Piatti: The Operatic Fantasies Adrian Bradbury & Oliver Davies

Album Info

Album Veröffentlichung:
2019

HRA-Veröffentlichung:
06.09.2019

Label: Meridian Records

Genre: Classical

Subgenre: Concertos

Das Album enthält Albumcover

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Formate & Preise

FormatPreisIm WarenkorbKaufen
FLAC 192 $ 16,70
  • Alfredo Piatti (1822 - 1901):
  • 1Souvenir de Beatrice Tenda (Version for cello and piano)14:43
  • 2Souvenir de la Sonnambula, Op. 511:32
  • 3Souvenir des Puritani12:52
  • 4Capriccio sopra un tema della Niobe di Pacini, Op. 22 (Caprice on a Theme from Pacini's Niobe)10:08
  • 5Fantasia sopra alcuni motivi della Gemma di Vergy in D Major16:34
  • 6Impromptu sopra un'aria di Purcell nella Regina indiana05:57
  • Total Runtime01:11:46

Info zu Piatti: The Operatic Fantasies

Liszt gifted him an Amati cello, Mendelssohn and Arthur Sullivan wrote him concertos, Verdi wrote him an overture solo, Ernst invited him to give the first complete Beethoven quartet cycle in Britain, he was chosen to give the British premiere of the Schumann concerto.... from his debut tour of 1843-4 Alfredo Piatti soon became Europe’s, and especially London’s, favorite cellist. But while it was concertos and chamber music that secured his fame, it was opera that fashioned him. His boyhood had been spent playing in the opera orchestras of Bergamo, accompanying the finest bel canto singers of the era, and in London he became principal cello of the Royal Italian Opera, Covent Garden. So it was with his own fantasy compositions on operatic themes that Piatti launched his career, astonishing European salons and concert halls with an unrivalled cantabile and extreme virtuosity. Six of these operatic fantasies have been lovingly restored in this the first volume of a 2-release set – most of them world premiere recordings - by cellist Adrian Bradbury and pianist Oliver Davies from manuscripts and long-lost editions generously made available by the Alfredo Piatti archive in Bergamo. Irresistible in their own right for their eloquence and wizardry these fantasies, through Piatti’s carefully annotated expressive articulations, decorations and fingerings, also offer the listener a fascinating insight into bel canto performance practice from a cellist who had been accompanying singers like Giuditta Pasta, Grisi, Rubini, Lablache, Tamburini, Jenny Lind and Michael Balfe from the tender age of eight.

Adrian Bradbury, cello
Oliver Davies, piano




Adrian Bradbury
began playing the cello at the age of seven and became a principal player of the National Youth Orchestra of Great Britain. After studying Veterinary Science and Music at Churchill College, Cambridge he won a scholarship to the Royal Academy of Music, after which he continued his studies in Berlin with Berlin Philharmonic solo-cellist Goetz Teutsch.

He has performed concertos in seven European countries, and is in demand as guest principal with orchestras such as London Sinfonietta and the Royal Philharmonic.

He makes regular chamber music broadcasts on BBC Radio with The Composers Ensemble, London Sinfonietta, Jane’s Minstrels, Chamber Domaine, Endymion, Trio Gemelli, Scottish Ensemble and Touchwood piano quartet – such concerts involve repeated appearances at the Wigmore Hall, the South Bank and the Carnegie Hall, together with major festivals (Cheltenham, Aldeburgh, City of London, Spitalfields, Huddersfield, Orkney, Nuremberg, Turku and Aarhus) and the BBC Promenade chamber music season. He has recorded on CD with all these groups (gaining “Editor’s Choice” in Gramophone and ‘CD of the Month’ in the Daily Telegraph).

Adrian is regularly invited to be Cello Professor for the National Youth Orchestra of Great Britain, and to teach and examine cello students at the Royal Academy of Music, London, where he is also Music and Science Coordinator. Adrian also holds a degree in natural science from Cambridge University and has collaborated with neuroscientists in studies on behavioural and neurological changes in string players during performances.

Oliver Davies
studied at the Royal College of Music, where he won the Tagore Gold Medal as outstanding student of his year and for many years was both a piano professor and Keeper of the Department of Portraits and Performance History (which he founded).

His playing career has covered many styles, from recordings, recitals and broadcasts on early pianos to modern British premières at the Wigmore and Queen Elizabeth Halls. As a chamber-music player he has appeared with many distinguished artists including the flautists Sir James Galway, Michael Cox and Philippa Davies, and the clarinettists Colin Bradbury and Dame Thea King. He is particularly known for his programmes on special themes, including scholarly reconstructions of historical concerts (for Aldeburgh and the BBC), surveys of the musical histories of great British houses, and re-assessments of historically significant composers and performers. Further reconstructions have been of period balls (the National Portrait Gallery and the V&A), melodramas (the Theatre Museum) and silent film scores (The National Film Theatre).

Ongoing projects include The Great War and the Violin (2014-) and Great Violinists at Drury Lane (Theatre Royal Drury Lane, 2016-), both with violinist Robert Gibbs, and a double CD with cellist Adrian Bradbury of the operatic paraphrases of Alfredo Piatti.



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