sugaray belts out a song, you not only hear it, you feel it. The excitement in the room is palpable when he takes the stage; he is a superb vocalist and entertainer. His dynamic voice is large just like the man. With his old school vocal style, echoes of Muddy Waters, Otis Redding and Teddy Pendergrass can be heard. At 6’5” he is a big man, but he moves with grace and energy. His fluid dance steps will remind you of the Legendary James Brown.
Sugaray Rayford, vocals
Rick Holmstrom, guitar
Taras Prodaniuk, bass
Matt Tecu, drums
Sasha Smith, keyboards
Eamon Ryland, guitar
When Sugaray belts out a song, you not only hear it, you feel it. The excitement in the room is palpable when he takes the stage; he is a superb vocalist and entertainer. His dynamic voice is large just like the man. With his old school vocal style, echoes of Muddy Waters, Otis Redding and Teddy Pendergrass can be heard. At 6’5” he is a big man, but he moves with grace and energy. His fluid dance steps will remind you of the Legendary James Brown. Rayford was nominated in December of 2015 for four sepparate 2016 Blues Music Awards for Contemporary Blues Album and Contemporary Blues Male Artist as well as Best Song and B.B. King Entertainer.
Sugaray has fronted his own band since 2010, called the Sugaray Rayford Band. This band is currently made up of world-class musicians. Ralph Carter on bass who is also his writing partner, Gino Matteo on guitar, Leo Dombecki on keyboards, Lavelle Jones on drums, Allan Walker on sax, and Gary Bivona on trumpet. But the Sugaray Rayford Band is only one of his projects. As of May 2011, Sugaray became one of the lead vocalists for the Mannish Boys, who are under Delta Groove management. This international act performs 6-8 times a year. He sang lead vocals on 9 songs on Double Dynamite the Mannish Boys CD that won Best Traditional Blues Album in May 2013 at the Blues Music Awards. His first solo CD Blind Alley was a self-release in 2010, which garnered critical acclaim. His second solo CD Dangerous, was just released on 9/17/2013 under the Delta Groove label and debuted at # 2 on Blues Debut Chart, #6 on the Roots Music Chart and is currently #2 on The Living Blues Chart. Below is the journey that has taken Sugaray to this point in his career.
Texas born Caron “Sugaray” Rayford began his musical career at the age of 7 singing & playing drums in church, and his gospel influence can be heard and felt in his music. Rayford's phrasing is intimate and conversational and the soulful gravel in his voice hints at his firsthand experience with hardship. He grew up in Texas, his childhood marked by poverty and loss. He remembered a sad game he played with his brothers, a competition that determined who was skinniest by counting the number of belt holes left unused. His mother struggled to raise three boys alone while battling cancer. When she died, it was a kind of relief. "She suffered and we suffered," Rayford said. "Then, we moved in with my grandmother and our lives were a lot better. We ate every day and we were in church every day, which I loved. I grew up in gospel and soul.”
His switch to contemporary music began about 15 years ago in the San Diego area, where he sang lead vocals with a R&B/Funk band called Urban Gypsys. With this band he had the privilege of sharing the stage with many notable artists such as The Average White Band, Dennis Quaid, Joe Luis Walker, Kal David, Super Diamond & Venice, to name a few. After dabbling in blues, Suga realized that the blues was where his heart and soul belonged. So after some soul searching he left the Urban Gypsys and became lead vocalist for Aunt Kizzy’z Boyz, a Temecula area blues band. Shortly after joining the band in 2004, they released their first CD “Trunk Full of Bluez”. This band was hungry and did over 200 gigs a year over the next few years and their popularity rose exponentially. Aunt Kizzy’z Boyz represented San Diego (Blues Lovers United San Diego) in Memphis Tennessee January 26th- 28th, 2006 at the International Blues Challenge (IBC), and brought home the 2nd place prize. The band began playing higher profile gigs and in 2007 released their 2nd CD “It’s Tight Like That”. In September 2008, the Boyz won the LAMN Jam Grand Slam Urban Artist of the Year title by a landslide; they beat out hundreds of competitors. The band was offered a distribution deal on the spot by RBC Records. Tabitha Berg wrote, “The band’s most valuable ingredient is that of the band’s dynamic front man Sugaray, he knows how to read and work a room. While most artists simply perform, exceptional artists are responsive to the mood of the crowd. The energy shifted when AKB took the stage, and they had the crowd on its feet within seconds.”
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