Cover Kiki à Paris

Album info

Album-Release:
2024

HRA-Release:
18.10.2024

Label: Cypres

Genre: Classical

Subgenre: Vocal

Artist: Albane Carrère, Elsa de Lacerda, Magali Rischette

Composer: Jane Birkin, Claude Debussy (1862-1918), Reynaldo Hahn (1875-1947), Barbara (1930-1997), Francis Poulenc (1899-1963), Edith Piaf (1915-1963), Lili Boulanger (1893-1918), Brigitte Fontaine, Kiki de Montparnasse

Album including Album cover Booklet (PDF)

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Formats & Prices

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FLAC 48 $ 13.50
  • Jane Birkin (1946 - 2023): Quoi (Arr. by Jean-Luc Fafchamps):
  • 1 Birkin: Quoi (Arr. by Jean-Luc Fafchamps) 04:05
  • Claude Debussy (1862 - 1918): Trois chansons de Bilitis, L. 90:
  • 2 Debussy: Trois chansons de Bilitis, L. 90: 1. La Flûte de Pan (Arr. by Jean-Luc Fafchamps) 02:39
  • 3 Debussy: Trois chansons de Bilitis, L. 90: 2. La Chevelure (Arr. by Jean-Luc Fafchamps) 03:16
  • 4 Debussy: Trois chansons de Bilitis, L. 90: 3. Le Tombeau des naïades (Arr. by Jean-Luc Fafchamps) 02:56
  • Reynaldo Hahn (1874 - 1947): À Chloris (Arr. by Jean-Luc Fafchamps):
  • 5 Hahn: À Chloris (Arr. by Jean-Luc Fafchamps) 03:14
  • Barbara (1930 - 1997): Toi (Arr. by Jean-Luc Fafchamps):
  • 6 Barbara: Toi (Arr. by Jean-Luc Fafchamps) 02:19
  • Juliette: Tueuses (Arr. by Jean-Luc Fafchamps):
  • 7 Poulenc: Tueuses (Arr. by Jean-Luc Fafchamps) 03:09
  • Francis Poulenc (1899 - 1963): Fiançailles pour rire, FP 101:
  • 8 Piaf: Fiançailles pour rire, FP 101: IV. Mon cadavre est doux comme un gant (Arr. by Jean-Luc Fafchamps) 02:39
  • Edith Piaf (1915 - 1963): Mon Dieu (Arr. by Jean-Luc Fafchamps):
  • 9 Piaf: Mon Dieu (Arr. by Jean-Luc Fafchamps) 02:49
  • Hoshi (b. 1996): Et même après je t'aimerai (Arr. by Jean-Luc Fafchamps):
  • 10 Hoshi: Et même après je t'aimerai (Arr. by Jean-Luc Fafchamps) 03:04
  • Boris Vian (1920 - 1959): Fafchamps:
  • 11 Vian: Je voudrais pas crever 04:43
  • Lili Boulanger (1893 - 1918): Reflets (Arr. by Jean-Luc Fafchamps):
  • 12 Boulanger: Reflets (Arr. by Jean-Luc Fafchamps) 02:43
  • Poulenc: Fiançailles pour rire, FP 101:
  • 13 Poulenc: Fiançailles pour rire, FP 101: V. Violon (Arr. by Jean-Luc Fafchamps) 02:07
  • Brigitte Fontaine (b. 1939): Je suis conne (Arr. by Jean-Luc Fafchamps):
  • 14 Fontaine: Je suis conne (Arr. by Jean-Luc Fafchamps) 03:46
  • Kik de Montparnasse (1901 - 1953): Là-haut sur la butte (Arr. by Jean-Luc Fafchamps):
  • 15 Montparnasse: Là-haut sur la butte (Arr. by Jean-Luc Fafchamps) 03:58
  • Dalida (1933 - 1987): Mourir sur scène (Arr. by Jean-Luc Fafchamps):
  • 16 Dalida: Mourir sur scène (Arr. by Jean-Luc Fafchamps) 05:27
  • France Gall (1947 - 2018): Résiste (Arr. by Jean-Luc Fafchamps):
  • 17 Gall: Résiste (Arr. by Jean-Luc Fafchamps) 03:25
  • Total Runtime 56:19

Info for Kiki à Paris

Kiki de Montparnasse wurde von Man Ray unsterblich gemacht, indem er die suggestiven Kurven des weiblichen Rückens und die beiden direkt auf die Haut gemalten Geigenlöcher darstellte, die diesen weiblichen Körper zum unwiderstehlichsten aller Musikinstrumente machen.

Als Mädchen aus dem Nichts, das alles will, als freie Frau, die sich von Konventionen befreit, steht Kiki für die weibliche Emanzipation und inspiriert dieses Aufnahmeprogramm, das den Übergang von der Melodie zum Lied im 20. Jahrhundert veranschaulicht. Der faszinierende Übergang von einer bombastischen und doch erhabenen Ausdruckskraft zur Welt der Ikonen (Édith Piaf, Barbara, Dalida, Jane Birkin, Juliette, Hoshi...).

Die Stimme verliert ihr Pathos und ihr Vibrato und wird zu einer populären Geste: natürlich, mikrofonisch, schmachtend, intim, bluesig, poppig, filmisch..., während das Klavier in diesem Trio aus Mezzostimme, geschlagenen und gezupften Saiten zur Gitarre wird.

Lassen Sie sich von den vielen Facetten der Weiblichkeit, der Kühnheit und der Sinnlichkeit, die dieses unwahrscheinliche Trio verkörpert, nicht täuschen. Diese Aufnahme ist eine wahre Liebeserklärung.

Albane Carrère, Mezzosopran
Elsa de Lacerda, Geige
Magali Rischette, Gitarre

Zur Info: wir bieten dieses Album in der nativen Abtastrate von 48 kHz, 24-Bit an. Die uns zur Verfügung gestellte 96 kHz-Version wurde hochgerechnet und bietet keinen hörbaren Mehrwert!




Albane Carrère
The mezzo-soprano Albane Carrère was born in Vienna, Austria.

After a master's degree in sociology, she entered the Royal Conservatory of Music and the Koninklijk Conservatorium in Brussels. She then perfected herself at the European Opera Center, in the master classes of Teresa Berganza, Nadine Denize and Ann Murray, at the Academy of Music of the Aix-en-Provence Festival and with Claudine Hunault for the staging.

For the 2019/2020 season you can find Albane - among others - in Annina in Verdi's La Traviata during a Japanese tour in Tokyo, Osaka, Nagoya; in Cherub in Mozart's Les Petites Noces in a creation at the Théâtre des Champs Elysées, Rouen opera house and Avignon; in Therese in Thérèse de Massenet in Brussels; in Suzuki in Puccini's Madame Butterfly during a tour in Southern Italy, and again in many recitals: Requiem Saint-Saëns in Paris, Recital Robert and Clara Schumann on a Belgian-French tour, Stabat Mater by Pergolèse with the Rosasolis Ensemble, Mahler concerts in San Remo and Cannes, Mozart concerts and Beethoven with Contraste. Find all the dates in the calendar of Albane which is enriched regularly. ...

Elsa de Lacerda
Winner of the Government Medal at the age of 14, Elsa de Lacerda won the Crédit Communal competition and performed a few months later as soloist with the l’Orchestre Royal Philharmonique de Liège. She then began studying under Endré Kleve at the Conservatoire Royal de Bruxelles, from which she graduated with five Premiers Prix and Diplômes Supérieurs avec Grande Distinction. She pursued her studies at the Eastern Musical Festival in the USA and at l’Accademia Chiggiana in Siena, Italy.

She has studied with Walter Levin (LaSalle Quartet), Rainer Schmidt (Hagen Quartet), Heime Müller and Natalia Prischepenko (Artemis Quartet), Eberhard Feltz and members of the Danel Quartet.

First violinist of the Alfama for 15 years, Elsa de Lacerda has played in many prestigious international concert halls and festivals, including Bozar, deSingel, Philharmonie Luxembourg, the Festival d’Ambronay, la Cité de la Musique, la Philharmonie de Paris, Flagey, the Musée d’Orsay, the Stavelot Festival, Flaneries Musicales de Reims, Festival Artonov, the Bordeaux Opera, the Dijon Opera, the Alcobaça, Espinho Festival in Portugal, the Rouen Opera and the Festival de Cran-Montana et Racinotes in Switzerland.

She has collaborated with pianists Pierre Solot, Elodie Vignon and Nathanaël Gouin, cellists Marie Hallynck and Kacper Nowak, and singers Jodie Devos and Albane Carrère.

She has recorded seven CDs under the Musica Ficta, Fuga Libera, Cyprès and Harmonia Mundi labels, which have received critical acclaim in Belgium and abroad.

Her CD Still Schubert, released by Cyprès, won the Octave de la Musique award in 2020. ...

Magali Rischette
Born in Uccle, Magali Rischette began taking piano and guitar lessons at a very early age. She played both instruments in parallel for around ten years, before finally choosing the guitar as her professional partner.

Magali Rischette holds a Bachelor's degree in guitar (2007) with great distinction, in the class of the Brazilian master Odair Assad at the Conservatoire Royal de Mons, as well as a Master's degree in chamber music (2009) from the Lemmens Instituut in Leuven. Magali also specialised with Raphaella Smits in Leuven in 2009. Magali has often taken part in masterclasses and performed with the Orchestre Royal de Chambre de Wallonie.

As well as performing as a soloist, Magali Rischette is passionate about chamber music, and regularly plays in a variety of ensembles, including a guitar duo with Swiss guitarist Patrizio Perucchi, a flute and guitar duo with Greek flutist Kalliope Bolovinou, a guitar trio with Adrien Brogna and Hughes Kolp, and the ‘Il Diavolo a Quattro’ guitar quartet in a project featuring transcriptions of baroque music.

A founding member of the Alki Guitar Trio since 2003, he has given a succession of concerts in Belgium, France, Germany, Brazil and Poland. Two recordings by the Alki Guitar Trio have been released by GHA Records: Alki (2011) and Corpus (2015).

As well as performing as a soloist, Magali Rischette is passionate about chamber music, and regularly plays in a variety of ensembles, including a guitar duo with Swiss guitarist Patrizio Perucchi, a flute and guitar duo with Greek flutist Kalliope Bolovinou, a guitar trio with Adrien Brogna and Hughes Kolp, and a guitar quartet, Il Diavolo a Quattro, in a project featuring transcriptions of Baroque music.

A founding member of the Alki Guitar Trio since 2003, he has given a succession of concerts in Belgium, France, Germany, Brazil and Poland. Two recordings by the Alki Guitar Trio have been released by GHA Records: Alki (2011) and Corpus (2015).

During the summers of 2019 and 2021, Magali Rischette will specialise abroad, following the teaching of Argentine guitarist Pablo Márquez. In 2020, Magali Rischette will embark on a new solo project featuring contemporary Belgian music, working with a number of composers. The start of a new adventure...



Booklet for Kiki à Paris

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