Hellbound Train: An Anthology (2022 Remaster) Steve Tibbetts

• 1 Full Moon Dogs (2022 Remaster) 09:15
• 2 Chandoha (2022 Remaster) 05:57
• 3 Lochana (2022 Remaster) 03:41
• 4 Black Temple (2022 Remaster) 09:59
• 5 Burning Temple (2022 Remaster) 03:59
• 6 Glass Everywhere (2022 Remaster) 03:59
• 7 Roam And Spy (2022 Remaster) 04:16
• 8 Hellbound Train (2022 Remaster) 07:18
• 9 Nyemma (2022 Remaster) 04:53
• 10 Your Cat (2022 Remaster) 04:32
• 11 Vision (2022 Remaster) 05:22
• 12 Chandogra (2022 Remaster) 04:28
• 13 Climbing (2022 Remaster) 03:57
• 14 Black Mountain Side (2022 Remaster) 02:55
• 15 Start (2022 Remaster) 04:16
• 16 100 Moons (2022 Remaster) 03:47
• 17 Mile 234 (2022 Remaster) 02:28
• 18 Wish (2022 Remaster) 05:24
• 19 Ishvaravana (2022 Remaster) 00:53
• 20 Bloodwork (2022 Remaster) 01:34
• 21 Life Of Someone (2022 Remaster) 02:31
• 22 Life Of Emily (2022 Remaster) 02:14
• 23 The Big Wind (2022 Remaster) 08:20
• 24 Aerial View (2022 Remaster) 04:16
• 25 Night Again (2022 Remaster) 06:59
• 26 My Last Chance (2022 Remaster) 03:56
• 27 End Again (2022 Remaster) 02:46
• 28 Threnody (2022 Remaster) 02:15
• Total Runtime 02:06:10

Info zu Hellbound Train: An Anthology (2022 Remaster)

Hellbound Train ist eine Doppelalbum-Retrospektive von Steve Tibbetts mit einer Musikauswahl des US-Gitarristen aus 40 Jahren ECM. In je ein elektrisches, ein akustisches Kapitel unterteilt, stellt diese Sammlung Stücke gegenüber, die ursprünglich auf den Alben Northern Song, Safe Journey, Exploded View, Big Map Idea, The Fall Of Us All, A Man About A Horse, Natural Causes und Life Of erschienen sind. Mit seinen fließenden Melodien und Texturen, hypnotischen Mustern und Pulsationen – subtil von der Musik diverser Kulturen beeinflusst – handelt es sich hierbei um eine ideale Einführung in Tibbetts einzigartiges Werk.

Steve Tibbetts, Gitarre, Dobro, Kalimba, Klavier, Percussion
Marc Anderson, Congas, Percussion, Steel-drum, Gongs, Hand-pan
Jim Anton, Bass
Eric Anderson, Bass
Bob Hughes, Bass
Mike Olson, Synthesizer
Marcus Wise, Table
Claudia Schmidt, Stimme
Rhea Valentine, Stimme
Michelle Kinney, Cello, Drones
Tim Weinhold, Vase, Bongos

Steve Tibbetts
a Minneapolis-based American guitarist, is known for his unique approach to sound-forming and composition. He was born in Madison in Wisconsin in 1954. He was in college when his first two records were made. Although Yr was self-published, it gained some attention, particularly from electric guitar fans. The record had many overdubs. One track could have as many as 50, creating a unique soundscape. Steve Tibbetts, like Brian Eno and other artists, views the recording studio a tool to create sounds. He often works and reworks the sounds he finds, incorporating them into musical tracks. (e.g. the footsteps on Safe Journey’s track “Running”, or the chanting from Nepalese villagers on Big Map Idea’s last tracks). In 1982, Tibbetts made Northern Song for ECM Records. This was an attempt by Tibbetts to be able to record his music in Manfred Eicher’s very fast recording style. ECM albums usually take two days to record. Northern Song received harsh reviews. Tibbetts returned to his old method of recording slowly over several months (or more). Manfred Eicher did not produce his subsequent records. However, they received better reviews. Steve Tibbetts can play acoustic or electric guitars as well as the kalimba. His musical compositions cover many genres and styles, including jazz, rock, fusion and new age. Often, a single composition may contain more than one style or genre. Five albums were released in the 1980s; three in 1990; and two in 2000. Other artists he has collaborated with include Knut Hamre, a Norwegian hardingfele musician, and Choying Drolma, a Tibetan nun. Marc Anderson, Steve’s long-time collaborator, is featured on all of the discography recordings, except for the “Steve Tibbetts.” album. You can purchase a CD-Rom containing a variety of sound textures and loops by Steve Tibbetts. In the middle of the 1980s, Steve Tibbetts stopped performing live. He began to travel extensively in Nepal in the late 1980s, where he met Choying Drolma (a Tibbetan Buddhist nun). Although Cho was not meant to be a commercial recording, it was released and received some positive reviews. Selwa, the second collaboration, was more thoughtfully considered and received very positive reviews. It is an example of a successful meeting between two musical traditions. (Creative Commons By–SA License.)

Booklet für Hellbound Train: An Anthology (2022 Remaster)