Arc I Orion Weiss

• Enrique Granados (1867 - 1916): Goyescas, Op. 11 "Los majos enamorados":
• 1 Granados: Goyescas, Op. 11 "Los majos enamorados": I. Los requiebros 08:50
• 2 Granados: Goyescas, Op. 11 "Los majos enamorados": II. Coloquio en la reja 10:35
• 3 Granados: Goyescas, Op. 11 "Los majos enamorados": III. El fandango del candil 05:42
• 4 Granados: Goyescas, Op. 11 "Los majos enamorados": IV. Quejas, o la maja y el ruiseñor 06:29
• 5 Granados: Goyescas, Op. 11 "Los majos enamorados": V. El amor y la muerte 11:55
• 6 Granados: Goyescas, Op. 11 "Los majos enamorados": VI. Epílogo (Serenata del espectro) 07:02
• Leoš Janáček (1854 - 1928): In the Mists, JW VIII/22:
• 7 Janáček: In the Mists, JW VIII/22: I. Andante 03:24
• 8 Janáček: In the Mists, JW VIII/22: II. Molto adagio 04:13
• 9 Janáček: In the Mists, JW VIII/22: III. Andantino 02:39
• 10 Janáček: In the Mists, JW VIII/22: IV. Presto 05:13
• Alexander Scriabin (1872 - 1915): Piano Sonata No. 9, Op. 68 "Black Mass":
• 11 Scriabin: Piano Sonata No. 9, Op. 68 "Black Mass" 08:42
• Total Runtime 01:14:44

Info for Arc I

Arc I ist das erste einer auf drei Alben angelegten Reihe und enthält drei wichtige Werke für Klavier solo aus den hektischen Jahren 1911-1913, dem Abgrund vor dem Ersten Weltkrieg. Weiss erläutert seine Arc-Reihe: "Der Bogen dieser Konzerttrilogie ist umgekehrt, wie die Spiegelung eines Regenbogens im Wasser. Die ersten Schritte von Arc I führen bergab, von der Hoffnung bis zur Verzweiflung. Der Tiefpunkt der Reise, Bogen II, ist das Zentrum der Erde, die Trauer, der Verlust, das Tiefste, was wir erreichen können. Die Rückreise, Bogen III, ist von Aufregung und Erneuerung geprägt, erfüllt von der Freude der Wiedergeburt und der Vorfreude auf eine bessere Zukunft."

Orion Weiss, Klavier

Orion Weiss
One of the most sought-after soloists in his generation of young American musicians, the pianist Orion Weiss has performed with the major American orchestras, including the Chicago Symphony, Boston Symphony, Los Angeles Philharmonic, and New York Philharmonic. His deeply felt and exceptionally crafted performances go far beyond his technical mastery and have won him worldwide acclaim. With a warmth to his playing that reflects his personality, Orion has performed with dozens of orchestras in North America and has dazzled audiences with his passionate, lush sound.

Recent seasons have seen Weiss in performances for the Lucerne Festival, the Denver Friends of Chamber Music, the University of Iowa, the Chamber Music Society of Lincoln Center, the Kennedy Center’s Fortas Series, the 92nd Street Y, and the Broad Stage, and at Aspen, Bard, and Grand Teton summer festivals. Other highlights include his third performance with the Chicago Symphony, a performance of Beethoven's Triple Concerto with the Saint Paul Chamber Orchestra, the release of his recording of Christopher Rouse’s Seeing, and recordings of the complete Gershwin works for piano and orchestra with his longtime collaborators the Buffalo Philharmonic and JoAnn Falletta.

Named the Classical Recording Foundation’s Young Artist of the Year in September 2010, in the summer of 2011 Weiss made his debut with the Boston Symphony Orchestra at Tanglewood as a last-minute replacement for Leon Fleisher. In recent seasons, he has also performed with the Los Angeles Philharmonic, San Francisco Symphony, Philadelphia Orchestra, Pittsburgh Symphony, Toronto Symphony Orchestra, National Arts Centre Orchestra, and Orpheus Chamber Orchestra, and in duo summer concerts with the New York Philharmonic at both Lincoln Center and the Bravo! Vail Valley Festival. In 2005, he toured Israel with the Israel Philharmonic Orchestra conducted by Itzhak Perlman.

Also known for his affinity and enthusiasm for chamber music, Weiss performs regularly with the violinists Augustin Hadelich, William Hagen, Benjamin Beilman, James Ehnes, and Arnaud Sussman; the pianist Shai Wosner; the cellist Julie Albers; and the Ariel, Parker, and Pacifica Quartets. As a recitalist and chamber musician, Weiss has appeared across the U.S. at venues and festivals including Lincoln Center, the Ravinia Festival, Sheldon Concert Hall, the Seattle Chamber Music Festival, La Jolla Music Society SummerFest, Chamber Music Northwest, the Bard Music Festival, the Bridgehampton Chamber Music Festival, the Kennedy Center, and Spivey Hall. He won the 2005 William Petschek Recital Award at Juilliard and made his New York recital debut at Alice Tully Hall that April. Also in 2005, he made his European debut in a recital at the Musée du Louvre in Paris. He was a member of the Chamber Music Society Two program of the Chamber Music Society of Lincoln Center from 2002-2004, which included his appearance in the opening concert of the Society’s 2002-2003 season at Alice Tully Hall performing Ravel’s La Valse with Shai Wosner.

Weiss’s impressive list of awards includes the Gilmore Young Artist Award, an Avery Fisher Career Grant, the Gina Bachauer Scholarship at the Juilliard School, and the Mieczyslaw Munz Scholarship. A native of Lyndhurst, OH, Weiss attended the Cleveland Institute of Music, where he studied with Paul Schenly, Daniel Shapiro, Sergei Babayan, Kathryn Brown, and Edith Reed. In February of 1999, Weiss made his Cleveland Orchestra debut performing Liszt’s Piano Concerto No. 1. In March 1999, with less than 24 hours’ notice, Weiss stepped in to replace André Watts for a performance of Shostakovich’s Piano Concerto No. 2 with the Baltimore Symphony Orchestra. He was immediately invited to return to the Orchestra for a performance of the Tchaikovsky Piano Concerto in October 1999. In 2004, he graduated from the Juilliard School, where he studied with Emanuel Ax.

Booklet for Arc I