Album Info

Album Veröffentlichung:
2017

HRA-Veröffentlichung:
10.11.2017

Label: Provogue, ADA UK

Genre: World Music

Subgenre: Worldbeat

Das Album enthält Albumcover

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  • 1Mama Earth04:34
  • 2Interlude 100:38
  • 3Waterfall04:01
  • 4Interlude 200:58
  • 5Spring04:36
  • 6Interlude 300:47
  • 7What Would She Say?04:28
  • 8Interlude 400:57
  • 9Entanglement04:15
  • 10Interlude 500:58
  • 11Breathe04:00
  • Total Runtime30:12

Info zu Mama Earth

Die britische Soulsängerin Joss Stone hat mit einer All-Star-Band, bestehend aus Nitin Sawhney/Gitarre, Jonathan Joseph/Schlagzeug, Étienne M'Bappe/Bass/Gitarre und Jonathan Shorten/Keyboards, das Project Mama Earth ins Leben gerufen, wo sich afrikanische Tonalität und Rhythmen mit R&B und Soul auf unglaublich inspirierende Art und Weise begegnen.

Impulsiv und spontan - so lassen sich die Aufnahmesessions für das erstaunliche Debüt von Project Mama Earth beschreiben. Fünf weltbekannte Musiker trafen sich im Juni 2017 im britisch-ländlichen Devon ohne Songs, Noten oder eine Strategie. Die meisten Bands wären an dieser Aufgabe gescheitert, doch das Allstar-Line Up von Joss Stone (Gesang), Nitin Sawhney (Gitarre), Jonathan Joseph (Schlagzeug), Étienne M'Bappe und Jonathan Shorten (Keyboards) nahm die Herausforderung an und meisterte sie mit Bravour. "Die Chance, dass alles in einer musikalischen Katastrophe enden würde, war groß.", gibt Joseph zu. "Doch als wir dann gemeinsam im Studio standen, wusste ich, dass das Ergebnis großartig werden würde." Das Mini Album wurde innerhalb von zehn aufregenden Tagen aufgenommen, doch die Wurzeln des Projekts reichen bis ins Jahr 2003 zurück. Jonathan Joseph eilte damals nicht nur sein Ruf als talentierter Drummer und Percussionist voraus (u. a. Jeff Beck, Pat Metheny, Ricky Martin). Zu dieser Zeit begann er, mit der erst 16-jährigen Stone zusammen zu arbeiten. Ihr Debüt The Soul Sessions verkaufte sich daraufhin weltweit über fünf Millionen Mal und die Freundschaft der beiden blieb bis heute bestehen. Ich unterhielt mich mit Joss über ein Drumbook namens Exercises In African-American Funk , das ich geschrieben hatte. , erklärt Joseph. Es konzentriert sich auf zwei sehr alte kamerunische Rhythmen, Mangambe und Bikutsi . Dabei kam mir die Idee zu diesem Album. Ich war schon immer ein großer Fan von Joss, es ist jedes Mal wie ein Segen, mit ihr zusammen arbeiten zu dürfen. Wie hätte ich nein sagen können, als sie mir anbot, die Lead Vocals zu singen? Als er die Mama Earth Band zusammenstellte, erinnerte er sich an seinen langjährigen Freund Étienne M Bappé. Der in Kamerun geborene Multiinstrumentalist spielte bereits mit John McLaughlin und Robben Ford. Er ist einer der besten Bassisten dieser Welt. , schwärmt Joseph. Er spielt sowohl elektrische als auch akustische Gitarren und singt auch. Jonathan Shorten produzierte bereits viele Songs aus Stones Studiokatalog und schrieb einige Hits für die britische Sängerin Gabrielle. Nitin Sawhney arbeitete mit Größen wie Sting, Paul McCartney und dem London Symphony Orchestra zusammen.

Joss Stone, Gesang
Nitin Sawhney, Gitarre
Jonathan Shorten, Keyboards
Étienne M’Bappé, Bass, Gitarre
Jonathan Joseph, Schlagzeug




Project Mama Earth & Joss Stone
Preparation is overrated. Impulse is everything. Such was the rebellious wisdom that drove the sessions for Project Mama Earth's astonishing debut EP. In June 2017, five world-renowned musicians met in Devon England for a high-wire act unique in modern music. They had no songs. No chord charts. No game plan. No safety net. Nothing, in fact, but a plan to play and catch the sparks. Where a lesser band would have stumbled, the gauntlet was readily seized by the all-star Mama Earth lineup of Joss Stone (vocals), Nitin Sawhney (guitar), Jonathan Joseph (drums), Étienne M'Bappé (bass/guitar) and Jonathan Shorten (keyboards). "The possibility for catastrophe was huge," nods the drummer. "It could have completely tanked. But the minute everyone stood in the studio, before we even touched an instrument – I just knew."

Releasing on November 10th on Mascot/Provogue, Stone'd Records Project Mama Earth was recorded in ten white-knuckle days, but the roots of the project run a little deeper. Back in 2003, acclaimed drummer/percussionist Jonathan Joseph saw him drafted as musical director for a hot-tip British soul singer about to sell five million copies of her acclaimed debut album, The Soul Sessions. Fast Forward to 2013, while Joseph manned the drumstool for Jeff Beck, the drummer hit on the Mama Earth concept of an album driven by the dynamic rhythms of Africa, there was no question that Stone would take lead vocals.

Assembling the Mama Earth band, the drummer remembered his long-standing compadré Étienne M'Bappé: the dazzling Cameroon-born multi-instrumentalist whose résumé spans from John McLaughlin to Robben Ford. "He's one of the premier bassists on the planet," says Joseph. "He plays electric and acoustic guitar, and sings as well. A very talented man. So I gave Étienne a call, pitched him on the idea and he flew over from Paris."

Another common denominator was Shorten, who had produced much of Stone's studio catalogue between penning some of the biggest hits for Gabrielle among others. Finally, there was Nitin Sawhney: the genre-slipping wildcard and one-man musical tidal wave whose collaborations take in Sting, Paul McCartney and the London Symphony Orchestra. "Nitin is Nitin," smiles the drummer. "He's a genius, basically, and a powerful force in his own right. I'm just grateful my career has allowed me to meet these people. You couldn't be standing in that room unless you'd really done something before."

Convening at Stone's home studio in rural Devon, this musical crack-squad didn't take long to feel each other out. "It was all very spontaneous," remembers Sawhney. "The sessions were all about making something in a short space of time, creating a vibe, listening to each other, coming up with ideas, being creative. Every time you work with great players, it's always a learning curve, no matter how long you've been playing yourself. These guys are superheroes, really, on their instruments. It was also trying to get into the swing of those rhythms and making sure that all the music reflected that, as opposed to just drums."

"Nothing was prepared," picks up M'Bappé. "So the real challenge was to just show up in the studio and go from a little idea that Jonathan Joseph had on the drums. Everything really was created in the moment, and that was just a mind-blowing experience. It's like when you're cooking. You open up your fridge, see what you've got and suddenly you're creating a great dish. We all wanted to catch those creative moments. As soon as one of us caught an idea, we were all following it. This EP was really intense in terms of creativity."

Meanwhile, Stone purposefully kept her own creative process separate from the four musicians. "I left them to do their own thing with the music in the studio," she reflects, "while I was cooking dinner in the kitchen. I deliberately didn't have any input in the music, because I didn't want to affect it – or it'd all come out hip-hop and R&B! Then they'd come across into the house, give me the track and I'd sit in the kitchen writing lyrics and melodies with my mum. So it was, like, ‘You guys do you, and I'll do me – then we'll put it together'. And that's the way it worked."

I also went down to the river on my own with a pen and paper to write in the grass by the river. Which was a good way to do it, actually, The whole project is about Mother Nature. It's supposed to be from her perspective.

"Then I just tried to sing these songs so they were soulful and true," she adds. "The rhythms were totally different for me. Y'know, I'd never normally do a song that sounds like Spring. I did get stuck on some of them. I'm not from Cameroon and I don't know those rhythms, but I wanted to enjoy it and feel a part of it organically, rather than in an educated or ‘correct' kind of way."

"Some of my favourite moments," says M'Bappé, "where when Joss would listen to the music and you'd see the inspiration in her eyes, like she was feeling it. I was blown away by what the song became after she put on her vocal parts. She just has magic in her voice."

"I mean, from where she was years ago, Joss's voice has changed quite a lot," adds Shorten. "She's much more seasoned and more capable of doing lots of things now. She's amazing. But on this album, I don't think there's any weak performances. Everyone's giving it their all. The chemistry is evident. You can hear it, can't you? It was a great experience."

Just ten days after they came together – and following a powerful co-production from all five bandmembers – the Mama Earth sessions were over. And yet, you sense that the story of this fascinating band is only just beginning. Impulsive, dynamic and sometimes downright dangerous, this is an album unlike anything else in the five musicians' respective CVs, unprecedented in the clinical modern music scene – and sure to make waves upon its November 10th release. "I guess this album is essentially how I think of music," considers Sawhney. "It was all about being open to the moment. I think that's really what I loved about this project. To me, Mama Earth is what music should be about, really…"

Project Mama Earth supports Community Development Network in Cameroon. http://www.codevnet.org/



Dieses Album enthält kein Booklet

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