J.S. Bach: Sonatas, Fantasias & Improvisations Anthony Romaniuk & Toshiyuki Shibata

• Anthony Romaniuk, Toshiyuki Shibata: Fantasia on a Sarabande (After Bach's Partita in A Minor, BWV 1013: Sarabande):
• 1 RomaniukShibata: Fantasia on a Sarabande (After Bach's Partita in A Minor, BWV 1013: Sarabande) 05:37
• Johann Sebastian Bach (1685 - 1750): Flute Sonata in E Major, BWV 1035:
• 2 Bach: Flute Sonata in E Major, BWV 1035: I. Adagio ma non tanto 02:35
• 3 Bach: Flute Sonata in E Major, BWV 1035: II. Allegro 03:15
• 4 Bach: Flute Sonata in E Major, BWV 1035: III. Siciliano 03:48
• 5 Bach: Flute Sonata in E Major, BWV 1035: IV. Allegro assai 03:14
• 6 Bach: Flute Sonata in E Minor, BWV 1034: I. Adagio ma non tanto 03:11
• 7 Bach: Flute Sonata in E Minor, BWV 1034: II. Allegro 02:35
• 8 Bach: Flute Sonata in E Minor, BWV 1034: III. Andante 03:32
• 9 Bach: Flute Sonata in E Minor, BWV 1034: IV. Allegro 04:47
• Anthony Romaniuk: Improvisation (Resonance Arps):
• 10 Romaniuk: Improvisation (Resonance Arps) 02:21
• Johann Sebastian Bach: Flute Sonata in B Minor, BWV 1030:
• 11 Bach: Flute Sonata in B Minor, BWV 1030: I. Andante 07:40
• 12 Bach: Flute Sonata in B Minor, BWV 1030: II. Largo e dolce 03:35
• 13 Bach: Flute Sonata in B Minor, BWV 1030: III. Presto 01:27
• 14 Bach: Flute Sonata in B Minor, BWV 1030: IV. [Allegro] 04:29
• Anthony Romaniuk, Toshiyuki Shibata: Fantasia on an Andante (After Bach's Sonata BWV 528: Andante):
• 15 RomaniukShibata: Fantasia on an Andante (After Bach's Sonata BWV 528: Andante) 06:14
• Total Runtime 58:20

Info zu J.S. Bach: Sonatas, Fantasias & Improvisations

Welche Möglichkeiten zu gibt es, ein Element der Improvisation in das kammermusikalische Schaffen Bachs einzubringen? Dieser Frage haben sich Toshiyuki Shibata und Anthony Romaniuk für dieses Programm gewidmet. Toshi und Anthony sind improvisierende Musiker und bewegen sich in einer Vielzahl von Genres (Jazz, Volksmusik, Alte Musik usw.) wie der sprichwörtliche Fisch im Wasser. Doch als Anhänger des Repertoires und der Musiksprache Bachs schien es naheliegend, Bachs Werke als Grundlage für neue Kreationen zu verwenden. Bei dieser neuen Herangehensweise wird die Improvisation Teil des gesamten Klangbildes - sei es durch Verzierungen, Basso continuo oder ganze Passagen, die zum "Jammen" freigegeben sind. Auch die Instrumentierung für dieses Programm ist vielfältig: Toshi und Anthony verwenden jeweils zwei Instrumente und erweitern damit das Klangspektrum. Für die Künstler ging es bei diesem Projekt auch um die Frage, wie man sowohl der Partitur als auch sich selbst, als kreativer Musiker, der diese Musiksprache beherrschen will, treu bleiben kann.

Toshiyuki Shibata, Querflöte
Anthony Romaniuk, Cembalo, Fortepiano

Toshiyuki Shibata
is a diverse musician who plays a flute, piccolo, alto flute, traverso and classical keyed flute. His repertoire covers largely from baroque to contemporary music.

A native of Takamatsu, Japan, he studied linguistic in Osaka University, eventually moved into New York by a recommendation of renowned flutist/conductor Ransom Wilson to focus on music education. Earning his bachelor degree at Purchase Conservatory, State University of New York he appeared as a concert flutist at New York’s leading venues such as Carnegie hall, Lincoln Center, Symphony Space, Bargemusic in Brooklyn. He has served as the principal flutist in Manhattan Symphonie (2009-2011), performed in New York and toured around many cities in China including Shanghai Oriental Arts Center, and National Centre for the Performing Arts in Beijing.

After moving to Europe, he obtained his master degree at Royal Conservatory in Antwerp. He currently substitutes Brussels Philharmonic (former Flemish Radio Orchestra), also has played in Chamber Orchestra of Belgium. In 2015, He has premiered a concerto for alto flute and percussion written by Diederik Glorieux with The Chamber Players Kortrijk. He will be joining a new ensemble YXXIA, artistic leading by Guido de Neve and Frank Agsteribbe in season 2017-18.

Finding more interests in early music, he proceeded to the advanced master degree program on traverso and classical 8key-flute at Royal Conservatory in Ghent. He recently plays in Jeune Orchestre de L’Abbaye aux Dames, Vox Luminis, Il Fondamento, Hildebrandt Consort and other baroque ensembles in Belgium. Since 2015 he closely works with Italian ensemble Ensemble Delfico to expand the classical chamber music repertoie.

As a musician devoted to contemporary music, he has been eagerly working with living composers such as Huang Ruo (Composer-In-Residence in Royal Concertgebouw Orchestra 2016-17), Raphael Lucas (National Opera Association Prize in USA best contemporary opera of 2010-12), and Belgian composers including Robert Groslot and Frank Nuyts. In 2016, he was invited to La Triennale di Milano to perform sound-painting improvisation with a musician from Eastman. He has joined the recording of Sound Artist Christina Vantzou for her third album. He has also performed at the New Music Festival at MidAmerican Center for Contemporary Music.

He currently works as a research assistant in Study Center of Flemish Music in Royal Conservatorium in Antwerp to rediscover 19th century flemish music. He serves as the international liaison of National Flute Association of USA. He is a recipient of scholarship from Flemish government (2014-15), further, he was granted fellowship/scholarship from University of Sydney in Australia in 2013.

As a concert/event producer, he was the executive producer and artistic director of Japan Earthquake/Tsunami Relief benefit concert “Notes For Japan” in 2011 at Performing Arts Center in Purchase College where 10 Grammy nominees performed. He has also worked in a company management department in Performing Arts Center in Westchester, New York.

His teachers include Patrick Beuckels, Aldo baerten, Wouter Van Den Eynde, Peter Verhoyen, Dr. Tara Helen O’Connor, Mindy Kaufman, Kazuo Tokito and Yumiko Sakuma. He has participated in numerous masterclasses by Andras Adorjan, Alexis Kossenko, Barthold Kuijken, Marten Root, Anne Pustlauk, Maxence Larrieu, Ransom Wilson, and Philippe Bernold.

Anthony Romaniuk
Keyboardist Anthony Romaniuk’s singular artistic voice stems from his relentless exploration of a vast range of musical styles.

A natural musical polyglot, his classical training is complemented by his improvising prowess, allowing him to traverse the borders between genres.

Jazz-obsessed in his youth in Australia, he studied classical piano in New York (Manhattan School of Music), spent several years specialising in early music (harpsichord and fortepiano in the Netherlands) and, post-studies, has continued his development across the realms of improvisation, Indy rock and ambient/electronic music.

As a classical recitalist, his repertoire includes music from Byrd to Bach, Beethoven, Chopin and Brahms (often on historical instruments), to Ligeti, Crumb and contemporary music. He works regularly with violinist Patricia Kopatchinskaja and tenor Reinoud Van Mechelen and is also a core member of Vox Luminis. Other noteworthy collaborations include working with cellists Peter Wispelwey and Nadège Rochat, the Australian Chamber Orchestra, Seattle Symphony Orchestra and Danish rock group Efterklang.

He has played at many important concert venues in Europe, including Wigmore Hall (London), Salle Gaveau (Paris), Concertgebouw Amsterdam, Berliner Konzerthaus, Bozar (Brussels) and at the Menuhin Festival (Gstaad), as well as frequent engagements in the US and Australia.

His debut solo recording “Bells”, released on Alpha Classics in 2020, showcases his approach to combining repertoire and improvisation, employing the timbres of four keyboard instruments, consciously pushing the boundaries of classical orthodoxy.

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