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  • 1Mike Stoller Intro02:05
  • 2Soulfire 04:32
  • 3I'm Coming Back 04:18
  • 4Blues Is My Business (Intro)02:08
  • 5Blues In My Business09:05
  • 6Love On The Wrong Side Of Town04:03
  • 7Until The Good Is Gone (Intro)00:52
  • 8Until The Good Is Gone 09:30
  • 9Angel Eyes05:04
  • 10Some Things Just Don't Change 06:41
  • 11Saint Valentine's Day (Intro)00:12
  • 12Saint Valentine's Day 05:48
  • 13Standing In The Line Of Fire (Intro)01:22
  • 14Standing In The Line Of Fire 04:50
  • 15I Saw The Light 04:44
  • 16Salvation 06:16
  • 17The City Weeps Tonight (Intro)04:20
  • 18The City Weeps Tonight 04:11
  • 19Down And Out In The New York City 12:17
  • 20Princess Of Little Italy (Intro)02:41
  • 21Princess Of Little Italy 06:12
  • 22Solidarity 06:27
  • 23Leonard Peltier 02:58
  • 24I Am A Patriot04:12
  • 25Groovin' Is Easy 04:29
  • 26Ride The Night Away (Intro)00:17
  • 27Ride The Night Away 05:28
  • 28Bitter Fruit 08:20
  • 29Forever 04:33
  • 30Checkpoint Charlie (Intro)01:34
  • 31Checkpoint Charlie 04:53
  • 32I Don't Want To Go Home 04:38
  • 33Out Of The Darkness (Intro)00:25
  • 34Out Of The Darkness 05:35
  • Total Runtime02:35:00

Info zu Soulfire Live!

Little Steven Is Back With Soulfire! “I have very little interest in the modern world and I’m not in any way conflicted about that. I grew up in a renaissance period, a very lucky time when the greatest music ever made was also the most commercial. We’ll never see that again so for me, there’s only one criteria, which is greatness. That’s all I care about. Is what I’m doing reaching for greatness? Whether I achieve it or not, that is one hundred percent of my criteria.” – Stevie Van Zandt

Soulfire is Stevie Van Zandt’s first solo album in close to two decades and without question his purest and most uniquely personal artistic statement thus far. The album sees the Rock & Roll Hall of Famer revisiting songs that span the length of his career as artist, performer, producer, arranger, and songwriter, focusing directly on the hugely influential “soul horns-meet-rock ‘n’ roll guitars” approach he first pioneered on Southside Johnny and the Asbury Jukes’ classic first three albums.

“I’ve always been very thematic with my work, very conceptual,” Van Zandt says. “I need a big picture, I can’t just do a collection of songs, that doesn’t work for me. In this case, the concept became me. Who am I? I’m kind of my own genre at this point. So I tried to pick material that when you added it all up, really represented me. So there are a couple of covers, a couple of new songs, and some of what I feel are the best songs I’ve written and co-written over the years. This record is me doing me.”

Little Steven and The Disciples of Soul made their long awaited return last October, prompted by a friend’s request to perform at London’s BluesFest 2016. Van Zandt had only just returned home from The E Street Band’s summer stadium run but as luck would have it, his autumn plans already included a trip to the UK to celebrate both his wife’s birthday and his friend Bill Wyman’s 80th.

“It was perfect circumstances coming together,” says Van Zandt.

Little Steven quickly put together a Disciples of Soul for the 21st century, an “ever-changing group of misfits, rogues, and roustabouts” complete with three backing vocalists and a full horn section currently featuring original Asbury Jukes/Miami Horns saxophonists Stan Harrison (tenor) and Eddie Manion (baritone). Stevie and his 15-piece big band crossed the Atlantic and blew the roof off London’s indigo at The O2 with what was supposed to be just a “one-night-only” performance highlighted by classic hits like “I Don’t Want To Go Home,” solo favorites, songs written for other artists, and inventive covers of tracks made famous by Etta James, James Brown, and The Electric Flag.

“I thought, well, we’ve already learned 22 songs,” Van Zandt says. “Maybe we should make an album.”

With his usually packed schedule clear until The E Street Band’s “Summer ’17” tour of Australia/New Zealand, Van Zandt decided to strike while the iron – and his big band – was hot. SOULFIRE was arranged and produced by Van Zandt at his own Renegade Studios in New York City, co-produced and recorded by GRAMMY® Award-winner Geoff Sanoff (Fountains of Wayne, Stephen Colbert) and co-produced and music directed by guitarist Marc Ribler – the latter musician recruited by Stevie as Darlene Love’s music director for Love’s 2015 Van Zandt-produced INTRODUCING DARLENE LOVE and then “borrowed back” to serve that same role with The Disciples of Soul. Background vocals on “I Don’t Want To Go Home” and “The City Weeps Tonight” come courtesy of renowned a cappella group, The Persuasions. SOULFIRE was mixed and mastered by Van Zandt’s career-long collaborators and friends Bob Clearmountain (Rolling Stones, David Bowie, The Who, Bryan Adams), and Bob Ludwig (Led Zeppelin, Nirvana, The Band, Sly and the Family Stone).

“This was the most fun I’ve ever had making a record,” Van Zandt says. “We did it quickly, while we still had the fire and energy from the London show. We just took it into the studio and banged it out, six weeks from start to mix. It’s one of those strange things, it really seems like it was meant to be.”

Each of Van Zandt’s prior five solo albums had seen him expressing his utterly personal songwriting through a changing variety of sounds and approaches, an ambitious adventurousness that has fueled much of his creative output these past two decades. He expanded his parameters, as an actor on The Sopranos and Lilyhammer, as host, historian, and rock ‘n’ roll advocate on Sirius XM’s one-and-only “Little Steven’s Underground Garage” (not to mention creator of Sirius XM’s long-running “Outlaw Country” format). Van Zandt kept his skills sharp by composing the score for all three seasons of Lilyhammer and continued to work as producer and songwriter, lending his distinctive craft to records from an array of international garage rockers, but couldn’t kick a lingering sense of unfinished business.

“I felt a bit guilty about having walked away from Little Steven the artist,” he says. “I left that part of myself behind and I shouldn’t have done that. I let the material down by not continuing to perform it,” he says. “I betrayed the work and I want to fix that. I didn’t give up on the material – there were a lot of other factors – but I do have a sense of wanting some redemption for it.”

Van Zandt – who will remain a touring and recording member of The E Street Band – is now looking forward to hitting the road with his own big band. Little Steven and the Disciples of Soul will celebrate Soulfire with an epic international tour schedule, set to begin April 22nd with an eagerly anticipated return to Asbury Park, NJ’s historic Paramount Theatre and then continue with headline gigs and festival dates around the world. A full-scale North American headline tour will be announced soon – for regular updates and ticket information, please visit

“I want to take this band to every place that wants to see us,” Van Zandt says. “It’s tricky with a 15-piece band, but I’m just trying to achieve my lifelong goal of breaking even!”

Six solo albums and countless milestones in, Stevie Van Zandt has fully captured the singular vision he has refined and pushed forward for the length and breadth of his life and already brilliant career. Soulfire marks the much-needed return of a truly great artist, reenergized and unstoppable.

“I’m back into it,” Little Steven says. “And this time I’m going to stay back.”

Steven Van Zandt, guitar, vocals
Marc Ribler, guitar
Jacquita Perkins, vocals
Sara Devine, vocals
Tania Jones, vocals
Andy Burtin, B3 organ
Lowell “Banana” Levinger, piano
Jack Daley, bass
Rich Mercurio, drums
Eddie Manion, baritone saxophone
Stan Harrison, tenor saxophone, flute
Clark Gayton, trumpet
Ravi Best, trumpet
Ron Tooley, trumpet
Anthony Almonte, percussion

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