Cover The Berlin Album

Album info

Album-Release:
2020

HRA-Release:
16.10.2020

Label: Audax Records

Genre: Classical

Subgenre: Chamber Music

Artist: Ensemble Diderot & Johannes Pramsohler

Composer: Franz Benda (1709-1786), Johann Gottlieb Graun (1703-1771), Johann Gottlieb Janitsch (1708-1763), Johann Philipp Kirnberger (1721-1783), Johann Abraham Peter Schulz (1747-1800)

Album including Album cover Booklet (PDF)

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FLAC 96 $ 14.50
  • Georg Anton Benda (1722 - 0795): Trio sonata in E Major:
  • 1 Trio sonata in E Major: I. Mezzo allegro 04:06
  • 2 Trio sonata in E Major: II. Larghetto 02:25
  • 3 Trio sonata in E Major: III. Presto 02:55
  • Johann Gottlieb Graun (1703 - 1771): Trio sonata in A Major, GWV Av:XV:41:
  • 4 Trio sonata in A Major, GWV Av:XV:41: I. Adagio 04:38
  • 5 Trio sonata in A Major, GWV Av:XV:41: II. Allegro non troppo 04:31
  • 6 Trio sonata in A Major, GWV Av:XV:41: III. Vivace. Allegro. Scherzando 07:02
  • Johann Philipp Kirnberger (1721 - 1783): Trio sonata in D Minor:
  • 7 Trio sonata in D Minor: I. Andante 02:12
  • 8 Trio sonata in D Minor: II. Allegro 03:07
  • 9 Trio sonata in D Minor: III. Presto 02:12
  • Princess Anna Amalia of Prussia (1723 - 1787):
  • 10 Fugue in D Major 02:17
  • Johann Abraham Peter Schulz (1747 - 1800): Trio sonata in A Minor:
  • 11 Trio sonata in A Minor: I. Allegretto 04:28
  • 12 Trio sonata in A Minor: II. Adagio maestoso 02:29
  • 13 Trio sonata in A Minor: III. Poco allegro 02:39
  • Johann Gottlieb Graun: Trio sonata in G Major "Melancholicus & Sanguineus", GWV A:XV:11:
  • 14 Trio sonata in G Major "Melancholicus & Sanguineus", GWV A:XV:11: I. Affettuoso 03:34
  • 15 Trio sonata in G Major "Melancholicus & Sanguineus", GWV A:XV:11: II. Allegro non troppo 04:31
  • 16 Trio sonata in G Major "Melancholicus & Sanguineus", GWV A:XV:11: III. Allegro di molto 04:24
  • Johann Gottlieb Janitsch (1708 - 1763): Trio sonata in G Major:
  • 17 Trio sonata in G Major: I. Andante 03:14
  • 18 Trio sonata in G Major: II. Allegro ma non tanto 04:54
  • 19 Trio sonata in G Major: III. Vivace alla lira 03:30
  • Total Runtime 01:09:08

Info for The Berlin Album

Following on from their critically acclaimed series, Ensemble Diderot continues its 'city series' - after Dresden, Paris and London now Berlin. All the works (except one) in this new recording are world premiere recordings - really exciting music. Uniquely, and some might say something rather radical for a "Berlin Album" no CPE Bach, no Quantz and no Flute! Instead on this rare selection of Trio Sonatas from Berlin, the Ensemble Diderot uses a wonderful copy of a Silbermann Fortepiano - the same as Frederick II had at the court - which gives an incredible variety of colours. When one contemplates mid eighteenth-century music from Berlin, the first thing that comes to mind is undoubtedly the flute-playing King Frederick II ("the Great"), and one asks oneself if a "Berlin" album should actually be a "Potsdam" album. The idea behind the present recording is to focus on Berlin, but without taking into account the three usually perceived musical protagonists: Frederick, his flute, and Carl Philipp Emanuel Bach. However, it is indeed primarily thanks to the cultural policy of the Prussian monarch that Berlin became a noteworthy musical centre. In contrast to Dresden, in Berlin music was not only made at court, but throughout the city and beyond. There were countless private venues in the capital city in which concerts were given with the participation of members of the royal chapel. Double bass player Janitsch continued the weekly concert series that he had already organised in Rheinsberg as "Friday Academies." Chamber music in Berlin was firmly in the hands of professional musicians - the compositions they played were not mass-produced pieces, but rather substantial works that were likewise demanding in terms of technique – both violins play here on an entirely equal footing passages in seventh position that are more reminiscent of solo passages in a virtuoso violin concerto than chamber music for domestic use. All in all, Berlin, in contrast to Dresden, was a true chamber music El Dorado. Previous recordings have gained universal praise from the critics: "A dream team for this repertoire." – Early Music Review "The Ensemble Diderot plays these works with nimble expertise and good spirit" GRAMOPHONE

Ensemble Diderot
Johannes Pramsohler, violin, direction



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Booklet for The Berlin Album

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