Escaich: Baroque Song Thierry Escaich

Cover Escaich: Baroque Song

Album info

Album-Release:
2017

HRA-Release:
05.05.2017

Label: Sony Classical

Genre: Classical

Subgenre: Chamber Music

Album including Album cover Booklet (PDF)

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  • Thierry Escaich (b. 1965): Baroque Song pour orchestre:
  • 1I. Vivacissimo03:42
  • 2II. Andante10:04
  • 3III. Allegro molto energico03:11
  • Concerto pour clarinette et orchestre:
  • 4I. Andante08:28
  • 5II. Poco meno mosso03:27
  • 6III. Poco piu mosso09:13
  • Erinnerung:
  • 7Erinnerung, pour orchestre à cordes14:48
  • Suite symphonique de "Claude":
  • 8I. Les geôles03:01
  • 9II. Machinerie humaine03:44
  • 10III. Le rêve04:21
  • 11IV. L'attente01:47
  • 12V. Imploration02:43
  • 13VI. Bacchanale de la mort04:00
  • Total Runtime01:12:29

Info for Escaich: Baroque Song

Der Organist Thierry Escaich gehört zu den führenden Komponisten Frankreichs. Großen Erfolg hatte er mit seiner Oper "Claude", nach einer Novelle von Victor Hugo, die 2013 erfolgreich in der Operà Lyon uraufgeführt wurde ("ernst, wütend, leidenschaftlich und anspruchsvoll", hieß es zu dem Einakter in "Gramophone"). Escaich stellte für den Konzertsaal eine Symphonische Suite zusammen. Ergänzt wird sie vom titelgebenden Baroque Song für Orchester (mit Bezügen zu Orgelvorspielen von Bach) und dem Klarinettenkonzert mit Paul Meyer als Solisten.

Paul Meyer, Klarinette
Orchestre de l'Opéra de Lyon
Alexandre Bloch, Divergent




Thierry Escaich
Composer, organist and improviser Thierry Escaich is a unique figure in contemporary music and one of the most important French composers of his generation. The three elements of Escaich’s artistry are inseparable, allowing him to express himself as a performer, creator and collaborator in a wide range of settings.

Escaich composes in many genres and forms, always exploring new sound horizons. His catalogue numbers over 100 works which, with their lyrical, rich harmonies and rhythmic energy, have attracted a wide audience. Drawing from the French line of composition of Ravel, Messiaen and Dutilleux, and imbued with references from contemporary, folk and spiritual music, the distinctive sound-world of Escaich’s music is anchored by an obsessive rhythmic drive and an overarching sense of architecture.

This very personal style encompasses both intimate works and large-scale pieces, such as Chaconne for orchestra; oratorio Le Dernier Évangile and a double concerto for violin and cello, Miroir d’Ombres. His first opera Claude, on a libretto by Robert Badinter after Victor Hugo's Claude Gueux, was premiered at the Opéra de Lyon in March 2013 to great acclaim. His most recent new works include a double concerto for Lisa Batiashvili and Francois Leleux co-commissioned by NDR Sinfonieorchester Hamburg and the New York Philharmonic, Psalmos, a concerto for orchestra, premiered by Cincinnati Symphony, and Organ Concerto No.3 which receives its world premiere by Escaich and Orchestra Ensemble Kanazawa in 2017.

Escaich has composed many works for the organ including solo works, two concerti and the symphonic poem La Barque Solaire for organ and orchestra. Escaich’s Organ Concerto No.1 has been performed by orchestras such as the Philadelphia Orchestra and the Orchestre National de Lyon, and was selected as a highlight of the organ concerto repertoire in Gramophone: “His concerto exploits the full sonic and colour ranges of orchestra and organ in this thrilling three-movement work, the second movement rising to an awe-inspiring climax only topped by the shattering coda of the finale.” Gramophone, September 2014.

His works are performed by leading orchestras in Europe and North America and by musicians such as Lisa Batiashvili and François Leleux, Valery Gergiev, Lothar Zagrosek, Renaud and Gautier Capuçon, Emmanuelle Bertrand, Paul Meyer, John Mark Ainsley and the Quatuor Voce. Escaich has been Composer-in-Residence with the Orchestre National de Lyon, Orchestre National de Lille and the Paris Chamber Orchestra and his music has been honoured by three ‘Victoires de la Musique’ awards (2003, 2006 and 2011). Since 1992, Thierry Escaich has taught composition and improvisation at the Paris Conservatoire, where he himself studied and obtained eight ‘premiers prix’. In 2013 he received the honour of being appointed to the Académie des Beaux-Arts in Paris. He is Artistic Director of the Mariinsky International Organ Festival.

Thierry Escaich’s career as a composer is closely linked to his career as an organist, which has led him to be one of the ambassadors of the great French school of improvisation, in the wake of Maurice Duruflé, whom he succeeded as organist of Saint Étienne du Mont in Paris. He appears in recitals internationally, combining repertoire pieces with his own compositions and improvisations. His passion for cinema has led him to perform ‘cine-concerts’, improvised accompaniments on both the organ and piano for silent films such as Phantom of the Opera and Metropolis.

Highlights of the 2016/17 season include the World premiere of Organ Concerto No.3, co-commissioned by Orchestra Ensemble Kanazawa, American Guild of Organists and Orchestre National de Lyon. He appears at the Aix en Provence Easter Festival, including the World premiere of a new Sextet and a composer-portrait concert focusing on Escaich. Elsewhere this season Escaich performs recitals at Wiener Konzerthaus, Münchner Orgelherbst, has engagements with the Orchestra of the Mariinsky, Frankfurt Radio Symphony Orchestra, Orchestre d’Auvergne, Athens State Orchestra, and performs improvisations to silent films at Auditorium de Lyon and Radio France.

Many of Escaich’s works have been recorded by Accord/Universal. Most recently the disc Les Nuits hallucinées (2011), which crowned his residence with the Orchestre National de Lyon, received numerous distinctions, including a 'Choc de l’année' from Classica magazine as an outstanding release of the year. Most recently a DVD was released of his opera Claude from the world premiere at Opéra de Lyon conducted by Jérémie Rhorer.



Booklet for Escaich: Baroque Song

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