Ready Take One (Remastered) Erroll Garner

Album Info

Album Veröffentlichung:
2016

HRA-Veröffentlichung:
09.07.2018

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  • 1High Wire03:47
  • 2I Want To Be Happy03:00
  • 3I'm Confessin' (That I Love You)05:02
  • 4Sunny03:19
  • 5Wild Music05:06
  • 6Caravan06:23
  • 7Back to You05:25
  • 8Night and Day04:25
  • 9Chase Me02:57
  • 10Satin Doll05:51
  • 11Latin Digs05:27
  • 12Stella By Starlight04:50
  • 13Down Wylie Avenue05:29
  • 14Misty04:52
  • Total Runtime01:05:53

Info zu Ready Take One (Remastered)

Erroll Garner was one of the great American Jazz pianists of the 20th century, yet very few know his name or his music. Ready Take One is the first completely new Garner studio album in nearly 25 years.

As never before, listeners are treated to a rare peek behind the studio doors, with revealing conversation between Garner, his quartet, and longtime manager/producer Martha Glaser included between many of the songs. As pianist/producer Geri Allen writes, "a kind of fifth member of the band, Glaser would support Erroll Garner in the moment of the creative act", as evidenced by the title of the album, a direct reference to Glaser's steady refrain of, "Ready, take one".

Ready Take One features six never before released original Garner compositions, including the infectious "Wild Music" and beautiful ballad, "Back To You". Recorded during a prolific five-year period beginning in 1967, all 14 songs on Ready Take One are previously unreleased, having only recently been discovered after nearly 50 years.

Erroll Garner, piano


Erroll Garner
is one of the most distinctive pianists of the jazz genre. Other than Thelonious Monk, no one is more identifiable or harder to imitate. A self-taught virtuoso, Garner devised a solo style that eliminated rhythm accompaniment. His hands worked totally independent of each other. With block chords he set the rhythmic tempo in his left hand, and with his right, he embellished on the tune, taking liberties with melody and time, often lagging behind the beat. Some jazz purists dismissed him because he maintained his style throughout his career and enjoyed popularity unknown to most jazz artists. But Garner’s interpretive abilities and technical superiority cannot be denied.

He made frequent TV appearances, toured five continents, fronted major symphony orchestras, and composed film scores. His compositions were for jazz piano, but in 1962, when Johnny Burke added lyrics to “Misty,” Garner’s 1954 tune soared in popularity and entered the jazz standard repertoire.

Garner began his professional career at seven, playing with the Candy Kids, and at 16 he joined the Leroy Brown band. In 1944-45 he played in a trio with bassist Slam Stewart and guitarist Tiny Grimes before setting off on his solo career.

During the ‘60s Garner established his own record label. These LP’s have been reissued on CD by Telarc and reveal Garner’s sense of humor. The title cut of That’s My Kick is a new composition based on the changes of “I Get a Kick Out of You”; the lounge set song, “More,” is remade into a burner; and Garner makes “Tea for Two” fresh, playing with the time against bongo accompaniment, and alternating between piano and harpsichord. Still, Concert By The Sea (1955) is the epitome of his artistry.

His older brother Linton, who died in 2003, was also an accomplished pianist, based in Vancouver, B.C. (Sandra Burlingame)

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