Seicento Stravagante: Violino òver Cornetto Seicento Stravagante

• Dario Castello (ca. 1602 - 1631): Sonate concertate in stil moderno, libro secondo:
• 1 Castello: Sonate concertate in stil moderno, libro secondo: Sonata quarta 07:00
• Giovanni Legrenzi (1626 - 1690): Sonate a due e a tre libro primo opera seconda:
• 2 Legrenzi: Sonate a due e a tre libro primo opera seconda: La Strasolda (a due violini) 04:21
• Giuseppe Scarani: Sonate concertate a due e tre voci: libro primo; opera prima:
• 3 Scarani: Sonate concertate a due e tre voci: libro primo; opera prima: Sonata sesta a due soprani sopra Re, Mi, Fa, Sol, La 05:04
• Girolamo Frescobaldi (1583 - 1643): Il primo libro delle canzoni ad una, due, trè, e quattro voci:
• 4 Frescobaldi: Il primo libro delle canzoni ad una, due, trè, e quattro voci: Toccata per Spinettina, è Violino 05:07
• Giovanni Battista Buonamente (ca. 1595 - 1642): Sonate e Canzoni a 2, 3, 4, 5 e 6 voci libro VI:
• 5 Buonamente: Sonate e Canzoni a 2, 3, 4, 5 e 6 voci libro VI: Sonata quinta a 2 04:57
• Ercole Pasquini (ca. 1560 - 1619): Toccata prima:
• 6 Pasquini: Toccata prima 05:03
• Serafino Patta (ca. 1580 - 1619): Il secondo libro de concerti a 1, 2, 3, 4, 5 voci e organo:
• 7 Patta: Il secondo libro de concerti a 1, 2, 3, 4, 5 voci e organo: Canzon Francese "La Lampugnana" 02:53
• Tarquinio Merula (1595 - 1665): Canzoni overo sonate concertate per chiesa e camera, Op. 12:
• 8 Merula: Canzoni overo sonate concertate per chiesa e camera, Op. 12: La Gallina (canzon à 2) 03:07
• Gioseppe Giamberti (ca. 1600 - 1662/64): Duo tessuti con diversi solfeggiamenti scherzi:
• 9 Giamberti: Duo tessuti con diversi solfeggiamenti scherzi: Cucù 01:22
• Marco Uccellini (ca. 1603 - 1680): Sonate, arie et correnti, Op. 3:
• 10 Uccellini: Sonate, arie et correnti, Op. 3: Aria nona à 3 "L'Emenfrodito", "Maritati insieme la Gallina, e'l Cucco fanno un bel concerto" 03:58
• Francesco Usper Sponga (1561 - 1641): Ricercari et arie francesi:
• 11 Sponga: Ricercari et arie francesi: Ricercar ottavo 04:06
• Gabriele Usper Sponga (1609 - 1632): Messa, e Salmi da concertarsi nel’Organo:
• 12 Sponga: Messa, e Salmi da concertarsi nel’Organo: Sinfonia (à doi Violini) 03:54
• Biagio Marini (1594 - 1663): Sonate, symphonie, canzoni, passe’mezzi, baletti, corenti, gagliarde e retornelli, Op. 8:
• 13 Marini: Sonate, symphonie, canzoni, passe’mezzi, baletti, corenti, gagliarde e retornelli, Op. 8: Sonata quinta (per doi Violini o Cornetti) 03:17
• Giovanni Battista Buonamente: Varie sonate, libro IV:
• 14 Buonamente: Varie sonate, libro IV: Sonata Decima sopra "Cavaletto zoppo" 03:48
• Total Runtime 57:57

Info zu Seicento Stravagante: Violino òver Cornetto

Im 16. Jahrhundert war die Kunst der gehobenen Konversation ein Thema von großem Interesse, sowohl in gelehrten Akademien als auch bei den verbalen Spielen geselliger Abendgesellschaften. Da musikalische Virtuosen lernten, durch ihre Instrumente zu ,sprechen' war es nur natürlich, dass sie auch begannen, sich zu ,unterhalten'.

Das Ensemble Seicento Stravagante gibt uns ein Beispiel für diese ‚musikalische Konversation‘, hier zwischen drei Musizierenden. In Werken von 13 italienischen Komponisten des späten 16. und frühen 17. Jahrhunderts stellen Seicento Stravagante die Opulenz der frühen Barockmusik nach, als Komponisten viele einzelne ,Stimmen' (ob vokal oder instrumental) zu einem harmonischen Ganzen verwebten. Die Kompositionen konnten zwar oft auf verschiedenen Instrumenten gespielt werden, doch auf der Violine und dem Cornetto (oder zu Deutsch: Zink) kamen sie am besten zur Geltung. Die beiden Instrumente entwickelten eine zunehmend enge Beziehung, sodass sie praktisch austauschbar waren. Dank dieser Aufnahme können wir die subtile Klangmischung dieser beiden Instrumente und den Reichtum der italienischen Instrumentalmusik dieser Zeit genießen.

Seicento Stravagante:
David Brutti, Cornet
Nicola Lamon, Orgel, Cembalo

David Brutti
studied saxophone with J.-M. Londeix and M. B. Charrier at the Conservatoire of Bordeaux, obtaining the "Medaille d’Or"; he got the Master in Chamber Music with Pier Narciso Masi at "International Piano Academy of Imola". From 2000 to 2008 David Brutti received awards in over fifteen international and national competitions.

In 2012 he began studying the cornetto and Early Music practice with Andrea Inghisciano. He regularly works with several prestigious conductors and ensembles, such as Antonio Florio, Gabriel Garrido, Federico Maria Sardelli, Odhecaton, Accademia Bizantina, Modo Antiquo, La Pifarescha, Ensemble Il Gusto Barocco (Stuttgart), Lautten Compagney, L’Estro d’Orfeo, Cappella Marciana (Venezia), La Folia Barockorchester (Wien), The English Cornett and Sackbut Ensemble and Il Giardino Armonico.

He has been performing in many early music festivals such as Festival Claudio Monteverdi (Cremona), Trigonale 2016 (Maria Saal - Austria), Sagra Musicale Umbra and in major theatres, churches and concert halls, such as Teatro Regio - Torino, Teatro Olimpico - Vicenza, Teatro Ponchielli - Cremona, Mannheim Nationaltheater, Auditorium Haydn - Bolzano, Teatro Abbado - Ferrara, Theater an per Wien - Vienna, Teatro La Pergola - Firenze and Theather Münster.

He recorded for Amadeus, Arcana, Brilliant Classics, Bongiovanni, Radio Vaticana, ORF1, Tactus, Dynamic, Extended Place, Pan Classics and BIS.

He currently teaches at the Conservatory “C.Monteverdi” of Cremona.

Nicola Lamon
studied organ with Elsa Bolzonello Zoja and harpsichord with Sergio Vartolo and Marco Vincenzi at the conservatory “B. Marcello" of Venice. He also obtained his cum laude degree in Gregorian Chant with Lanfranco Menga. He studied also with H. Davidsson, W. Porter, J. L. Gonzalez Uriol and at Chigiana Academy in Siena with Cristophe Rousset.

From 2001 to 2005 he won several national and international awards, such as Borca di Cadore, Viterbo, Fano Adriano (Teramo), Fusignano (Ravenna) and Pesaro. Nicola Lamon carries out an intense concert activity, both as a soloist and continuo player on harpsichord and organ, with peculiar interest in authentic keyboards.

He regularly works with several prestigious conductors and ensembles, such as, Marco Mencoboni - Cantar lontano, I Barocchisti - Diego Fasolis, Orchestra “Lorenzo Da Ponte” - Roberto Zarpellon, Modo Antiquo - Federico Maria Sardelli. In 2021 he recorded the first book of Das Wohltemperierte Klavier and Die Kunst Der Fuge, both for Velut Luna, using a harpsichord by Romain Legros after Silbermann.

He also recorded for Tactus, Brilliant, Arcana, Amadeus, Fra Bernardo, Concerto Classics, Extended Place, Pan Classics and BIS.

He currently teaches score reading at the Conservatory “D.Cimarosa” of Avellino and harpsichord at the Conservatory “A.Buzzolla” of Adria.

Booklet für Seicento Stravagante: Violino òver Cornetto