90 Scriabin Complete Piano Preludes Daniel Pereira

• Alexander Scriabin (1872 - 1915):
• 1Prelude, Op. 2, No. 201:12
• Prelude, Op. 9:
• 2Prelude, Op. 9, No. 1: Andante03:18
• 24 Preludes, Op. 11:
• 324 Preludes, Op. 11, No. 1: Vivace01:02
• 424 Preludes, Op. 11, No. 2: Allegretto02:12
• 524 Preludes, Op. 11, No. 3: Vivo00:55
• 624 Preludes, Op. 11, No. 4: Lento02:01
• 724 Preludes, Op. 11, No. 5: Andante cantabile01:41
• 824 Preludes, Op. 11, No. 6: Allegro00:43
• 924 Preludes, Op. 11, No. 7: Allegro assai01:07
• 1024 Preludes, Op. 11, No. 8: Allegro agitato01:36
• 1124 Preludes, Op. 11, No. 9: Andantino01:34
• 1224 Preludes, Op. 11, No. 10: Andante01:15
• 1324 Preludes, Op. 11, No. 11: Allegro assai01:54
• 1424 Preludes, Op. 11, No. 12: Andante01:50
• 1524 Preludes, Op. 11, No. 13: Lento01:28
• 1624 Preludes, Op. 11, No. 14: Presto01:03
• 1724 Preludes, Op. 11, No. 15: Lento02:10
• 1824 Preludes, Op. 11, No. 16: Misterioso01:41
• 1924 Preludes, Op. 11, No. 17: Allegretto00:44
• 2024 Preludes, Op. 11, No. 18: Allegro agitato00:54
• 2124 Preludes, Op. 11, No. 19: Affettuoso01:18
• 2224 Preludes, Op. 11, No. 20: Appassionato01:00
• 2324 Preludes, Op. 11, No. 21: Andante01:48
• 2424 Preludes, Op. 11, No. 22: Lento00:59
• 2524 Preludes, Op. 11, No. 23: Vivo00:42
• 2624 Preludes, Op. 11, No. 24: Presto00:59
• 6 Preludes, Op. 13:
• 276 Preludes, Op. 13, No. 1: Maestoso02:25
• 286 Preludes, Op. 13, No. 2: Allegro00:49
• 296 Preludes, Op. 13, No. 3: Andante01:16
• 306 Preludes, Op. 13, No. 4: Allegro01:05
• 316 Preludes, Op. 13, No. 5: Allegro01:09
• 326 Preludes, Op. 13, No. 6: Presto01:33
• 5 Preludes, Op. 15:
• 335 Preludes, Op. 15, No. 1: Andante01:46
• 345 Preludes, Op. 15, No. 2: Vivo00:53
• 355 Preludes, Op. 15, No. 3: Allegro assai01:12
• 365 Preludes, Op. 15, No. 4: Andantino01:38
• 375 Preludes, Op. 15, No. 5: Andante01:17
• 5 Preludes, Op. 16:
• 385 Preludes, Op. 16, No. 1: Andante03:05
• 395 Preludes, Op. 16, No. 2: Allegro01:10
• 405 Preludes, Op. 16, No. 3: Andante cantabile02:24
• 415 Preludes, Op. 16, No. 4: Lento01:17
• 425 Preludes, Op. 16, No. 5: Allegretto00:47
• 7 Preludes, Op. 17:
• 437 Preludes, Op. 17, No. 1: Allegretto01:38
• 447 Preludes, Op. 17, No. 2: Presto00:53
• 457 Preludes, Op. 17, No. 3: Andante02:12
• 467 Preludes, Op. 17, No. 4: Lento01:12
• 477 Preludes, Op. 17, No. 5: Presto01:21
• 487 Preludes, Op. 17, No. 6: Andante doloroso02:13
• 497 Preludes, Op. 17, No. 7: Allegro assai01:12
• 4 Preludes, Op. 22:
• 504 Preludes, Op. 22, No. 1: Andante01:28
• 514 Preludes, Op. 22, No. 2: Andante01:04
• 524 Preludes, Op. 22, No. 3: Allegretto01:07
• 534 Preludes, Op. 22, No. 4: Andantino00:54
• 2 Preludes, Op. 27:
• 542 Preludes, Op. 27, No. 1: Patetico01:42
• 552 Preludes, Op. 27, No. 2: Andante01:06
• 4 Preludes, Op. 31:
• 564 Preludes, Op. 31, No. 1: Andante02:18
• 574 Preludes, Op. 31, No. 2: Con stravaganza00:46
• 584 Preludes, Op. 31, No. 3: Presto00:39
• 594 Preludes, Op. 31, No. 4: Lento01:13
• 4 Preludes, Op. 33:
• 604 Preludes, Op. 33, No. 101:04
• 614 Preludes, Op. 33, No. 2: Vagamente01:24
• 624 Preludes, Op. 33, No. 300:30
• 634 Preludes, Op. 33, No. 4: Ardito, bellicoso00:52
• 3 Preludes, Op. 35:
• 643 Preludes, Op. 35, No. 1: Allegro00:51
• 653 Preludes, Op. 35, No. 2: Elevato03:11
• 663 Preludes, Op. 35, No. 3: Scherzando01:10
• 4 Preludes, Op. 37:
• 674 Preludes, Op. 37, No. 1: Mesto01:59
• 684 Preludes, Op. 37, No. 2: Maestoso, fiero01:04
• 694 Preludes, Op. 37, No. 3: Andante02:04
• 704 Preludes, Op. 37, No. 4: Irato, impetuoso00:57
• 4 Preludes, Op. 39:
• 714 Preludes, Op. 39, No. 1: Allegro00:47
• 724 Preludes, Op. 39, No. 2: Elevato01:34
• 734 Preludes, Op. 39, No. 3: Languido01:42
• 744 Preludes, Op. 39, No. 400:51
• Prelude, Op. 45, No. 3:
• 75Prelude, Op. 45, No. 3: Andante01:20
• 4 Preludes, Op. 48:
• 764 Preludes, Op. 48, No. 1: Impetuoso fiero00:32
• 774 Preludes, Op. 48, No. 2: Poetico con delizia01:20
• 784 Preludes, Op. 48, No. 3: Capricciosamente affanato00:49
• 794 Preludes, Op. 48, No. 4: Festivamente00:46
• Prelude, Op. 49:
• 80Prelude, Op. 49, No. 2: Bruscamente irato00:55
• Prelude, Op. 51:
• 81Prelude, Op. 51, No. 2: Lugubre02:36
• Prelude, Op. 56:
• 82Prelude, Op. 56, No. 1: Violent, très accentué00:55
• Prelude, Op. 59:
• 83Prelude, Op. 59, No. 2: Sauvage, belliqueux01:32
• 2 Preludes, Op. 67:
• 842 Preludes, Op. 67, No. 1: Andante02:00
• 852 Preludes, Op. 67: No. 2 Presto00:51
• 5 Preludes, Op. 74:
• 865 Preludes, Op. 74, No. 1: Douloureux, déchirant01:18
• 875 Preludes, Op. 74, No. 2: Très lent, contemplative01:24
• 885 Preludes, Op. 74, No. 3: Allegro drammatico00:44
• 895 Preludes, Op. 74, No. 4: Lent, vague, indécis01:43
• 905 Preludes, Op. 74, No. 5: Fier, belliqueux01:12
• Total Runtime02:03:47

Info zu 90 Scriabin Complete Piano Preludes

Despite influences ranging from Liszt and Chopin to late Romanticism to Wagner and Debussy, Scriabin stands alone in music history, a transcendental visionary who indulged in a heady array of styles, embracing polyrhythms, bitonality, even atonality. Scriabins compositions are amongst the most innovative, idiosyncratic and bewitching of all time, and his piano works are at the very heart of this contribution. This exquisite double CD from pianist Daniel Pereira Gonzlez illustrates the extraordinary metamorphosis of Scriabins style over the course of a quarter of a century. In addition to performing these works with rare insight, Daniel Pereira Gonzlez has completed a doctoral thesis on the preludes of Scriabin, demonstrating an exceptionally detailed and informed approach to his music. Scriabins piano output reflected his own quest for the unimaginable, the esoteric, the mysterious, resulting in an opulent concoction of rich harmonies, accentuated or blurred with the subtle use of pedalling. Each of Scriabins preludes is usually fixated on a single idea which is then varied and transformed. The brevity of these pieces often serves to accentuate their intensity of colour; the listener can appreciate them as though enjoying a collection of sparkling jewels, each one unique, complex and beautiful. Daniel Pereira Gonzlez grew up and currently resides in Spain. His studies took him to the USA, where he undertook research at the International Piano Archives, and his career has taken him all over the world, including as Director of Chamber Music at the Vianden International Festival in Luxembourg.

Daniel Pereira, piano

Daniel Pereira
received a Special Prize in Piano performance in his native Spain, where he began his music studies. He holds a Master of Music Degree from the University of Hartford in Connecticut, an Artist Diploma from the State University of New York, and a Doctor of Musical Arts Degree from the University of Maryland.

He is the recipient of numerous honors, including the prestigious Moses Haltzmark and Hartt Alumni Awards and the Evelyn B. Storrs Scholarship which he received on two separate occasions. His doctoral thesis consisted of two live recordings (90 pieces in all), of the complete preludes of Alexander Scriabin. His Scriabin CD will be released by Odradek Records in May 2020. D. Pereira was invited to lecture on Scriabin and give recitals of his music in the United States, Brazil and Spain.

D. Pereira combines pedagogical activities with recitals and concerts. He has conducted extensive research on pianists of the past, old and new recordings, and schools of piano playing, at the revered International Piano Archives at the University of Maryland. That experience, he observed, greatly enriched him as a musician and pedagogue. In addition to Scriabin, he has lectured on a diverse array of topics in music theory and performance in North and South America and in Europe and has performed in cultural capitals like New York, as well as other major cities. He has given Master Classes at the Turtle Bay Music School in New York, and at IKFEM in Galicia, Spain.

In 2016, Why We Can’t Always Play Walzes, a book he co-authored with oboist Humbert Lucarelli, was published by Carl Fischer Music, New York, and in the same year, Clavier Companion published his article entitled “Cortos: The Prologue” appearing in its Jan./Feb. issue. He is presently co-editor of the Project Notes of a Composer, sponsored by the Universidade Estadual de Minas Gerais in Brazil.

D. Pereira has, upon invitation, participated in piano festivals and taught master classes in Spain, Portugal, France, Italy, Belgium, Switzerland, the Czech Republic, Brazil and the United States. He founded the Piano Friends Society of Galicia (in Spain) and was the Artistic Director of the International Piano Festivals Conde de Gondomar, in Spain, from 2000 through 2006, where he also lectured and performed. He has also been the Co-director of the Vianden International Music Festival in Luxembourg. Over the years. he has appeared on television and was heard on the radio the United States, Brazil and Spain.

D. Pereira resided in the United States for 14 years where he studied, worked and performed. He subsequently took up residence in London, U.K. where he was a Master Instructor at the West Kensington Music Team and teacher at Dynamic Piano lessons. More recently, he has been a member of the jury at the Concurso Permanente de Juventudes Musicales de España. He served as piano accompanist at the Escuela Superior de Arte Dramático of Málaga and at the Real Conservatorio de Danza Mariemma in Madrid. D. Pereira and his four-hand piano partner were selected to be included in the 2019 edition of the AECID Music Catalogue. He is Professor of Piano at the Conservatory Teresa Berganza in Madrid.

Dieses Album enthält kein Booklet