Dinosaur’s second album is as electrifyingly different as anyone who knows Laura Jurd’s track record would expect. Never one to be labeled, the fearsomely talented and multiple award-winning Jurd has a Miles-like way of taking her work and tuning it to illuminate a vast array of musical worlds. She’s done orchestrated and meticulously composed; jazz rock grooves; electronic minimalism; mainstream jazz and now, with her new album, Wonder Trail, and band Dinosaur, keyboard maestro Elliot Galvin to the fore, she’s plundered the synth-pop of the 1980s for a new sound. But this is not gratuitous borrowing, or any kind of hipsterish, retro post-modernism.