Hermeto's Universe The Norwegian Wind Ensemble & Steffen Schorn

• 1 Ilza Nova 09:20
• 2 Mentalizando a Cruz 04:09
• 3 Celso 06:58
• 4 Quebrando Tudo 00:25
• 5 Rainha da Pedra Azul 04:46
• 6 Rebuliço 03:39
• 7 Música das Nuvens e do Chão 06:16
• 8 Mente Clara 06:12
• 9 Ilha das Gaivotas 05:20
• 10 E Nem da pra Dizer 04:30
• 11 Uína 05:54
• 12 A Guaribada da Noite 06:46
• 13 Tudo Quebreu 00:52
• 14 O Farol Que nos Guia 05:48
• 15 Malacunguê 05:08
• 16 Risada de Felicidade 08:26
• Total Runtime 01:24:29

Info zu Hermeto's Universe

Magische Klangpoesie: Am 22. Juni 2021 wird der Brasilianer Hermeto Pascoal fünfundachtzig Jahre alt, und schon jetzt dürften sich die Fans des »verrückten Albino«, wie ihn Miles Davis nannte, das Datum in ihren Kalendern rot angestrichen haben: Denn Hermeto gehört seit vielen Jahrzehnten zu den Kultfiguren des avantgardistischen Jazz und ist trotz seines reifen Alters noch immer so aktiv wie eh und je – ein multifunktionaler Instrumentalist, der nicht nur herkömmliche Klanggeräte wie Flöte, Akkordeon, Gitarre und Keyboards zu bedienen weiß, sondern auch einer Teekanne brauchbare Melodien entlockt.

Rechtzeitig zum runden Geburtstag hat Det Norske Blåseensemble den deutschen Komponisten und Saxophonisten Steffen Schorn eingeladen, eine kleine, handverlesene Auswahl an Titeln aus der Welt des Hermeto Pascoal zu transkribieren und mit den vielseitigen norwegischen Bläser aufzunehmen. Das Ergebnis ist ein neues Doppel-Album der PaschenRecords, in dem es dem musikalischen Leiter des Projektes, wie schon in seiner früheren »hermetischen« Produktion „Viva o som“ mit der Bigband des Hessischen Rundfunks vorzüglich gelungen ist, eine ganz und gar idiosynkratische, improvisierte Musik in reproduktionsfähige, faszinierende Linien zu bannen.

Unterstützt wird Steffen Schorn dabei von seinem Kollegen Roger Hanschel (auch er gehörte einst zur „berüchtigten“ Kölner Saxophon Mafia) und von dem begnadeten Perkussionisten Marcio Bahia, die sich in Hermeto’s Universe ebenso souverän bewegen wie die Virtuosen des Norske Blåseensemble, die von der Pikkoloflöte bis hinunter zum röhrenden Tubax keinerlei Berührungsängste kennen. Det Norske Blåseensemble – oder auch das Norwegian Wind Ensemble – wurde 1734 in Halden gegründet und ist somit das älteste Orchester Norwegens.

Die vierundzwanzig Musiker können mit Leichtigkeit zwischen verschiedenen Stilen umschalten: Durch die Verbindung moderner Holzbläser und historischer Blechblasinstrumente haben sie einen einzigartigen Klang definiert, mit dem sie Musik von der Renaissance und dem Barock bis hin zur ersten Wiener Schule verwirklichen.

"Wogende und fließende Melodien, knappe Impressionen und Schwelgereien, vertrackte und ganz einfache Rhythmen, Klangseligkeit und Überraschungen prägen die zwei CDs. Schorn macht sich hörbar einen Spaß daraus, die ausgefeilten Arrangements locker und duftig klingen zu lassen. Einige Stücke, die Hermeto Pascoal zu hören bekam, hat dieser per Overdub noch um kurze eigene Einsprengsel ergänzt. Dadurch sind in der Kollektivimprovisation „Risada De Felicidade“ ausnahmsweise auch ein präpariertes Klavier, Schritte und Pascoals Stimme zu hören. Das Album ist mehr als ein übliche Hommage. Es zeugt von musikalischer Seelenverwandtschaft." (Werner Stiefele, Rondo Magazin)

Hermeto Pascoal, Flöte
Marcio Bahia, Schlagzeug, Percussion
Roger Hanschel, Saxofone
The Norwegian Wind Ensemble
Steffen Schorn, Dirigent

Steffen Schorn
is an internationally renown low woodwind specialist, composer, improviser and conductor. He has been performing extensively around the world in more than 70 countries and won numerous prizes and awards.

As a specialist for the low end of the woodwind family he has worked together leading figures in the international jazz world like Hermeto Pascoal e Grupo, Natalie Cole, Maria Schneider, Al Jarreau, Vince Mendoza, Don Cherry, Scott Robinson, as well as Ensemble Modern, Raschèr Saxophone Quartet, Hamburger Staatsoper, Doelen Ensemble Rotterdam, Ensemble Denada Norway, Brussels Jazz Orchestra, The Orchestra Denmark.

In his working bands like Soul Twins, Schorn Puntin Duo, Triosphere, Kölner Saxophon Mafia, Steffen Schorn Septet, Universe of Possibilities, he has developed a personal tone language combining spontaneity and structure with sophisticated groove.

His works have been performed in many countries, including commissioned works for Donaueschinger Musiktage, Oslo Jazz Festival, Beethovenfest Bonn, Int New Jazz Meeting Baden Baden, Roaring Hooves Festival Mongolia, Festa do Jazz Lisboa, Romanischer Sommer Köln.

As a conductor he has worked with international Ensembles like the Norwegian Wind Ensemble, Danish Chamber Players, Nuremberg Symphonic Orchestra, Netherlands Youth Orchestra & Youth Jazz Orchestra, as well as all German Radio Big Bands: WDR, NDR, HR and SWR.

He is professor of jazz composition and saxophone and artistic director of the jazz department at the Hochschule für Musik Nürnberg and musical director of the Zürich Jazz Orchestra.

His repertoire for large and small ensembles consists of 10 concert suites, a selection of Jazz-based tunes called „Songbook“, the rhythmically advanced „Groovebook“ and over 30 arrangements of tunes by the Brazilian genius Hermeto Pascoal.

Since 2001 he is professor for saxophone and composition and artistic head of the jazz department at the Musikhoschschule in Nürnberg.

From 2009 to 2012 he was curator for „realtime music“ with the Norwegian Wind Ensemble, from 2014 to 2019 he was artistic director and since 2019 composer in residence of the Zurich Jazz Orchestra.

Roger Hanschel
After beginning his musical education at a young age, Roger Hanschel then began to play the saxophone at the age of 11. Early on he developed a fascination for jazz and improvised music and at 14 founded his first group in which he was able to realize his musical visions. From 1981 to 1987 he studied saxophone at the music academy in Cologne, Germany. At this point, original composition became a major emphasis in his work, along with performing on the saxophone. By now you may hear him and over 70 of his compositions on more then 40 CD’s. In Cologne he founded the group NANA in 1983 with Hans Lüdemann (piano), Rainer Linke (bass), and Klaus Mages (drums) working extensively with them until 1988. From NANA the group BLAU FRONTAL emerged. This group published 2 CDs between 1989 and 1993, one a trio and one in cooperation with Mark Feldmann and Hank Roberts. In 1986 he studied at the “School for Fine Arts” in Banff, Canada with Dave Liebmann, Dave Holland, Richie Beirach, and others. Hanschel is a member of the KÖLNER SAXOPHON MAFIA since 1987. The ensemble has received four German Record Prizes as well as the SWR (Southern German Radio) Jazz Prize in 1999. In 1994 Hanschel founded the group PLANET BLOW along with Lu Hübsch (tuba) and Jörn Schipper (drums) with whom he toured intensively until 1999. Two CDs record this work. After a tour of India, PLANET BLOW played numerous concerts with the Asian-Indian singer SANDHYA SANJANA. He frequently collaborated with singer GABRIELE HASLER, and regularly performed live with her. They recorded 5 CDs together and were the recipients of the Ensemble-competition „Jazz Arts 2003“ prize (Germany). From 1994 to 1998 he performed in a duo with the Dutch cellist ERNST REIJSEGER. He became a member of the STEFFEN SCHORN SEPTET in 1998 and is now performs with Schorn’s UNIVERSE OF POSSIBILITIES. In 1999 and 2003 he played in the KLAUS KÖNIG ORCHESTRA. In 1998 he presented his music for saxophone and string quartet with the title “years of the fifth period.” For this project he collaborated with the FRANKFURT CONTEMPORARY QUARTET, the string section of the ENSEMBLE MODERN. A CD of the same name was released in January 2000. He also performed “years of the fifth period” with the AURYN QUARTETT while on a three-week tour of South America under the auspices of the Goethe Institute in September 2001. In 2000, along with Steffen Schorn and Dirk Mündelein, he founded TRIOSPHERE, which released their first CD in 2004 (winner of the German Record Critics‘ Prize). Triosphere won the Ensemble-competition „Jazz Arts 2003,“ the same year his duo with Hasler won a prize. In addition Hanschel is frequently called upon for cross-culture collaborations: in a trio with Stefan Heidtmann (keyboards) and Klaus Kugel (drums, percussion) Hanschel participated in new music/film production called ORNAMENTS OF LIGHT AND SOUND (with Ruth Hommelsheim, film; video art) In 2006 he founded the quartet ROGER HANSCHELS HEAVY ROTATION (with Markus Segschneider, Dietmar Fuhr, and Daniel Schröteler (currently Bodek Janke)). Since 2007 he has been performing SOLO CONCERTS throughout Europe and released his first complete solo CD in March 2011. He has most recently collaborated as a soloist with the NORWEGIAN WIND ENSEMBLE, the NDR BIG BAND (Germany), and GOTLAND MUSIKEN (Sweden) and ZÜRICH JAZZORCHESTRA. In 2015 he has collaborated with the ORQUESTRA DE CAMATA THEATRO SAO PEDRO (Porto Alegre) playing his music. In 2014 he produced his music „Niederschlagsmengen“ together with the AURYN QUARTETT. He also founded in this year the TRIO BENARES (Deobrat Mishra – Sitar, Prashant Mishra – Tabla). The CD „Assi Ghat“ won the award of the germann CD-critics. In 2017 he founded the Duo LAIA GENC & ROGER HANSCHEL. The CD „Change follows Vsion“ came out in 2018. He received in 2018 the WDR JAZZPREIS 2018. Since 2010 he teaches saxophone at the Musikhochschule in Köln.

Booklet für Hermeto's Universe