Can't Slow Down (Remastered) Lionel Richie
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- 1Can't Slow Down (Album Version)04:44
- 2All Night Long (All Night)06:18
- 3Penny Lover (Album Version)05:35
- 4Stuck On You03:10
- 5Love Will Find A Way06:10
- 6The Only One (Album Version)04:15
- 7Running With The Night06:02
Info zu Can't Slow Down (Remastered)
The singer/songwriter’s second solo album, Can’t Slow Down was also his most successful, with certified US sales of 10 million copies. Out of a total 160 weeks on the Billboard charts, it spent three weeks at Number One and 59 weeks in the Top 10. On the R&B charts, it was Number One for 23 weeks. All five singles from the long-player reached the Top 10 of the Billboard Hot 100, beginning with “All Night Long (All Night)” and ending with “Penny Lover.”
Lionel began work on the album in May 1983, and continued recording it over the next six months. One track, “Hello,” had been demo’ed in the summer of ’82, but was held over from his first solo album. Motown released Can’t Slow Down on October 14, 1983, and it rose to the top of the charts before the year’s end. The single, “All Night Long (All Night),” was certified gold on December 12, and the album was certified platinum. The latter’s 10x platinum certification occurred exactly two years later. (For more about Lionel’s career, read here.)
Can’t Slow Down was recorded at two Los Angeles studios, Sunset Sound and Ocean Way, while the demos had been mostly done at the latter site and Lion Share, also in Los Angeles. “That session was absolutely insane,” Lionel said of cutting “All Night Long (All Night)” at Ocean Way. “Bob Rafelson, who was going to direct the video, had break dancers in one room listening to the track. We had the choir learning their background vocals in another room. I was across the street, rehearsing the song for a concert in Tahoe that was the warm-up date for my tour.”
Everything save for one track was produced by Lionel and the Commodores’ longtime studio wizard, James Anthony Carmichael. “I tape my idea with just the piano,” the star explained to Steven Ivory for liner notes of the 2003 expanded edition of Can’t Slow Down. “Then Carmichael takes that tape and says, ‘I hear it. Meet me at the studio.’ He puts the rhythm and the music around that piano. His job is to make it sound like a ‘record’ without destroying the innocence or sensitivity of the original thought.”
Can’t Slow Down won a Grammy© for Album of the Year in 1984, while “Hello” was nominated for Song of the Year, competing with Stevie Wonder’s “I Just Called To Say I Love You.” Lionel beat out album contenders by Bruce Springsteen, Tina Turner, Prince & the Revolution (Purple Rain) and Cyndi Lauper. In 1983, “All Night Long (All Night)” ran against former Motown artist Michael Jackson’s “Beat It” for Record of the Year – a timing anomaly because Lionel’s single was released ahead of Can’t Slow Down and fell into that year’s eligibility period. “Beat It” won. In 1985, Lionel and Michael took Grammy© honors together for their song, “We Are The World,” recognized as Record of the Year and Song of the Year.
"On Can't Slow Down, his second solo album, Lionel Richie ran with the sound and success of his eponymous debut, creating an album that was designed to be bigger and better. It's entirely possible that he took a cue from Michael Jackson's Thriller, which set out to win over listeners of every corner of the mainstream pop audience, because Richie does a similar thing with Can't Slow Down -- he plays to the MOR adult contemporary audience, to be sure, but he ups the ante on his dance numbers, creating grooves that are funkier, and he even adds a bit of rock with the sleek nocturnal menace of "Running With the Night," one of the best songs here. He doesn't swing for the fences like Michael did in 1982; he makes safe bets, which is more in his character. But safe bets do pay off, and with Can't Slow Down Richie reaped enormous dividends, earning not just his biggest hit, but his best album. He has less compunction about appearing as a pop singer this time around, which gives the preponderance of smooth ballads -- particularly "Penny Lover," "Hello," and the country-ish "Stuck on You" -- conviction, and the dance songs roll smooth and easy, never pushing the beats too hard and relying more on Richie's melodic hooks than the grooves, which is what helped make "All Night Long (All Night)" a massive hit. Indeed, five of these songs (all the aforementioned tunes) were huge hits, and since the record ran only eight songs, that's an astonishing ration. The short running time does suggest the record's main weakness, one that it shares with many early-'80s LPs -- the songs themselves run on a bit too long, padding out the running length of the entire album. This is only a problem on album tracks like "Love Will Find a Way," which are pleasant but a little tedious at their length, but since there are only three songs that aren't hits, it's a minor problem. All the hits showcase Lionel Richie at his best, as does Can't Slow Down as a whole." (Stephen Thomas Erlewine, AMG)
Lionel Richie, vocals
Music Icon. International Superstar. 100 million albums sold worldwide. Oscar winner. 5 time Grammy winner. 16-time American Music Award winner. Golden Globe winner. 5 time People’s Choice Award winner. A World Music Lifetime Achievement Award recipient. A Star on the Hollywood Walk Of Fame. An ASCAP Lifetime Achievement Award recipient. A United Negro College Fund Achievement Award recipient. A Goldene Kamera Award winner. Songwriters Hall of Fame Inductee. Tuskegee Institute Honorary Doctor of Music Degree. Germany’s ECHO Award for Lifetime Achievement. TV Land Icon Award recipient. Hong Kong’s Rojo Award winner. Alabama Music Hall of Fame Inductee. Italy’s San Remo Festival Lifetime Achievement Award winner. World Music Awards Lifetime Achievement Award Winner. National Academy of Recording Arts & Sciences Governors Award winner.
Lionel Richie has a discography of albums and singles second to none and is part of the fabric of American pop music. In fact, Lionel Richie and Irving Berlin are the only two songwriters in history to achieve the honor of having #1 records for nine consecutive years.
The real story behind Lionel is essentially the American dream. Lionel was born in Tuskegee Alabama. He lived in a small, isolated, predominantly African American community in the original home of Booker T. Washington. His family home is situated directly on the campus of what is now Tuskegee University and was previously The Tuskegee Institute, home the of the Tuskegee Airmen. Lionel’s grandmother, Adelaide Foster, a classical pianist, lived to be 102. His father, Lionel Richie Sr., was a military man, strict, regimented but also sincere towards his wife and children. Lionel’s mother, Adelaide Richie, was an English teacher. Lionel, to this day, values proper grammar because his mother always enforced its use. Lionel also has a younger sister, Deborah, who has dedicated most of her life to education and has recently completed her master’s degree from the University of California Los Angeles.
In Lionel’s college years, he was a tennis player, and one fortuitous day he was walking across campus in his short, white tennis shorts carrying a saxophone. A few members of a group called The Mystics, approached Lionel and asked if he knew how to play that saxophone. Lionel, knowing a couple notes, proudly exclaimed, “Yes!” Eventually, Lionel was invited to join their group which would later be renamed The Commodores.
Lionel joined bass player and trumpeter Ronald La Pread, keyboardist, trombonist and rhythm guitarist Milan Williams, trumpeter, rhythm guitarist and synthesizer player William “WAK” King, lead guitarist Thomas McClary and Walter Orange, vocalist and drummer. It was Walter who was the original lead. Lionel played saxophone and piano. Originally, the group was called The Mystics and then The ‘Jays. One day, while trying to decide on a new name for the group, the band decided to open the dictionary at random and point to a word. As the story goes, they almost called themselves the Commodes. However, the group, knowing they could not bear to become known as The Commodes, decided on the name The Commodores.
In 1968, Lionel, defying his parents, joined this musical group, because he wanted to leave the confines of Tuskegee and travel to perform in a group that he hoped would be a huge success. His first taste of stardom came when he was performing in New York and a group of female fans began to scream his name. Lionel reluctantly followed a band member’s suggestion to reach down and kiss a girl in the front row. He knew, however, that this act was the beginning of his stardom. This small pack of girls would turn into millions of screaming fans yelling not only his name, but also singing along with every one of his songs at every one of his shows.
Motown Records was founded in Detroit, Michigan by Berry Gordy, CEO and Chairman and was huge by 1971. Skip Miller was the Vice President of Motown University as Lionel jokingly calls it today. One night, Skip Miller walked into a club, saw The Commodores perform on stage and realized these kids had talent. Lionel, along with the rest of the group, was presented to Berry Gordy and given a record deal. This record label was prolific at the time because it had the most respected R&B and soul acts of the era including The Supremes, Marvin Gaye, Smoky Robinson, Stevie Wonder, The Temptations, and The Jackson 5, who The Commodores would later tour with. As the opening act for The Jackson 5, The Commodores began the start of their international success. They released their first single, “Machine Gun” in 1974, which reached #7 on the US R&B charts. The Commodores would go on have more singles that topped the charts including “Brick House”, “Just To Be Close To You”, “Too Hot Ta Trot” to list a few.
Lionel, after sitting in numerous studio sessions with Marvin Gaye, Stevie Wonder and Smoky Robinson, began to ask questions. In his innocence, Lionel once asked Marvin Gaye “Which music conservatory did you graduate from?” Marvin responded “Little brother, I cannot read or write music.” This opened up Lionel’s thinking. If Marvin Gaye, who at that time was one of the most creative songwriters, couldn’t read or write music, then maybe he should try to achieve success as a songwriter as well. It is at this moment that Lionel Richie, vocalist, pianist, and saxophonist added songwriter to his repertoire. He became influential within The Commodores due to his ability to write songs without genre boundaries, hence, “Three Times A Lady”, “Stuck On You”, “Lady” featuring Kenny Rogers, “Still” and “Easy.”
In 1981, when Lionel decided to pursue a solo career, his fans rolled with him. They watched Lionel become one of the most successful artists of the 1980’s, earning a string of 13 top ten hits between 1981 and 1987, including nine #1 singles. The first was, “Endless Love”, a ballad that he wrote and sang as a duet with his dear friend, Miss Diana Ross. Afterwards came the success of “Truly,” “All Night Long,” “Hello,” and “Say You (Say Me”) for which he won his Oscar and a Golden Globe. His 1982 self-titled album established a run of platinum plus albums throughout the 80’s, with 1986’s Dancing On The Ceiling “ becoming a pop and R&B classic. He also found time to co-write with Michael Jackson what eventually would become pop’s most famous anthem, the Live-Aid tune “We Are The World.”
Lionel has built a life out of doing precisely what people presumed he could not do. “Growing up if you told me to go left, I would go right,” laughs Lionel. “If you brought me into a room and said there’s one door that I absolutely cannot open, that’s the door I’m going to open.” And just like the legends he admires, from Sinatra to Santana, Lionel knows what it’s like to hear a door close as well. He’s survived the roller coaster ride of the music business by refusing to let others define him. The Lionel Richie story has always been about making that leap of faith with no net.
Lionel has upheld his amazing run by relating simply and honestly to the people who now celebrate his records as quintessential moments in their lives Lionel’s rapport with his fans is legendary. Not only do they sing along at his concerts all over the world, but also the ‘first name basis’ he’s earned in their hearts has been protocol since his days with The Commodores.
Lionel’s continuing relevance as a multi-generational artist was evidenced by his inclusion as a celebrity judge on “American Idol.” The performance of his classic “Easy” by one of the finalists during the 2006 season of the show was another reminder of Lionel’s enduring presence and effect on the contemporary music scene. Further keeping Lionel as part of the changing world of music, he has enlisted some of the top writers and producers such as Jermaine Dupri, Dallas Austin, Akon, Sean Garrett, Stargate, Tricky Dream and Kuk, Ne-Yo, John Eubank and Bob Sinclar. This new breed of writers and producers has slews of #1 hit singles and albums between them for artists such as Beyonce, Rihanna, Mariah Carey and Mary J. Blige, to name a few.
Lionel released his eighth studio album entitled "Coming Home" on September 12, 2006. The first single of the album was "I Call It Love" and premiered in July 2006, becoming his biggest hit in the U.S. in ten years. His adopted daughter, Nicole, stars in the music video for this track. The album was an incredible success for Richie in the United States, peaking at #6.
In 2012, Lionel went back to his Tuskegee roots by re-working some of his biggest hits as duets with country superstars such as Shania Twain, Kenny Rogers, Willie Nelson, Tim McGraw, Blake Shelton, Jason Aldean, Darius Rucker, and Little Big Town. The album was one the biggest of his career reaching #1 on the Billboard Top 200 list and garnering huge critical acclaim. Tuskegee also received a national two-hour CBS television special with performances by Richie and the album’s country duet partners that was the top-rated show of the night with more than 8 million viewers. “I realized that my songs perfectly translated to the country genre,” said Richie about the album. “I was born and raised in Tuskegee, Alabama. I am a country boy and proud of it. To do this project just felt natural.”
On the heels of the success of the Tuskegee album, in 2013 Lionel launched a global tour entitled “All The Hits, All Night Long” and he has proved to fans that he can deliver exactly that. A two hour set spanning his entire catalogue of music has lead to a fan frenzy and high praise from press around the world. Lionel has take the tour to every part of the planet including Europe, Asia, Australia, the Middle East and North America.
You would think that Lionel would be content with his career, which has spanned over three decades, but Lionel insists on pushing forward and marking new territory in his musical legacy. It is of utmost importance to Lionel to maintain a personal growing relationship with his fans, who he definitely values as one of the many reasons for his continuing success.
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