Times of The Day - Morning Misi Boros

• J.S. Bach (1685 - 1750): Italian Concerto in F Major, BWV 971:
• 1 J.S. Bach: Italian Concerto in F Major, BWV 971: I Allegro 03:39
• 2 J.S. Bach: Italian Concerto in F Major, BWV 971: II. Andante 03:38
• 3 J.S. Bach: Italian Concerto in F Major, BWV 971: III. Presto 03:29
• Beethoven (1770 - 1827): Sonata No. 21 in C Major, “Waldstein":
• 4 Beethoven: Sonata No. 21 in C Major, “Waldstein": I. Allegro con brio 10:27
• 5 Beethoven: Sonata No. 21 in C Major, “Waldstein": II. Introduzione: Adagio molto 02:58
• 6 Beethoven: Sonata No. 21 in C Major, “Waldstein": III. Rondo. Allegretto moderato — Prestissimo 09:01
• Liszt (1811 - 1886): Grandes études de Paganini, S. 141 No. 6 in A Minor:
• 7 Liszt: Grandes études de Paganini, S. 141 No. 6 in A Minor 05:19
• Grandes études de Paganini, S.141 No. 3 in G Sharp Minor:
• 8 Liszt: Grandes études de Paganini, S.141 No. 3 in G Sharp Minor: “La Campanella” 05:27
• Mozart (1756 - 1791): Ave verum corpus, K. 618, Arr. for piano by Liszt:
• 9 Mozart: Ave verum corpus, K. 618, Arr. for piano by Liszt 03:12
• J.S. Bach: French Suite No.5 in G Major, BWV 816:
• 10 J.S. Bach: French Suite No.5 in G Major, BWV 816: I. Allemande 03:00
• 11 J.S. Bach: French Suite No.5 in G Major, BWV 816: II. Courante 01:30
• 12 J.S. Bach: French Suite No.5 in G Major, BWV 816: III. Sarabande 03:21
• 13 J.S. Bach: French Suite No.5 in G Major, BWV 816: IV. Gavotte 01:02
• 14 J.S. Bach: French Suite No.5 in G Major, BWV 816: V. Bourrée 01:11
• 15 J.S. Bach: French Suite No.5 in G Major, BWV 816: VI. Loure 01:56
• 16 J.S. Bach: French Suite No.5 in G Major, BWV 816: VII. Gigue 02:43
• Mozart: Piano Sonata No. 5 in G Major, K. 283 / 189h:
• 17 Mozart: Piano Sonata No. 5 in G Major, K. 283 / 189h: I. Allegro 05:26
• 18 Mozart: Piano Sonata No. 5 in G Major, K. 283 / 189h: II. Andante 04:30
• 19 Mozart: Piano Sonata No. 5 in G Major, K. 283 / 189h: III. Presto 05:29
• Debussy (1862 - 1918): Images, Livre I, L. 110, No. 1, Reflets dans l'eau:
• 20 Debussy: Images, Livre I, L. 110, No. 1, Reflets dans l'eau 05:19
• L'isle joyeuse, L. 106:
• 21 Debussy: L'isle joyeuse, L. 106 06:39
• J.S. Bach: Chromatic Fantasy and Fugue, BWV 903:
• 22 J.S. Bach: Chromatic Fantasy and Fugue, BWV 903 10:57
• Prelude and Fugue in C minor, BWV 871:
• 23 J.S. Bach: Prelude and Fugue in C minor, BWV 871 04:09
• Beethoven: Piano Sonata No. 31 A-Flat Major Op. 110:
• 24 Beethoven: Piano Sonata No. 31 A-Flat Major Op. 110: I. Moderato cantabile molto espressivo 06:36
• 25 Beethoven: Piano Sonata No. 31 A-Flat Major Op. 110: II. Allegro molto 02:01
• 26 Beethoven: Piano Sonata No. 31 A-Flat Major Op. 110: III. Adagio ma non troppo – Allegro ma non troppo 08:43
• Chopin (1810 - 1849): Nocturne in F Minor Op. 55, No. 1:
• 27 Chopin: Nocturne in F Minor Op. 55, No. 1 05:15
• Fantaisie in F Minor, Op. 49:
• 28 Chopin: Fantaisie in F Minor, Op. 49 12:13
• Mozart: Piano Sonata No. 5 in G Major, K. 283 / 189h:
• 29 Mozart: Piano Sonata No. 5 in G Major, K. 283 / 189h: I. Allegro 04:09
• 30 Mozart: Piano Sonata No. 5 in G Major, K. 283 / 189h: II. Andante 04:30
• 31 Mozart: Piano Sonata No. 5 in G Major, K. 283 / 189h: III. Presto 05:48
• J.S. Bach: Sheep May Safely Graze, BWV 208 No. 9 - Arr. for piano by Egon Petri:
• 32 J. S. Bach: Sheep May Safely Graze, BWV 208 No. 9 - Arr. for piano by Egon Petri 05:51
• Total Runtime 02:39:28

Info zu Times of The Day - Morning

The second volume of the Wolhtemperiertes Klavier was composed in 1744, more than twenty years after the first. The second piece in this series, the Prelude and Fugue in C Minor, numbered BWV 871, reveals the highest level of genius.

In addition to the richness of the harmonies, Bach composed the four-part fugue in the most ear-catching way, with its extremely complex and intricate textures. This will be followed by Ludwig van Beethoven’s Sonata in A Flat Major, written in 1821, the composer’s penultimate, or thirty-first, piece in the genre. Op. 110 is marked Moderato cantabile molto espressivo, con amabilità (sanft) which encourages the performer to sing the movement in the most expressive, loving and tender manner possible.

The second movement of the work is a fast pulsating Allegro molto, with German folk song quotations, which are humorous or even mocking in tone. The third movement of the work, Adagio ma non troppo – Allegro ma non troppo, also contains a Bach quotation from the St. John Passion, which Beethoven further reflects on and soars.

In the final movement there are two fugues, which the composer crowns with the most wonderful, triumphant sonority. The music of the evening and night is the nocturne, whose greatest composer is Frédéric Chopin. The F Minor Op. 55 No. 1, written between 1842 and 1844, presents the faces of the night with its deep and sometimes rumbling tone.

The final piece of the evening and of the three-concert series is Chopin’s F Minor Fantasy Op. 49. The work, which lasts nearly a quarter of an hour, reveals the infinite scope of human imagination with virtuosity and profound thought. Written in 1841, it takes the performer on a wonderful journey alongside with the audience.

First encore of Wolfgang Amadeus Mozart’s Sonata in G major K. 283. Characteristic, seriously playful, lively and philosophical music. Its lightness is captivating and charming. The work, which was also performed in the evening concert, was already performed in the afternoon. Its musicality and vitality, through its power and effectiveness, made it “wished” for the end of the three concerts. The second encore, Johann Sebastian Bach’s “Sheep may safely graze” BWV 208 No. 9 (arr. E. Petri), is the most soothing and contemplative music, conveying as its conclusion the infinite reassuring and safe depth of music.

Misi Boros,

Misi Boros
He has been playing the piano since the age of 4. Since the age of eight he has won first prizes in eleven age-group piano competitions in Hungary, and has won competitions in Rome, Milan and Paris. Between 2013 and 2022, he gave 300 public concerts in cities beyond the Hungarian-speaking areas, including New York, Milan, Zurich, Tokyo, Osaka, Beijing, Shanghai, Shenzhen, Brussels, Stockholm, Gothenburg, Munich, Zagreb, Paris, Aix-en-Provence, London, Islamabad, Lahore, Karachi, Sao Paulo, and other cities. At the age of 10, in 2013, he participated in Lang Lang's International Children's Course in Munich. The Süddeutsche Zeitung wrote: ”Some children are absolutely fabulous. For example Mihály Boros Brambauer (2003), who plays with distinction, finds a lot of joy in music, and at the same time is a little intellectual with a sense for arches and dynamics." (SZ 8 November 2013) In 2017, he gave a solo concert at the Palace of Arts, playing Mozart's Piano Concerto with the National Philharmonic Orchestra. A recording of the concert was praised by the Guardian. He performed with twenty-two conductors and nineteen orchestras. He is a student at the Hochschule für Musik und Theater in Munich. Junior Prima Prize winner.

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