Michael Gordon: Anonymous Man The Crossing & Donald Nally
- Michael Gordon (b. 1963): Anonymous Man:
- 1Anonymous Man, Pt. 1 "A Tale"05:40
- 2Anonymous Man, Pt. 2 "I Moved"10:42
- 3Anonymous Man, Pt. 3 "On Desbrosses Street"04:42
- 4Anonymous Man, Pt. 4 "It's Julie Passing Through Town"05:31
- 5Anonymous Man, Pt. 5 "I First Noticed Robinson"07:03
- 6Anonymous Man, Pt. 6 "On That Terrible Beautiful Morning"03:40
- 7Anonymous Man, Pt. 7 "One Day I Saw"06:50
- 8Anonymous Man, Pt. 8 "Abraham Lincoln’s Journey Down Desbrosses Street"06:40
- 9Anonymous Man, Pt. 9 "I Sleep At Home"06:31
Info zu Michael Gordon: Anonymous Man
Scored for 24 unaccompanied voices, Anonymous Man is an hour-long piece that expands on Michael Gordons eclectic approach to composition, layering minimalistic swirls of vocal sound on top of one another to create a hypnotic incantation.
Gordon drew inspiration for the piece from his neighborhood in lower Manhattan. When I moved into my loft on Desbrosses Street, the streets were empty, since few people lived there. But both then and now, there were the homeless. Over time, the neighborhood changed from an industrial warehouse district to a residential area. Anonymous Man is a memoir about my block. The piece is built around my memories of moving in, meeting my future wife for the first time there, and conversations I've had with two men who made their home on the loading dock across the street.
Performing this tour de force is the Philadelphia-based choir The Crossing. Conducted by Donald Nally, The Crossing was formed by a group of friends in 2005 and has dedicated itself to expanding the contemporary choral music experience through commissions, collaborations, community, and performances that are characterized by a distinctive unity of sound and spirit.
Donald Nally, conductor
is a professional chamber choir conducted by Donald Nally and dedicated to new music. Consistently recognized in critical reviews, The Crossing has been hailed as “ardently angelic” (Los Angeles Times, 4/14) and “something of a miracle” (The Philadelphia Inquirer, 7/14). Formed by a group of friends in 2005, the ensemble has since grown exponentially and “has made a name for itself in recent years as a champion of new music.” (The New York Times, 2/14). Highly sought-after for collaborative projects, The Crossing was the resident choir of the Spoleto Festival, Italy in 2007; appeared at Miller Theatre of Columbia University in the American premiere of James Dillon’s Nine Rivers with the International Contemporary Ensemble (ICE); joined Bang on a Can’s first Philadelphia Marathon; and has appeared with the American Composers Orchestra, Network for New Music, Lyric Fest, Piffaro, red fish blue fish, Tempesta di Mare Baroque Chamber Orchestra, PRISM Saxophone Quartet, Toshimaru Nakamura, Dolce Suono, and in the summer of 2013, The Rolling Stones. The ensemble has sung in such venues as Walt Disney Concert Hall, The Kennedy Center, Carnegie Hall, and the Metropolitan Museum of Art; they made their Lincoln Center debut this past summer in a world premiere of John Luther Adams in a collaboration with the Mostly Mozart Festival, Lincoln Center Out of Doors Festival, eighth blackbird, Jack Quartet, and TILT brass.
The Crossing frequently commissions works and has presented over forty world premieres. Upcoming projects include commissions with Pelle Gudmundsen-Holmgreen, David T. Little, Joel Puckett, Santa Ratniece, Caroline Shaw, Kile Smith, Lewis Spratlan, Hans Thomalla, Anna Thorvaldsdottir, and Toivo Tulev. The ensemble recently released two recordings on the Innova label: Christmas Daybreak– with world premiere recordings of James MacMillan and Gabriel Jackson—and I want to live – with the complete choral works for women by David Lang. Recordings soon to be released include Lewis Spratlan’s Hesperus is Phosphorus and Gavin Bryars’ The Fifth Century, both commissioned by The Crossing and on the Innova label, as well as Choral Music of Greg Brown on the Navona label. The Crossing is the recipient of two ASCAP Awards for Adventurous Programming as well as the Dale Warland Singers Commissioning Award from Chorus America.
is responsible for imagining, programming, commissioning, and conducting at The Crossing. He is also director of choral organizations at Northwestern University and chorus master of The Chicago Bach Project. He has held distinguished tenures as chorus master for Lyric Opera of Chicago, Welsh National Opera, Opera Philadelphia, Spoleto USA, and for many seasons at the Spoleto Festival in Italy. He has served as artistic director of the Vocal Arts Ensemble of Cincinnati and the Choral Arts Society of Philadelphia. Among the many ensembles Donald has guest conducted are the Latvian State Choir in Riga, the Grant Park Symphony Chorus in Chicago, the Philharmonic Chorus of London, and the Santa Fe Desert Chorale. His ensembles have sung with the Philadelphia Orchestra, the Pennsylvania Ballet, Spoleto USA, the BBC Symphony Orchestra, Sinfonia Cymru, RAI National Symphony Orchestra, and ICE; his work is heard on numerous recordings on the Chandos, Navona, and Innova record labels. Donald is the recipient of the distinguished alumni merit award from Westminster Choir College and the Louis Botto Award for Innovative Action and Entrepreneurial Zeal from Chorus America; he is the only conductor to have two ensembles receive the Margaret Hillis Award for Excellence in Choral Music - in 2002 with The Choral Arts Society of Philadelphia, and in 2015 with The Crossing. His book, Conversations with Joseph Flummerfelt, was published in 2011.
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