Rock with Bill Haley & The Comets (2022 Remaster from the Original Somerset Tapes) Bill Haley & The Comets

• 1 Rock the Joint (2022 Remaster) (2022 Remaster) 02:16
• 2 Rockin' Chair on the Moon (2022 Remaster) (2022 Remaster) 02:52
• 3 Farewell, So Long, Goodbye (2022 Remaster) (2022 Remaster) 02:18
• 4 Real Rock Drive (2022 Remaster) (2022 Remaster) 02:18
• 5 Fractured (2022 Remaster) (2022 Remaster) 02:09
• 6 Stop Beatin' Around the Mulberry Bush (2022 Remaster) (2022 Remaster) 02:24
• 7 Crazy, Man, Crazy (2022 Remaster) (2022 Remaster) 02:37
• 8 Pat-a-Cake (2022 Remaster) (2022 Remaster) 02:20
• 9 Live It Up (2022 Remaster) (2022 Remaster) 02:50
• 10 Watcha Gonna Do (2022 Remaster) (2022 Remaster) 02:29
• 11 I'll Be True to You (2022 Remaster) (2022 Remaster) 02:04
• 12 Dance with a Dolly (With a Hole in Her Stockin') [2022 Remaster] (2022 Remaster) 02:29
• Total Runtime 29:06

Info for Rock with Bill Haley & The Comets (2022 Remaster from the Original Somerset Tapes)

"Rock with Bill Haley and the Comets" is the title of an early rock and roll music compilation album issued by Essex Records (ESLP 202) in 1954, and featuring music by the titular group, Bill Haley & His Comets. The album features recordings made by Haley in 1952 and 1953, including his hits, "Rock the Joint", "Crazy Man Crazy" (Billboard, #12, Cashbox, #11), "Fractured" (Billboard, #24), and "Live It Up" (Billboard, #25). The album is the earliest known LP release of the rock and roll genre, predating similar releases by Elvis Presley and by Haley himself, as he and his band later went on to Decca Records and recorded "Rock Around the Clock".

Bill Haley, rhythm guitar, vocals
Billy Williamson, steel guitar
Johnny Grande, piano, organ (track 11)
Marshall Lytle, double bass
Dick Richards, backing vocals (tracks 9 11)
Additional musicians:
Danny Cedrone, lead guitar (tracks 1, 2, 4, 6, 12)
Art Ryerson, lead guitar (tracks 3, 5, 7, 8, 9, 10, 11)
Billy Gussak, drums (tracks 3, 4, 5, 6, 7, 8, 9, 10)
Cliff Leeman, drums (track 11)
Tony Lance, baritone saxophone (tracks 3, 9, 11)
Dave Miller, clapboard (track 11), backing vocals (track 7)

Recorded 1952-1953 at Coastal Studios, New York City
Produced by Dave Miller

Digitally remastered

Bill Haley
As frontman for the iconic group Bill Haley & His Comets, Haley became a bona fide music superstar in the 1950s after releasing chart-topping hits including “(We’re Gonna) Rock Around the Clock,” “Shake, Rattle and Roll,” “See You Later, Alligator,” and many others. Garnering seven Top 20 singles in the USA alone, Haley’s appeal was universal; he amassed legions of fans and sold millions of records in markets around the world.

“We premiered it,” Haley told Rolling Stone in 1967. “We put country & western together with rhythm & blues, and that was rock. The first three years were ours, all ours, till [Elvis] Presley came along.”

Born William John Clifton Haley on July 6, 1925 in Highland Park, Michigan, Bill’s fascination with music came at a young age. His father, William Albert Haley played the mandolin and banjo, and his mother, Maude Green was a classically trained pianist and piano teacher.

One of Haley’s first musical performances took place in 1938, when he played at a Bethel Junior baseball team event at just 13 years old, and he spent most of his teen years playing guitar and yodeling in various bands. In 1945 at the age of 20, he joined his first professional band, The Downhomers.

With music in his blood, Haley also served as a disc jockey where his unencumbered ability to play records from seemingly disparate genres would influence the musical stylings of his own band, Bill Haley and The Four Aces of Western Swing. The group changed their name to Bill Haley and The Saddlemen in 1950 and signed with Holiday Records a year later, releasing a number of singles that further showcased Haley’s country, swing, and rhythm & blues influences, including “Rocket 88.”

In 1952, the band became Bill Haley & His Comets and signed with Essex Records, which released Haley’s first Top 20 hit, “Crazy Man, Crazy,” along with “Rock the Joint.” In 1954, Haley and the group left Essex to sign with Decca Records, and with the success of each new release and far in advance of future contemporaries, the band was unknowingly pioneering a new genre of popular music that many years later would finally be given a name…rock ‘n’ roll.

The spectacular breakout of Bill Haley & His Comets began with the release of “Shake, Rattle and Roll,” which reached #7 on the Billboard singles chart, and was solidified by the #1 smash hit, “(We’re Gonna) Rock Around the Clock,” a song that was released as a B side in 1954. Despite a lack of commercial success upon its initial release, “(We’re Gonna) Rock Around the Clock” would go on to reach critical mass a year later after being featured in the 1955 film Blackboard Jungle, a movie about unruly students and teenage rebellion. It would be featured again shortly thereafter in the aptly titled film Rock Around The Clock, in which Haley would co-star, before making a return in the 1970’s as the opening theme for the television series Happy Days and later as part of the soundtrack for the classic film American Graffiti.

With sales of more than 25 million copies worldwide, “(We’re Gonna) Rock Around The Clock” is one of the best-selling records in history and Rolling Stone has named the track #159 on their list of The 500 Greatest Songs of All Time. But Haley would prove to be more than just a one-hit wonder, releasing a number of commercially successful followup hits including “See You Later, Alligator,” “R.O.C.K.,” “The Saints Rock ‘n’ Roll,” “Rip It Up,” “Rudy’s Rock,” and “Skinny Minnie.” Bill Haley & His Comets made four appearances on American Bandstand, and they toured extensively across Europe, Australia, Latin America and more.

Haley continued to make appearances and perform throughout the 1960s and 70s, including a Royal Command Performance in the presence of Queen Elizabeth II of England, a country where he continues to enjoy a particularly concentrated celebrity status and endures as rock ‘n’ roll royalty. While the full value of his contributions to popular music may be somewhat underappreciated, Haley’s legacy is indisputable. Dubbed “The Father of Rock ‘n’ Roll,” Haley maintains devoted fans around the globe who celebrate his career and music catalog.

With his unmistakable vocal styling and ‘kiss curl’ hairstyle, Bill Haley has paved the way for generations of stars across genres. Formal recognition of his impact on music history arrived posthumously in 1987 when he was inducted into the Rock & Roll Hall of Fame, and again in 2018 when “(We’re Gonna) Rock Around the Clock” was inducted into the National Recording Registry, an archive maintained by the Library of Congress to preserve culturally significant recordings.

This album contains no booklet.