Jaap Nico Hamburger: Chamber Symphonies Nos. 1 & 2 (Live) Orchestre Métropolitain, Matthias Maute & Vincent De Kort

• Jaap Nico Hamburger: Chamber Symphony No. 1 "Remember to Forget":
• 1Chamber Symphony No. 1 "Remember to Forget": I. Andante09:34
• 2Chamber Symphony No. 1 "Remember to Forget": II. Vivace07:25
• Chamber Symphony No. 2 "Children's War Diaries":
• 3Chamber Symphony No. 2 "Children's War Diaries": I. May 1940 (Live)01:43
• 4Chamber Symphony No. 2 "Children's War Diaries": II. May 1941 (Live)04:24
• 5Chamber Symphony No. 2 "Children's War Diaries": III. May 1943 (Live)03:09
• 6Chamber Symphony No. 2 "Children's War Diaries": IV. May 1944 (Live)04:27
• 7Chamber Symphony No. 2 "Children's War Diaries": V. February 1945 (Live)01:45
• Total Runtime32:27

Info zu Jaap Nico Hamburger: Chamber Symphonies Nos. 1 & 2 (Live)

In honour of Remembrance Day and the 75th Anniversary of the liberation of the Netherlands, Canadian composer Jaap Nico Hamburger presents two symphonies recorded in November 2019. While these two works confront serious and challenging themes, they are nonetheless imbued with hope and optimism.

“Remember to Forget” is both a chamber symphony and an opera without words, inspired by the biography of one of the great composers of our time, György Ligeti. “Children’s War Diaries” is a symphony for chamber orchestra in five short movements, inspired by a visit to the Children’s Memorial at Yad Vashem and the overwhelming starkness of the Children’s Memorial in contrast to the blazing Jerusalem sunlight.

The world premiere of Symphony No. 2, “Children’s War Diaries”, took place on 2 November 2019 at the Maison symphonique de Montréal, in a concert presented by the Montreal Holocaust Museum (MHM). For the premiere, Dutch conductor Vincent De Kort led the Orchestre Métropolitain to Jaap’s electrifying work, which depicts the lives of fiercely brave children who were murdered in concentration camps.

During the world premiere of the piece, members of the Orchestre Métropolitain played on the Violins of Hope, marking the very first time these instruments have ever been played in Canada. Originally owned by Jewish musicians before and during the Holocaust, these instruments have survived pogroms, concentration camps and weathered the passage of time. The Violins of Hope are now emblematic of the injustice and suffering that millions of victims underwent, and a poignant symbol of resilience and survival. Elsewhere within the world premiere, the performance was accompanied by an affecting, striking film concerning children exposed to the terror of war. Award-winning Canadian Filmmaker, Tarique Qayumi, created this moving film about young children subjected to the horrors of war, which was further heightened by Jaap’s symphony.

Orchestre Métropolitain
Vincent De Kort, conductor

Vincent De Kort
A remarkable start of a conducting career: After a succesful career as a cellist in 1995 Vincent de Kort, at the invitation of Mariss Jansons, made his debut conducting the Oslo Philharmonic Orchestra. His breakthrough followed in 1997 when he stepped in at the last minute for Gennady Rozhdestvensky with the European Union Youth Orchestra (soloist Radu Lupu) at the Amsterdam Concertgebouw. This rapidly led to further engagements, he has since then been invited by the Gewandhausorchester Leipzig, Staatskapelle Dresden, New Japan Philharmonic, Mariinsky Orchestra, Rotterdam Philharmonic Orchestra, Netherlands Phlharmonic, Residentie Orchestra, Concertgebouw Chamber Orchestra, Orchestre Metropolitain de Montreal, Brussels Philharmonic, Nordwestdeutsche Philharmonie, Bochumer Symphoniker, Magdeburger Philharmonie, Brandenburger Symphoniker, Wurtembergisches Kammerorchester, Sinfonia Varsovia, Kungliga Hovkapellet Stockholm, Odense Symphony Orchestra, Sonderjyllands Symfoniorkester, Holland Baroque, Johannesburg Philharmonic, KZN Philharmonic Orchestra Durban, Bern Symfonie Orchester, Luzern Sinfonieorchester, Zürich Symphony Orchestra, Orchestre Symphonique de Tours, Evian Festival Orchestra, Philharmonie Zuidnederland, Limburgs Symfonie Orkest, Noord Nederlands Orkest, Orkest van het Oosten, Brabants Orkest, Metropole Orkest, Transylvanian Philharmonic, Hawaii Symphony Orchestra, Amman Symphony Orchestra, Izmir State Symphony Orchestra, Palestine National Orchestra, European Sinfoniëtta, as well as the European Union Youth Orchestra, in which he had formerly been a cellist, under the direction of Claudio Abbado

Having studied with Ed Spanjaard in The Hague and Mariss Jansons in Oslo, he continued his studies in St. Petersburg with Ilya Musin, the legendary teacher of Valery Gergiev, and was the assistant conductor to Bernard Haitink, William Christie and Gennady Rozhdestvensky.

Equally at home on the concert platform and in the opera house, De Kort has also built up an extensive operatic repertoire and is now in demand in some of the world's leading opera houses including Mariinsky Theatre (Cosi fan tutte and La Clemenza di Tito), Bolshoi Theatre (Bach B-minor Mass - Vladimir Vasiliev) Semperoper Dresden (La Bohème), Royal Swedish Opera (Carmen), Oper Leipzig (Rodolphe's Jason et Médée), Scottish Opera (Cosi fan tutte and Die Zauberflöte), New National Theatre Tokyo (Le Nozze di Figaro), Lithuanian National Opera (Le Nozze di Figaro), Theater Luzerne (Peter Grimes), Theater Bern (Bizet's La jolie fille de Perth), Opéra de Tours (Il Barbiere di Siviglia), Magdeburg Theater (Cosi fan tutte), Hawaii Opera (Les Contes d'Hoffmann and Jonathan Dove's Siren Song) and the Dutch Nationale Reisopera (Die Zauberflöte, Die lustige Witwe and Peter Schat's Monkey Subdues the White-bone Demon). In Vienna he conducted Cosi fan tutte at the Festival Schönbrunn, in the Robeco summerseries in Amsterdam's Concertgebouw Le Nozze di Figaro, Don Giovanni, Die Entführung aus dem Serail and Il Barbiere di Siviglia. In the Nelson Mandela Theatre in Johannesburg de Kort has led an acclaimed Aida and Khumalo's contemporary Zulu opera Princess Magogo. With the Bochumer Symphoniker La Clemenza di Tito, with the Nordwestdeutsche Philharmonie Die Entführung aus dem Serail. At the Russian Operahouse in Kazan he has been a regular guest, conducting Le Nozze di Figaro, La Traviata, Falstaff, Aida, Rigoletto, Madama Butterfly, Il Barbiere di Siviglia, L'Elisir d'amore and Boris Godunov. Baroque opera productions on period instruments he has conducted are Purcell's The Fairy Queen, Campra's L'Europe Galante, Lully's Cadmus et Hermione, Vivaldi's Juditha Triumphans.

Vincent de Kort has established himself among the finest Mozart conductors. Because of his close collaboration with early music specialist William Christie in Paris (he was a cellist of Les Arts Florissants), de Kort deepened his knowledge of baroque and classical music. He is now widely respected for leading orchestras in specific period-style performances. In consequence Vincent de Kort has received the highest praise for his dynamic interpretations of the Mozart operas:

Of his Don Giovanni in Amsterdam Dutch newspaper Trouw wrote: 'An overflowing Concertgebouw was almost dancing on the seats with pleasure ...the performance sparkled, cavorted and buzzed'. About his Cosi fan tutte in Edinburgh Scotland's The Herald quoted: 'Dutch conductor Vincent de Kort is a real discovery!', then later after Die Zauberflöte:'a brillliant conductor!.. he makes the Scottish Opera Orchestra sound like a tight, racy period band - don't be late or you'll miss the overture!!!' Holland's Volkskrant wrote of his Le Nozze di Figaro: 'Vincent de Kort is the ideal theatre-conductor'.

Vincent is jury chairman of the highly popular TV program MAESTRO and was recently jury member of the Jensen Foundation Vocal Competition in New York. He was principal guestconductor of the Zürich Symphony Orchestra and was musicdirector and founder of the international chamberorchestra European Sinfonietta as well as the Opera Festival Alden Biesen in Belgium. In addition to his performing career Vincent de Kort is a passionate runner. He runs two marathons each year.

Booklet für Jaap Nico Hamburger: Chamber Symphonies Nos. 1 & 2 (Live)