King Of The Blues Guitar Albert King
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- 1Cold Feet02:50
- 2You're Gonna Need Me02:52
- 3Born Under A Bad Sign02:49
- 4I Love Lucy02:49
- 5Crosscut Saw02:36
- 6You Sure Drive A Hard Bargain03:23
- 7Oh, Pretty Woman [Can't Make You Love Me]02:51
- 8Overall Junction02:22
- 10Laundromat Blues03:23
- 11Personal Manager04:30
Info for King Of The Blues Guitar
Backed by Booker T & the MGs and the Memphis Horns, Albert King (confusingly, no relation to Freddie or BB--though he named himself after the latter) shows off his spare, elastic, fluid guitar style on this definitive compilation. Songs such as 'Laundromat Blues', 'Oh, Pretty Woman,' and the immortal 'Crosscut Saw' with its sinuous, interweaving rhythms are blues classics, while 'Born Under a Bad Sign' and 'The Hunter' were later covered by Cream and Bad Company respectively.
The combination of King and the Memphis musicians makes for some thrilling moments--particularly the guitar's entry under the horns on 'Sign' and the interplay between King's guitar and Al Jackson's samba-style drums in 'Crosscut Saw.'
Though King never achieved the fame of the man whose name he took, he created his fair share of great blues recordings, and „King Of The Blues Guitar“ is an excellent primer to his unique style.
Albert King, guitar
Steve Cropper, guitar
Donald 'Duck' Dunn, bass
Wayne Jackson, trumpet
Booker T. Jones, keyboards
Andrew Love, tenor saxophone
Al Jackson, Jr., drums
Bluesman Albert King was one of the premier electric guitar stylists of the post-World War II period. By playing left-handed and holding his guitar upside-down (with the strings set for a right-handed player), and by concentrating on tone and intensity more than flash, King fashioned over his long career, a sound that was both distinctive and highly influential. He was a master of the single-string solo and could bend strings to produce a particularly tormented blues sound that set his style apart from his contemporaries. A number of prominent artists,from Eric Clapton and Jimi Hendrix to Mike Bloomfield and Stevie Ray Vaughan, borrowed heavily from King's guitar style.
King was also the first major blues guitarist to cross over into modem soul;his mid- and late 1960s recordings for the Stax label, cut with the same great session musicians who played on the recordings of Otis Redding, Sam & Dave,Eddie Floyd, and others, appealed to his established black audience while broadening his appeal with rock fans. Along with B.B. King (no relation, though at times Albert suggested otherwise) and Muddy Waters, King helped nurture a white interest in blues when the music needed it most to survive.
King was born in Mississippi and taught himself how to play on a homemade guitar. Inspired by Blind Lemon Jefferson, King quit singing in a family gospel group and took up the blues. He worked around Osceola, Arkansas, with a group called the In the Groove Boys before migrating north and ending up in Gary,Indiana, in the early 1950s. For a while, King played drums behind bluesman Jimmy Reed. In 1953, King convinced Parrot label owner Al Benson to record him as a blues singer and guitarist. That year King cut "Bad Luck Blues" and "Be On Your Merry Way" for Parrot. Because King received little in the way of financial remuneration for the record, he left Parrot and eventually moved to St. Louis, where he recorded for the Bobbin and the King labels. In 1959 he had a minor hit on Bobbin with "I'm a Lonely Man." King's biggest release, "Don't Throw Your Love on Me So Strong," made it to number 14 on the R&B charts in 1961.
King didn't become a major blues figure until after he signed with Stax Records in 1966. Working with producer-drummer Al Jackson, Jr., guitarist Steve Cropper, keyboards ace Booker T. Jones, and bass player Donald "Duck"Dunn-aka Booker T. and the MG's, King created a blues sound that was laced with Memphis soul strains. Although the blues were dominant on songs such as"Laundromat Blues" and the classic "Born Under A Bad Sign", the tunes had Memphis soul underpinnings that gave King his crossover appeal. Not only was he the first blues artist to play the legendary San Francisco rock venue the Fillmore West, but he was also on the debut bill, sharing the stage opening night in1968 with Jimi Hendrix and John Mayall. King went on to become a regular at the Fillmore; his album Live Wire/Blues Power was recorded there in 1968.King was also one of the first bluesman to record with a symphony orchestra: in1969 he performed with the St. Louis Symphony, triumphantly bringing together the blues and classical music, if only for a fleeting moment.
During the 1970s King toured extensively, often playing to rock and soul crowds. He left Stax in 1974 to record for independent labels like Tomato and Fantasy. King was inducted into the Blues Foundation's Hall of Fame in 1983.He continued touring throughout the 1980s and early 1990s, playing festivals and concerts, often with B.B. King.
He died of a heart attack in 1992, just prior to starting a major European tour. (Source: Stax Records)
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