Canzony znane i nieznane Filatura di Musica

Album Info

Album Veröffentlichung:
2020

HRA-Veröffentlichung:
07.02.2020

Label: RecArt

Genre: Classical

Interpret: Filatura di Musica

Das Album enthält Albumcover

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Formate & Preise

FormatPreisIm WarenkorbKaufen
FLAC 96 $ 14,50
  • Cesare Borgo (1550 - 1602):
  • 1The Pelplin Tablature: Canzona No. 2 "La castelnovata"02:26
  • 2The Pelplin Tablature: Canzona No. 15 "L’averolda"02:53
  • Giovanni Valentini (1582 - 1649):
  • 3Canzoni, Book 1: Canzona à 4 in A Minor02:30
  • Adam Jarzębski (1590 - 1649):
  • 4Spandesa02:26
  • 5Susanna videns05:42
  • Anonymous:
  • 6The Pelplin Tablature: Canzona No. 9102:06
  • 7The Pelplin Tablature: Canzona No. 8703:03
  • 8The Pelplin Tablature: Canzona No. 8502:10
  • Andrzej Rohaczewski (1590 - 1630):
  • 9Canzon à 4 in D Minor02:49
  • Adam Jarzębski:
  • 10Canzona prima02:09
  • 11Canzona seconda02:20
  • 12Canzona terza03:09
  • Thomas Morley (1557 - 1602):
  • 13The Pelplin Tablature: Canzona No. 7403:04
  • Anonymous:
  • 14The Pelplin Tablature: Canzona No. 8402:26
  • Tarquinio Merula:
  • 15La marcha, Op. 1 No. 701:58
  • Adam Jarzębski:
  • 16Norimberga06:17
  • Anonymous:
  • 17The Pelplin Tablature: Canzona No. 8902:20
  • Adam Jarzębski:
  • 18Concerto primo02:51
  • Tarquinio Merula:
  • 19La lusignuola, Op. 1 No. 203:11
  • Total Runtime55:50

Info zu Canzony znane i nieznane

‘Filatura di Musica’ is an ensemble specializing in historically informed performance. It consists of musicians who graduated from prestigious art schools: Schola Cantorum Basiliensis, Koninklijk Conservatorium in the Hague, Staatliche Hochschule für Musik in Trossingen or Conservatoire de Musique in Grenoble. Artistic pursuits of the ensemble cover two areas of repertoire. The first is Renaissance and early Baroque music, performed in the typical of this period high pitch (a1= 465 Hz). The core instrumental ensemble is a consort, the varied body of which (recorders and traverso flutes, vielle/violin, violas da gamba) contributes to expressive demonstration of arabesque melodic lines of the 16th-century polyphony and concertante dialoguing in canzonas and sonatas from early 17th century. This is complemented with singing and the sound of keyboard instruments (virginal/positive organ).

Filatura di Musica:
Marek Nahajowski, recorders, artistic direction
Magdalena Pilch, recorders, transverse flute
Judyta Tupczyńska, violin
Patrycja Domagalska-Kałuża, chest organ
Justyna Młynarczyk, viola da gamba
Piotr Młynarczyk, viola da gamba




Marek Nahajowski
(b. 1979), music theorist, recorder-player performing on replicas of period instruments, lecturer in the Music Theory Faculty of the Grażyna and Kiejstut Bacewicz Academy of Music in Łódź, where he holds courses in the history and performance practice of Baroque music and since 2011 he has been conducting the recorder class. He is an author of the first Polish translation of Johann Joachim Quantz’s treatise Versuch einer Anweisung die Flöte traversiere zu spielen (O zasadach gry na flecie poprzecznym, Łódź 2012). His academic research focuses on hermeneutic interpretations of the 17th/18th-century musical pieces, as well as aesthetics and performance practice of Baroque and early Classicism. As an instrumentalist he has played with numerous early music ensembles, such as Il Tempo, Ars Cantus, Umbraculum, St Louis Club and others. Marek Nahajowski is also invited as a guest lecturer to early music interpretation courses like The Early Music Forum at the Frederic Chopin Music University, Polish Summer Early Music Workshops in Kalisz and Gorzów Meetings with Early Music.



Dieses Album enthält kein Booklet

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