The Loop Jordan Rakei

• 1Flowers04:09
• 2Freedom04:11
• 3Friend or Foe04:10
• 4Forgive05:39
• 5Royal03:02
• 6Trust03:27
• 7State of Mind05:39
• 8Hopes and Dreams04:58
• 9Learning04:44
• 10Cages05:01
• 11Everything Everything03:49
• 12Miracle04:25
• 13A Little Life05:03
• Total Runtime58:17

Info for The Loop

The Loop, Rakei’s fifth album, marks his recent signing to Verve Forecast and Decca UK—a new career chapter that coincides with several profound changes in his personal life, including becoming a father for the first time. Recorded at RAK Studios, The Loop was self-produced by Rakei and mixed by Ben Baptie (Moses Sumney, Beck, U2).

This is by far Rakei’s most cohesive work to date, following his acclaimed 2021 album What We Call Life, which demonstrated his natural curiosity in exploring new sounds. The Loop’s thirteen tracks features recently released single “Flowers,” a love song dedicated to Rakei’s wife. On the new album, Rakei steps away from the DIY sound he was once known for with bold orchestral arrangements and an Odyssean-style narrative that charts a course through times of darkness and hope.

Reflecting on the project, Rakei explains, “I wanted to get back to why I fell in love with music in the first place. All the artists I grew up listening to—Stevie Wonder, Bill Withers, Curtis Mayfield, D’Angelo—I found myself listening to again without that analytical producer side. And I kept that same approach when I started writing new music. No judgement, but also a lot of ambition and desire to make these grand-sounding arrangements. I didn’t want this music to sound like it was made in a bedroom.”

Jordan Rakei

Jordan Rakei
is known to millions as a master producer, vocalist, multi-instrumentalist, and DIY innovator. By the time he turned 30, the New Zealand-born, Australia-raised artist already had a string of critically acclaimed albums to his name; everyone from Grammy winners and chart-toppers to Mercury Prize nominees were clamouring to work with him. Now he’s poised to reintroduce himself yet again, as a man whose voice is capable of stirring the soul – bringing those deep-buried feelings right to the surface.

The Loop, Rakei’s fifth album, marks his recent signing to Decca (and Verve Forecast in the US) – a new career chapter that coincides with a number of profound changes in his personal life. This is an extraordinary record, not least for its sheer, breathtaking ambition. Along with his typically bold production style are spectacular orchestral arrangements and haunting choirs, hypnotic beats and an Odyssean-style narrative that charts a course through times of darkness and hope.

An often overlooked but nonetheless powerful sign of an accomplished musician is the point at which, upon listening to a track or entire body of work, we struggle to pin down the age, place, and time of the artist behind it. With a fistful of highly praised releases under his belt and a soulful, jazz and hip-hop driven sound that recalls his predecessors The Roots and peers The Internet, Nick Hakim and Hiatus Kaiyote, multi-instrumentalist, vocalist and producer Jordan Rakei is a rare talent.

Jordan was originally born in the quiet town of Hamilton, New Zealand but moved to Brisbane, Australia at the age of three. Though he spent the majority of his life in Australia, he identifies as a New Zealander and attributes the country’s music - along with classic pop and R&B from the US - as a major influence in his own sound. His mother (New Zealand born) and father, a Pacific Islander hailing from the Cook Islands, played an important role in shaping Jordan’s musical DNA, often playing vintage American soul, Frank Zappa, and Pink Floyd in their family home when Jordan was a child. Such exposure led him to the piano and later to beat-making, two elements that would become touchstones for his career as a producer, songwriter and instrumentalist.

Jordan self-released his debut EP “Franklin’s Room” in 2013 via Bandcamp. Getting his start as a “bedroom producer”, he spent most of his days fine-tuning his production and songwriting skills but quickly outgrew the humble moniker as he began to establish himself as a diverse artist able to effortlessly blend soul, jazz and hip-hop. The more time he spent in Brisbane, however, the more he found himself “stuck in a bubble”, burrowing deeper into his natural lean toward introversion and struggling to connect with others socially. It wasn’t until the release of “Groove Curse”, the 2014 EP that garnered strong support from North America and Europe, that Jordan felt the pull away from Brisbane and decided to make the 10,000 mile journey to London. vocalises

With his feet on the ground in London - a city three times smaller in size than Brisbane but far more congested in population - Jordan had no choice but to throw himself into London’s music scene and he made efforts to connect with everyone he could. “I had no idea what I was getting myself into”, he explains. “When I moved to London I had to deal with my introversion through ‘exposure therapy’. Everyday I met new people for a whole year. I met every producer, songwriter, and musician I could. You have to improve as a person to improve as an artist”.

Serendipitously, Jordan’s introversion and social exposure was the kindling that resulted in his 2016 release “Cloak”, the debut album that shifted his entire songwriting and musical approach, stripped back his tendencies to keep others out of reach from his creative process, and saw him tour the record across sold out venues in Europe, the UK, Asia, Australia, and dates at Pitchfork Paris and Annie Mac’s AMP.

Already having furnished a name for himself collaborating with Taku, Tom Misch, FKJ, and lending vocals on ‘Masterpiece’, from Disclosure’s 2015 album “Caracal”, Jordan’s new perception of himself and his music caught the attention of an even wider peer audience. He became close with many of the figures in the South London scene including Bradley Zero, founder of the dance label and party Rhythm Section, who encouraged him to try his hand at a collection of dancefloor driven tunes. These tracks became the EP “Joy, Ease, Lightness”, released by the label in late 2016 under the alias Dan Kye and which received support from the likes of Bonobo, Mary Anne Hobbs, Gilles Peterson, Mixmag and more.

Since releasing his 2017 second album, ‘Wallflower’, Rakei has scaled up his ambitions, and is more confident in the way he goes about achieving them. Acclaimed by the the likes of The FADER, Evening Standard and Mixmag, he has clocked up over 100m Spotify streams, been voted as the #2 Album of the Year at Gilles Peterson’s Worldwide Awards, had four singles included on the BBC 6 Music playlist, and performed live at BBC’s legendary Maida Vale studios with Moses Boyd, Joe Armon-Jones, Oscar Jerome and Binker Golding for BBC 1Xtra, as well as in session for Lauren Laverne, Gilles Peterson and Cerys Matthews on 6 Music, plus NPR, KCRW MBE, COLORS Berlin and Boiler Room. He’s performed at iconic venues and festivals, including Glastonbury, Pitchfork Avant-Garde Block Party, SXSW, Pukkelpop, BBC Biggest Weekend 2018, and Alexandra Palace (supporting Bonobo and appearing as a guest vocalist during his performance), played two sold out nights at Ronnie Scott’s, a DJ set at Fabric (under his Dan Kye alias) and sold out US and Australian headline tours.

In February 2019, back from an extended studio hibernation, Jordan Rakei released ‘Mind’s Eye’, his first solo material since 2018’s ‘Wildfire’ single. It followed a string of live and studio collaborations with his friends Tom Misch, Alfa Mist and Barney Artist (aka the Are We Live collective); Loyle Carner (Jordan wrote and produced ‘Ottolenghi’); Richard Spaven (Flying Lotus, Jose James, Mala); and Rosie Lowe. Rakei’s third album, “Origin” was released a few months later in June 2019 and was followed by a huge headline tour which ended with a sold out show at London’s Roundhouse in October.

This album contains no booklet.