folklore: the sleepless nights chapter Taylor Swift

Album Info

Album Veröffentlichung:
2020

HRA-Veröffentlichung:
24.08.2020

Label: Taylor Swift

Genre: Pop

Subgenre: Pop Rock

Interpret: Taylor Swift

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  • 1 exile 04:45
  • 2 hoax 03:40
  • 3 my tears ricochet 04:15
  • 4 illicit affairs 03:10
  • 5 this is me trying 03:15
  • 6 mad woman 03:57
  • Total Runtime 23:02

Info zu folklore: the sleepless nights chapter

Taylor Swift has rolled out the second thematic chapter of folklore.

After unveiling the escapism chapter on Friday, the singer has grouped another collection of songs from the album into what she’s dubbed the sleepless nights chapter.

This one features the Bon Iver collab "Exile,” plus "Hoax," "My Tears Ricochet," "Illicit Affairs," "This Is Me Trying," and "Mad Woman."

"In my head, the songs on folklore fit together in different groups and 'chapters' -- based on how they fit together thematically," Taylor explained on Friday.

The escapism chapter features "The Lakes," "Seven," "Epiphany," "Cardigan," "Mirrorball," and "Exile."

Folklore just logged its fourth week at number one on the Billboard 200 chart.

Taylor Swift




Taylor Swift
is a seven-time GRAMMY winner, and the youngest recipient in history of the music industry’s highest honor, the GRAMMY Award for Album of the Year. She is the best-selling digital music artist of all time, and the only female artist in music history (and just the fourth artist ever) to twice have an album hit the 1 million first-week sales figure (2010’s Speak Now and 2012’s RED). She’s a household name whose insanely catchy yet deeply personal self-penned songs transcend music genres, and a savvy businesswoman who has built a childhood dream into an empire.

But the numbers don’t tell Taylor's story half as well as she could. After all, it’s the intangibles that elevate Swift into the stratosphere of our pop culture planet, allowing the 24-year old singer-songwriter to orbit in a more rarified air. Her large-scale charitable contributions are one thing, but it’s in the small gestures – the notes of compassion she posts on the Instagram photos of lovelorn fans, the genuine hugs she distributes without discretion – where Swift proves time and time again that platinum-selling, record-setting success has not changed her inherent nature. She is awkwardly honest and powerfully empathetic; a brazen superfan, loyal friend, fierce protector of hearts; and one of the world’s greatest ambassadors for the power of just being yourself.

Granted, for Taylor, “being herself” tends towards shimmering, gossamer perfection – but that’s an image regularly blown whenever she dons fake braces and a tri-pony to clown around on late night TV. She’s the first artist since the Beatles (and the only female artist in history) to log six or more weeks at #1 with three consecutive studio albums, and while she’s been named one of Time magazine’s 100 Most Influential People in the World, she’s probably the only person on that list who uses social media to post notes to her best friends and videos of her cats.

As Billboard’s youngest-ever Woman of the Year prepares to release her fifth album, 1989, she finds herself, as always, in the glare of a blinding spotlight of expectation – but if you think that scares her, you haven’t been paying attention. She calls 1989 her most sonically cohesive collection, and armed with first single, “Shake It Off,” she’s ready to blaze into the next phase of her still-young career, where she’ll continue to dance like no one’s watching, write like she stole our collective diary, and inevitably soar to ever-greater heights. All that’s left to wonder is how many more lives she’ll lift in the process.

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