Yu Jung Yoon plays Alexander Scriabin Yu Jung Yoon

• 1 No. 1 in C Major 08:32
• 2 No. 2 in A Minor 04:03
• 3 No. 3 in G Major 12:56
• 4 No. 4 in E Minor 01:01
• 5 No. 5 in D Major 02:26
• 6 No. 6 in B Minor 00:54
• 7 No. 7 in A Major 01:56
• 8 No. 8 in F-Sharp Minor 02:22
• 9 No. 9 in E Major 01:08
• 10 No. 10 in C-Sharp Minor 01:59
• 11 No. 11 in B Major 01:40
• 12 No. 12 in G-Sharp Minor 01:13
• 13 No. 13 in G-Flat Major 01:42
• 14 No. 14 in E-Flat Minor 01:31
• 15 No. 15 in D-Flat Major 01:29
• 16 No. 16 in B-Flat Minor 01:05
• 17 No. 17 in A-Flat Major 01:59
• 18 No. 18 in F Minor 02:23
• 19 No. 19 in E-Flat Major 00:30
• 20 No. 20 in C Minor 00:55
• 21 No. 21 in B-Flat Major 01:09
• 22 No. 22 in G Minor 01:21
• 23 No. 23 in F Major 01:44
• 24 No. 24 in D Minor 01:14
• 25 I. Andante 00:37
• 26 II. Presto 00:54
• 27 Allegro. 12:56
• Total Runtime 01:11:39

Info zu Yu Jung Yoon plays Alexander Scriabin

Yu Jung Yoon wurde in ihrer Kindheit als Wunderkind gefeiert und gewann zahlreiche Wettbewerbe in ihrem Heimatland Korea. Im Alter von 15 Jahren wurde sie als eine der jüngsten Studenten in der Geschichte am renommierten Konservatorium in St. Petersburg aufgenommen. Nach sieben Jahren in St. Petersburg wechselte sie - mit einem kurzen Intermezzo in Deutschland - nach Paris. Ihr Spiel verbindet Virtuosität und eine tiefe natürliche Musikalität. Ihre Debüt-Album bestreitet sie mit Werken von Alexander Scriabin, dessen Musik ihr seit Jugendzeiten ein musikalisches Zuhause ist.

Yu Jung Yoon, Klavier

Recorded on June 27th – 29th, 2012 in Sendesaal Bremen
Recording, editing, mastering by Florian B. Schmidt
Produced by Hugo G. Gaido and Michael Dreyer

Yu Jung Yoon
Already at the age of 3, Yu Jung Yoon began to play by ear the pieces that her older siblings practiced on the piano. After two years, she began to study formally.

She was admitted to St.Petersburg State Conservatory at 15, as one of the youngest students in its history. She was allowed to enter directly into the third year in piano, but she chose to delay her entry by one year in order to complete her schooling in Seoul, enlarging her repertoire and winning a few competitions in the process. She then returned to Russia, where she spent seven years working with Vasilly Alexievich Kalmikov. Besides learning Russian fluently, she graduated with the highest distinction.

Subsequent studies lead to Germany, where she worked with Vladimir Krainev and Roland Pröll. In Paris, she studied for a further four years with Henri Barda and developed maturity in her expressive style.

Consummate technical mastery and freedom to express emotion intuitively characterize her approach, which is not oriented by current orthodoxies or cultural norms. Instead, Yoon deploys a radically personal style of communication, where her interpretation emerges organically from her worldview.

In her aesthetic, a rich palate of personal emotions finds colour and subtle expression. Yoon is constantly bringing a fresh outlook to her readings of the composers she interprets, ranging from deepest intimacy in Scriabin and vehement expansiveness in Ravel.

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