Adès: Forgotten Dances Sean Shibe

• Thomas Ades (b. 1971): Forgotten Dances:
• 1 Ades: Forgotten Dances: No. 1, Overture, Queen of the Spiders 03:21
• 2 Ades: Forgotten Dances: No. 2, Berceuse, The Paradise of Thebes 03:55
• 3 Ades: Forgotten Dances: No. 3, Courante - Here was a swift (for Max Ernst) 01:49
• 4 Ades: Forgotten Dances: No. 4, Barcarolle - The Maiden Voyage 02:26
• 5 Ades: Forgotten Dances: No. 5, Carillon de Ville (for Hector Berlioz) 02:16
• 6 Ades: Forgotten Dances: No. 6, Vesper (for Henry Purcell) 06:11
• Total Runtime 19:58

Info zu Adès: Forgotten Dances

Das 20-minütige Stück besteht aus sechs Sätzen. Es beginnt mit „Overture – Queen of the Spiders“, in dem wechselnde Tempi und kunstvolle Melodielinien eine Atmosphäre der Geheimniskrämerei und Vorfreude schaffen. Es folgt „Berceuse – Paradise of Thebes“, dessen Titel an eine Episode aus Luis Buñuels Film „Der verfluchte Engel“ erinnert. „Here was a swift“ bezieht sich auf Max Ernst und erfordert brillante Virtuosität in den rasanten Passagen. „Barcarolle – the Maiden Voyage“ bildet einen zarteren, lyrischen Kontrast zum vorangegangenen Tumult. Es folgt „Carillon de Ville“, eine Hommage an Berlioz, die mit zartem Glockengeläut beginnt, bevor ihre klangvollen Akkorde dichter und dissonanter werden und ein lärmendes Ende einläuten. Den Abschluss bildet das chaconneartige „Vesper“, das Henry Purcell gewidmet ist und auf der Abendhymne basiert.

Sean Shibe, klassische Gitarre

Sean Shibe
Born in Edinburgh in 1992 of English and Japanese heritage, Sean studied at the Royal Conservatoire of Scotland, and currently with the inspirational Paolo Pegoraro in Italy.

In 2012 he became the first guitarist to be selected for the BBC Radio 3 New Generation Artists scheme, and the only solo guitarist to be awarded a Borletti-Buitoni Trust Fellowship. He was selected by Young Classical Artists Trust in 2015.

Over the last year Sean has given recitals at Wigmore Hall, the Heidelberger-Frühling, Festspiele Mecklenburg-Vorpommern, Bath International, Cambridge Summer and Aldeburgh Festivals. He returned to the Marlboro Summer Music Festival & Academy in the USA (on the invitation of Mitsuko Uchida), recorded solo works by Sir Peter Maxwell Davies for Linn Records as part of a Scottish Chamber Orchestra disc, and was the featured cover disc for BBC Music Magazine.

Engagements during 2016/17 include recitals at Wigmore Hall, Saffron Hall, the Three Palaces Festival in Malta, the Cumnock Tryst, Northern Chords and Newbury Spring Festivals, and a tour of China. He also brings together acoustic and electric guitars; ancient and modern traditions in his new project softLOUD, which premieres at the East Neuk Festival, followed by a week’s residency at the Edinburgh Festival Fringe. Earlier this year he recorded a CD of English music for Delphian due for release shortly. Future plans include debut concerts in Tokyo and Nagoya.

As a concerto soloist Sean has appeared with the BBC Scottish Symphony, Scottish Chamber Orchestra, BBC National Orchestra of Wales and BBC Symphony Orchestras performing Rodrigo’s Concierto de Aranjuez and Fantasía para un Gentilhombre, the Malcolm Arnold and Villa-Lobos Concertos, and recording Takemitsu’s To the Edge of Dream.

Drawn to chamber music and song, Sean has collaborated with the BBC Singers, Danish String Quartet, cellist Isang Enders, harpsichordist Mahan Esfahani and singers Ben Johnson, Robert Murray and Robert Tritschler.

His awards include the Royal Over-Seas League First Prize and Gold Medal (2011), Ivor Mairants Guitar Award (2009), a Dewar Arts and D’Addarrio endorsement. He is grateful for support from the Hattori Trust.

Dieses Album enthält kein Booklet