Faceless (2024 Remaster) Godsmack

• 1 Straight Out Of Line 04:19
• 2 Faceless 03:35
• 3 Changes 04:20
• 4 Make Me Believe 04:09
• 5 I Stand Alone 04:05
• 6 Re-Align 04:21
• 7 I Fucking Hate You 04:07
• 8 Releasing The Demons 04:13
• 9 Dead And Broken 04:11
• 10 I Am 03:58
• 11 The Awakening 01:29
• 12 Serenity 04:34
• Total Runtime 47:21

Info zu Faceless (2024 Remaster)

Schaut man sich die rasante Karriere des Bostoner Quartetts GODSMACK an, muss man zweifellos an den Traum vieler Musiker denken. Nach nur zwei Alben haben sich Frontmann Sully Erna und seine Mitstreiter eine mehr als repräsentative Fangemeinde aufgebaut. Da wundert es nicht, dass das neue Album „Faceless“ mit einer enormen Menge an Vorbestellungen aufwarten konnte. Seit Montag steht das gute Stück jetzt in den Läden und auch dieses Mal wird wieder richtig Gas gegeben. GODSMACK greifen ihr altbewährtes Konzept auf: groovige Riffs, rollende Drums und die unverkennbaren Vocals von Sully.

Bereits Mitte letzten Jahres zeichnete sich mit dem eingängigen „I Stand Alone“, dem Titelsong zum Kinofilm „The Scorpion King“, eine erste Linie für das Album ab. Die Erwartungen wurden erfüllt.

Das Motto lautet Melodie und auf insgesamt zwölf Songs gibt’s die satt! Gleich der Opener „Straight Out Of Line“ besticht durch eine extrem rhythmische Strophe und eine Refrainmelodie die unweigerlich in’s zentrale Nervenmsystem zielt. Die Bridge des Songs stellt im Übrigen eine der wenigen technischen Spielereien des Albums dar, das sich sonst ohne Schnörkel auf einem geraden Pfad gen Ende bewegt. Es sind Nummern wie „Releasing The Demons“ und „Dead & Broken“ die bei GODSMACK eine neue Ära einleiten – weg vom verzwickten Songaufbau hin zu einfacheren, druckvollen Gerüsten. Weniger Riffs, mehr Akkorde! Doch keine Angst! „Faceless“ bietet nach wie vor die notwenige Energie, die keinem Rock-Album fehlen sollte. Größtes Lob an dieser Stelle dem neuen Trommler Shannon Larkin (Ex-UGLY KID JOE) der wahrlich einen ganzen Rhythmus-Teppich ausbreitet und seinen Vorgänger mehr als würdig ersetzt! Frischer Wind, der GODSMACK gut tut und sich auch auf den Rest der Band überträgt.

„Faceless“ ist das perfekte Album für alle die mal wieder richtig die Sau rauslassen und dabei schnell auf den Punkt kommen wollen. (earshot.at)

Sully Erna, Leadgesang, Rhythmusgitarre, zusätzliches Schlagzeug, Talkbox bei „I Stand Alone“
Tony Rombola, Leadgitarre, Hintergrundgesang
Robbie Merrill, Bass
Shannon Larkin, Schlagzeug, Percussion
Zusätzliche Musiker:
Tommy Stewart, Schlagzeug bei „I Stand Alone“

Digital remastered

Godsmack
has more Top 10 Rock Songs than Foo Fighters or their hometown heroes, Aerosmith. Stretching back to their four-times platinum self-titled debut, initially recorded in 1996 for $2500, the veteran band’s catalog of hits is enough to fill a marathon set without running out. Songs like “I Stand Alone,” “Awake,” and “Voodoo” are certified anthems deeply encoded into hard rock’s DNA.

Like the antiheroes of a heist movie planning one last score, the Lawrence, Massachusetts-bred quartet takes a victory lap with Lighting Up the Sky, dropping one more classic album as they ascend into the celebratory portion of their career. Sully Erna, Robbie Merrill, Tony Rombola, and Shannon Larkin climbed the creative mountain over and over. They are consummate rock fans themselves, so they refuse to finish as one of those bands where fans hit the beer line during “the new stuff”.

“Let’s look at Godsmack. This isn’t coming from an egotistical point of view. But we can play 15 songs a night and still not play all of our Top 10 singles,” Erna points out. “When most people go see their favorite band, they don’t care about the new records. We want to start our sunset years at some point and honor the ‘greatest hits’ portion of our career. Let’s create the biggest and best show we can.”

Lighting Up the Sky is undoubtedly a stunning swan song, should it truly prove to be the final studio album of new music from Godsmack. “Surrender,” the first new song in four years, earned well over a half million streams on Spotify alone in its first two weeks of release. Songs like “What About Me” and “Soul On Fire” stand up to anything in the band’s rich multi-platinum catalog. “Lighting Up the Sky is packed with melodies”, assures the frontman. The band’s body of work includes eight albums, four Grammy nominations, two iHeartRadio Music Awards noms, and a Billboard Music Award.

Godsmack self-released their debut album, All Wound Up…, in 1997. Republic/Universal Records signed the band to a multi-record deal and re-released a remixed version of the debut as 1998’s Godsmack. The sophomore set Awake (2000) debuted at No. 5 on the Billboard 200 and was later certified double platinum. Faceless (2003), Godsmack’s first with drummer Shannon Larkin, topped the Billboard 200 and went platinum the same year. Both IV (2006) and The Oracle (2010) debuted at No. 1 as well. 1000hp (2014) topped the Hard Rock Chart and opened at No. 3 on the Billboard 200.

When Legends Rise debuted atop Billboard’s Top Rock Albums chart in May 2018. Two years later, Godsmack tied Van Halen and Shinedown for the second-most top ten singles in the 40-year history of Billboard’s Mainstream Rock Songs airplay chart, with 26 songs. When Legends Rise produced three No. 1 singles back-to-back, including the title track, “Bulletproof,” and “Under Your Scars”.

The continued creative and commercial achievement with When Legends Rise accelerated the momentum into Lighting Up the Sky, even as the Covid-related lockdowns temporarily stopped live events.

“We knew nothing except grinding, sitting in a studio for months, then back on the road, and repeat”, Erna explains. “We wanted to make this one at a more relaxed pace, more about quality than speed. This will probably be the last full body of work you ever get from Godsmack, so we wanted it to be important, meaningful, and packed. We worked at it off and on for almost two years.”

As the compositions came together, a theme took shape organically. “I promised myself I wouldn’t give myself the stress of the workload, lyrically. I’d let the record come to me. I’m a fan of sequencing and how songs flow together. I like when a record takes you on a journey from front to back. I realized there’s a whole story here about one man’s journey, the ups, and downs. I believe it’s a story everyone will connect to, on a human level, because we’ve all gone through things in life.”

Erna arranged for a unique recording experience, combining veteran Godsmack collaborators. He produced the album together with Andrew Murdock aka “Mudrock” (Avenged Sevenfold, Alice Cooper), who produced the first two albums, Godsmack and Awake. Dave Fortman (Slipknot, Mudvayne), who previously produced The Oracle and 1000HP, mixed Lighting Up the Sky.

“Since the theme of this album was about reliving the entire journey, it just felt right to bring back the original team and get the best production we could”, Erna explains.

The powerful storytelling of Lighting Up the Sky covers boy-meets-girl, obstacles in relationships, the polarized political climate and the state of the world, betrayal, connection, rebounds, and more. It also gets into the idea of legacy, what we leave behind; fitting for what could be a “final” album.

“I don’t know if there’s another record after this. I feel this is very final for us”, Erna says. “All these stories came together, and when I put them in order, I realized it’s one whole story. It’s a very emotional album for all of us. And the people who won’t care about the intricacies of the story, the emotional depth, will still be able just to listen and enjoy. Because every song could be a single.”

Even if this turns out to be their last album, Erna emphasizes that this isn’t the end of Godsmack.

“We are in the best place we’ve ever been in our lives. Somehow, I feel like we were guided like the band was important enough to stay together. We learned to love each other as brothers. We climbed the highest mountains and got over them without breaking. It was an emotional moment when we got to that realization. We actually shed a few tears and gave each other big hugs. ‘Let’s go enjoy our lives.’ This isn’t the end. This is just a new beginning because the best of times is still to come.”

Dieses Album enthält kein Booklet