Platinum on Tap (feat. Chris Tordini & Dave King) Chris Speed Trio

Album info

Album-Release:
2017

HRA-Release:
18.08.2017

Label: Intakt Records

Genre: Jazz

Subgenre: Contemporary Jazz

Album including Album cover

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FLAC 96 $ 13.50
  • 1Red Hook Nights04:17
  • 2Arrival High06:51
  • 3Buffalo 1504:31
  • 4Crossface Cradle05:28
  • 5Pretty Much04:26
  • 6Crooked Teeth03:52
  • 7Platinum on Tap03:50
  • 8Stardust05:31
  • 9Torking03:44
  • 10Spirits02:41
  • Total Runtime45:11

Info for Platinum on Tap (feat. Chris Tordini & Dave King)



This release by Chris Speed's excellent trio with drummer Dave King and bassist Chris Tordini is in many ways Speed's most fully developed and personal work to date. Since arriving in New York in the early 1990's, he has become one of the most vital improvising musicians on the scene through work that has always ranged widely, moving from a jazz base out through various forms of folk, classical and rock music. With the formation of this trio Speed has reversed course: moving from these outer explorations back into something that is unquestionably jazz. What is most striking about this record is that the early jazz influences are now fully center stage. Instead of being one of a number of competing musical influences, some kind of feeling of the aesthetic of Lester Young is now at the center of everything. At a time when many jazz players are continuing to look further and further outside the tradition, this is a group returning from other explorations to work deep within the jazz tradition, bringing everything else they've learned back in. The resulting music is joyful and generous and Speed has an uncanny knack for coming up with tunes that can create a whole world behind an often catchy melodic surface.

Chris Speed, tenor saxophone
Chris Tordini, acoustic bass
Dave King, drums



Chris Speed
is a composer, clarinetist and saxophonist.. - and is “one of the principal figures in a dynamic left-of-center jazz/improv scene in the city” (NYTimes). His own bands include Endangered Blood, Human Feel, yeah NO, Trio Iffy, Pachora and The Clarinets. He is a founding member of Jim Black’s Alas No Axis and John Hollenbeck’s Claudia Quintet (two of the most influential working bands today), works with Uri Caine (deconstructing works by Mahler, Mozart, Bach, Schoenberg, Gershwin) and maintains a busy career of touring, recording, performing, composing, practicing and teaching. Current projects include work with Craig Taborn's Heroic Frenzies, Michael Formanek's Ensemble Kolossus, Dave King's Trucking Co., Matt Mitchell Quartet, Mary Halvorson's Reverse Blue, Banda de los Muertos (NYC’s only Banda band), as well as touring his latest project, Endangered Blood (with Black, Trevor Dunn and Oscar Noriega) which was featured on NPR’s Tiny Desk Concerts in 2012. (Endangered Blood 2010, Work Your Magic 2013 Skirl). “Speed’s Endangered Blood originals stand out as his most melodically generous, accessible and warm batch of compositions he’s yet to produce.” -DownBeat ****

Born in 1967, Speed grew up in the Seattle area where he met future colleagues Jim Black and Andrew D'Angelo, all of whom ended up in Boston in the late 80's where they formed Human Feel with guitarist Kurt Rosenwinkel. (Scatter 1992, Welcome to Malpesta 1994, Speak To It 1996, Galore 2007). While in Boston he studied at New England Conservatory and graduated in 1990. By 1992, after a short tour with the Artie Shaw Band (led by Dick Johnson), Speed moved to New York City where he started working with Tim Berne’s (now legendary touring band) Bloodcount. (Unwound 1996, Discretion 1997, Saturation Point 1997, The Seconds 2006).

Throughout the nineties his formidable improvisational approach on both tenor saxophone and clarinet contributed to other pioneering NYC bands including the Dave Douglas Sextet (Witness, Soul on Soul, Sanctuary, Stargazer, In Our Lifetime), Myra Melford’s Same River Twice (Above Blue, Where the Two Worlds Touch) John Zorn (Bar Kokhba, Trembling Before G-d) and Mark Dresser’s trio with Anthony Coleman.

As a member of Pachora (with Black, bassist Skuli Sverrisson, and guitarist Brad Shepik) Speed became known as one the leading NYC musicians adapting the odd time signatures and melodies of Balkan music into jazz-based music. Pachora was formed in 1992 to play music from Bulgaria, Greece, Macedonia, and Turkey, and evolved into an original music ensemble that toured North America and Europe extensively. (Astereotypical 2003, Ast 2000, Unn 1999, and Pachora 1997. His fluency with East European folk music is also documented with the more traditional Slavic Soul Party, which he was member of from 1996-2004. In addition to touring America, they spent 2 weeks in Macedonia with Rom musicians and recorded “In Makedonija” (Knitting Factory Records) at an underground radio station in Skopje.

His critically acclaimed improvisational trio The Clarinets (with Oscar Noriega and Anthony Burr and featured on NPR’s Fresh Air) explores the possibilities of the clarinet (multi-pitch tones, timbre deviation) in the context of group improvisation. This group blurs the boundary between composed chamber music and experimental improvisation and creates an acoustic ambient music of unusual grace and beauty. (The Clarinets 2006, Keep On Going Like This 2012)

Speed formed the band yeah NO in 1996 as an experiment in decoding and scoring out improvisations which inspired an unusual book of music that also fused elements of free jazz, modern rock, eastern folk and minimalism. After the debut record in 1997, they thrived in the center of new music in NYC, performing frequently at the previous Knitting Factory(s) and (the since closed) Tonic. They toured the States and Europe and have four recordings. (yeah NO 1996, Deviantics 1998, Emit 2000, Swell Henry 2004)

Speed was named the rising star clarinetist in Downbeat magazine for 2004, 2005 and 2006, was the recipient of a NEA composition grant in 1993, and in 2004 was the guest soloist at the Copenhagen International Jazz Festival working with over 10 different cutting edge Danish bands.

In April 2006, he launched Skirl Records, a label dedicated to Brooklyn based creative music, now with 31 releases. “As a document of the fertile Brooklyn scene, Skirl has few equals, skirting the boundaries between jazz, rock, electronic, classical and improvised music.” AllAboutJazz

This album contains no booklet.

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